Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-10T02:50:39.475Z Has data issue: false hasContentIssue false

The Shoemaker's Holiday at the Mercury Theatre

Published online by Cambridge University Press:  07 July 2009

Extract

Barely eighteen months before his production of The Shoemaker's Holiday, Orson Welles could not claim for himself a single credential in the professional theatre. Beginning with his very first production, the celebrated “Voodoo” Macbeth, in 1936, Welles quickly became the center of mounting popular and critical attention with Horse Eats Hat, Dr. Faustus and The Cradle Will Rock for the W.P.A. He followed these in the Winter of 1937–38 with the first two productions for his own, newlyformed Mercury Theatre: Julius Caesar and The Shoemaker's Holiday.

Type
Research Article
Copyright
Copyright © American Society for Theatre Research 1975

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Warshow, Robert, The Immediate Experience (Garden City, 1962), p. 34.Google Scholar

2 New York Herald Tribune, 23 January 1938.Google Scholar

3 New York Times, 3 January 1938.Google Scholar

4 Statement by Hiram Sherman. Personal interview. Westwood, New Jersey. 1 June 1972.

5 Stage, (February 1938), 49.Google Scholar

6 Times, loc. cit.

7 New York Post, 3 January 1938.Google Scholar

8 Newsweek, 17 January 1938.Google Scholar

9 One Act Play Magazine (January 1938), 843.Google Scholar

11 Brooklyn Daily Eagle, 1 January 1938.Google Scholar

12 Heald Tribune, 3 January 1938.Google Scholar

13 Newsweek, loc. cit.

14 New York Daily News, 1 January 1938.Google Scholar

15 Commonweal, 14 January 1938.Google Scholar

16 Catholic World (February 1938), 595Google Scholar

17 Herald Tribune, 23 January 1938.Google Scholar

18 Times, loc.cit.

19 Welles, Orson, The Shoemaker's Holiday. Unpublished manuscript. Theatre Collection, Library and Museum of the Performing Arts. New York, New York.Google Scholar

20 Dekker, Thomas, The Shoemaker's Holiday. Eight Famous Elizabethan Plays (New York, 1932).Google Scholar

21 Post, loc. cit.

22 One Act Play Magazine, loc. cit.

23 Catholic World, loc. cit.

24 Stage, loc. cit.

25 Houseman, John, Run-Through (New York, 1972), p. 329.Google Scholar

26 The drawings and scale models for Song of the Dneiper are still in Leve's possession.

27 Statement by Millia Davenport. Personal interview. New York. 3 June 1972.

29 Sherman interview.

30 Post, loc. cit.

31 Stàtement by Norman Lloyd. Telephone interview. Los Angeles. 21 June 1972.

32 Statement by Joseph Cotton. Telephone interview. Los Angeles. 9 July 1972.

33 Statement by Lehman Engel. Personal interview. New York. 2 June 1972.

34 Statement by Arthur Anderson. Personal interview. New York. 12 June 1972.

35 John Mason Brown in Post, loc. cit.

36 Sherman interview.

37 Anderson interview.

38 Sherman interview.

40 Herald Tribune, 3 January 1938.Google Scholar

41 Post, loc. cit.