Published online by Cambridge University Press: 29 February 2016
The story of Susanna and the Elders, found in the apocryphal thirteenth chapter of Daniel, part of the Greek version of the Book of Daniel, is richly suggestive of its likely appeal to poets and artists. It is set during the Babylonian Captivity and recounts events concerning the Jewish community within Babylon. Susanna is the beautiful and chaste wife of a wealthy man, Joachim, whose home serves as a seat of justice for his fellow Jews. While bathing in their garden, Susanna is spied upon and accosted by two judges of Israel who frequent her husband's house. They invite her to satisfy both of them or suffer the penalty for a charge of adultery, which they will bring against her. She refuses, saying that she would rather fall into their hands than sin in the sight of God. She is tried unveiled before the people. Led off to execution, Susanna calls out to God, who stirs up the spirit of the young Daniel. Daniel's skill in separating the elders before asking for details of their evidence against Susanna reveals their perjury, and they are put to death by the crowd. The tale is certainly courtroom drama, but it is also a narrative of transgressions — of female chastity and modesty, of the household and property, of justice itself.
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27 For this letter, see LeClercq, , “Lettres de vocation,” 175–77. This first letter is no. 63 in Wilmart's numbering.Google Scholar
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32 Bernard (see n. 3 above) discusses Susanna. See also Thomas the Cistercian in his commentary on the Canticle (PL 206:15–20) and Gunther the Cistercian in De oratione jejunio et eleemosyna (PL 212:97–221, at 169).Google Scholar
33 For Willetrudis, see Stevenson, , Latin Poets (n. 2 above), 130–37. Stevenson also mentions Peter Riga and Alan of Melsa. Her suggestion that Willetrudis might have been an Anglo-Norman nun from the Benedictine house of Wilton in Wiltshire is intriguing, particularly considering Jocelyn Wogan-Browne's work on the textual communities of Anglo-Norman nuns. See Wogan-Browne, Jocelyn, Saints' Lives and Women's Literary Culture c. 1150–1300: Virginity and Its Authorizations (Oxford, 2001). Peter Riga's poem is edited by Mozley, “Susanna and the Elders” (see n. 4 above), 30–41. For a more recent edition, as well as comments on Peter Riga, see Beichner, Paul E., ed., Aurora: Petri Rigae Biblia Versificata: A Verse Commentary on the Bible, vol. 1, Publications in Medieval Studies 19 (South Bend, 1965), 360–67, 371–74. Riga, Peter, according to Beichner (notes to lines 451–646), first wrote the Historia Susanne as an independent poem before putting it into the Aurora. Aegidius of Paris, in revising the Aurora, destroyed the Historia Susanne as a debate, rearranging the parts and making additions to it so that it began in the garden and not at the trial. Mozley and Beichner print both versions of the Historia Susanne. Beichner also notes (ibid., xxix) that the Aurora was in the library at Melsa though he does not say which version. This is not surprising, considering the widespread popularity of the poem.Google Scholar
34 Mozley (“Susanna and the Elders,” 27) also notes that there are references to poems on the subject of Susanna in old library catalogues, such as those of St. Augustine's Abbey, Canterbury, Peterborough Abbey Library, and the library of the Austin Friars at York. For the Austin Friars' importance to textual dissemination, see Hanna, Ralph, “Augustinian Canons and Middle English Literature,” in The English Medieval Book: Studies in Memory of Jeremy Griffiths , ed. Edwards, A. S. G., Gillespie, Vincent, and Hanna, Ralph (London, 2000), 27–42.Google Scholar
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36 In the Reductorium Morale Super lotam Bibliam (Venice, 1633), 206, Pierre Bersuire likens Susanna to the soul and says that she should not have been alone (hence, without attendant virtues) in the garden.Google Scholar
37 See Donovan, , The de Brailles Hours (n. 2 above), 4–5.Google Scholar
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41 Peter Riga likewise employs the term “res nova” (line 149), but he uses it to describe the revolutionary force of Susanna's beauty upon the decrepitude of the elders.Google Scholar
42 Stevenson's reading (Latin Poets, 133) of Willetrudis's account of Susanna is instructive here, for Willetrudis shapes the account, probably written for nuns, so that the emphasis is upon female strength and chastity.Google Scholar
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66 Tractatus … de Susanna, line 213. In the Pistel of Susan , the poet has the judges repeat the word “lorere” (laurel) twice more (lines 136, 143), probably to have them incriminate themselves as persecutors of the innocent, as well as to look forward to Daniel's questioning about the type of tree later in the poem.Google Scholar
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77 See Middle English Dictionary , ed. Kurath, Hans, assoc. ed. Kuhn, Sherman M., (Ann Arbor, 1952–2001), s. v. “pleint.” Google Scholar
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79 New York, Pierpont Morgan MS 818 (Ingilby MS), ca. 1425–75. According to the Pierpont Morgan notes, this manuscript is possibly from Yorkshire and possibly associated with the Cistercian abbey of Fountains. However as Ralph Hanna noted in a private communication, it is linked with Fountains because it was long owned by the Ingilbys of Ripley, who may have pillaged Fountains at the Dissolution. It contains A Pistel of Susan, Rolle's Form of Living, and the earliest known version of the A-text of Piers Plowman. The other two manuscripts are: BL Cotton Caligula A.ii, part 1 (ca. 1440–60). This manuscript contains a number of romances, as well as the Siege of Jerusalem and moral and religious works. For a description of this manuscript, in which A Pistel of Susan appears in a separate booklet at the head, see Hanna, Ralph and Lawton, David, eds., The Siege of Jerusalem EETS, 320 (Oxford, 2003), xxiv-xxvi. And Huntington HM 114, (ca. 1425–50), which contains a text of Piers Plowman, but also of Mandeville's Travels, Three Kings of Cologne, and Chaucer's Troilus and Criseyde. See Dutschke, C. W. et al., Guide to Medieval and Renaissance Manuscripts in the Huntington Library (San Marino, CA, 1989), 150–52.Google Scholar
80 Peck, , Pistel of Swete Susan (n. 62 above), 78, quotes Doyle's comments from his Introduction to the Vernon Facsimile (The Vernon Manuscript [n. 58 above], 15–16), to which I refer. See also my remarks in Languages of Power (n. 59 above), 340–45.Google Scholar
81 The history of the Bohun family is inevitably a history of English books and book-making. See, for example, Sandler, Lucy Freeman, The Lichtenthal Psalter and the Manuscript Patronage of the Bohun Family (London, 2004). Joan and her husband Humphrey were important patrons of many religious foundations, especially Walden Abbey in Essex. Joan also helped found a chantry in the Cistercian abbey of Coggeshall in Essex (see Dugdale, , Monasticon [n. 9 above], 451), and her son-in-law, Thomas of Woodstock, a notorious book collector himself, was deeply involved with Melsa in Yorkshire. For books associated with both, see Cavanaugh, Sheila H., “A Study of Books Privately Owned in England, 1300–1450,” Ph.D. diss., University of Pennsylvania, 1980.Google Scholar
82 See Saul, Nigel, Richard II (New Haven, 1997), 373–75.Google Scholar
83 Goodman, Anthony, “The Countess and the Rebels: Essex and a Crisis in English Society,” Essex Archaeology and History: The Transactions of the Essex Archaeological Society 2 (1972): 274. On forfeiture, see Ross, C. D., “Forfeiture for Treason in the Reign of Richard II,” English Historical Review 71 (1956): 560–75.Google Scholar
84 Jeffrey, David Lyle (“False Witness and the Just Use of Evidence in the Wycliffite Pistel of Swete Susan,” in The Judgment of Susanna: Authority and Witness , ed. Spol-sky, Ellen [Atlanta, 1996], 57–71) has argued that A Pistel should be situated “in the context of Wycliffite concerns about oppression by false witnesses” (69). His argument is rich and informative, but the manuscripts in which the poem appears do not warrant the identification. But see also his discussion of later Wycliffite allusions to Susanna.Google Scholar
85 In Two Wycliffite Texts , ed. Hudson, Anne, EETS 301 (Oxford, 1993), 24–93 at 35. See Jeffrey, , “False Witness,” 66–67 for Wyclif's references to her as an example of injustice.Google Scholar
86 For editions of the sermon, see Knight, Ione Kemp, Wimbledon's Sermon: “Redde Rationem Villicationis Tue”: A Middle English Sermon of the Fourteenth Century (Pitts burgh, 1967); and Owen, Nancy H., “Thomas Wimbledon's Sermon: ‘Redde racionem villicacionis tue,”’ Mediaeval Studies 28 (1966): 176–97. This sermon is extant in fifteen manuscripts; it was also printed eighteen times between 1550 and 1635 and carried over into Foxe's Acts and Monuments. For detailed manuscript information, see Knight's, I. K. introduction (Wimbledon's Sermon).Google Scholar
87 Fisher, John, A Spiritual consolation written … to hys sister Elizabeth (London, 1578); Ridley, Nicholas, An Account of a Disputation at Oxford, anno dom. 1554, with A Treatise of the Blessed Sacrament (London, 1685); and Raleigh, Walter Sir, The Arraignment and Conviction of Sr. Walter Rawleigh … on 17 November 1603 (London, 1648).Google Scholar
88 Garter, Thomas, The commody of the Moste Virtuous and Godlye Susanna (London, 1578); Roche, Robert, Eustathia, or the Constancie of Susanna (London, 1599); Aylett, Robert, Susanna: or, the Arraignment of the Two Vniust Elders (London, 1622).Google Scholar