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LIST OF BOOKS RECEIVED AS OF 1 MAY 2012

Published online by Cambridge University Press:  28 August 2012

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Type
Books Received
Information
Theatre Survey , Volume 53 , Issue 2 , September 2012 , pp. 365 - 370
Copyright
Copyright © American Society for Theatre Research 2012

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References

Amine, Khalid, and Carlson, Marvin. The Theatres of Morocco, Algeria and Tunisia: Performance Traditions of the Maghreb. Studies in International Performance. New York: Palgrave Macmillan, 2011. $85 cloth.Google Scholar
Banks, Daniel, ed. Say Word! Voices from Hip Hop Theater. Ann Arbor: University of Michigan Press, 2011. $95 cloth, $40 paper.CrossRefGoogle Scholar
Batiste, Stephanie Leigh. Darkening Mirrors: Imperial Representation in Depression-Era African American Performance. Durham and London: Duke University Press, 2011. $94.95 cloth, $25.95 paper.Google Scholar
Bayer, Mark. Theatre, Community, and Civic Engagement in Jacobean London. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2011. $39.95 paper.Google Scholar
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Bernstein, Robin. Racial Innocence: Performing American Childhood from Slavery to Civil Rights. New York and London: New York University Press, 2011. $75 cloth, $24 paper.Google Scholar
Blau, Herbert. As If: An Autobiography. Ann Arbor: University of Michigan Press, 2011. $60 cloth, $29.95 e-book.CrossRefGoogle Scholar
Blau, Herbert. Reality Principles: From the Absurd to the Virtual. Ann Arbor: University of Michigan Press, 2011. $85 cloth, $35 paper, $35 e-book.CrossRefGoogle Scholar
Brosius, Peter, and Adams, Elissa, eds. The Face of America: Plays for Young People. Minneapolis: University of Minnesota Press, 2011. $17.95 paper.Google Scholar
Catanese, Brandi Wilkins. The Problem of the Color[blind]: Racial Transgression and the Politics of Black Performance. Ann Arbor: University of Michigan Press, 2011. $75 cloth, $28.95 paper.CrossRefGoogle Scholar
Cavallero, Daniela, ed. and trans. Italian Women's Theatre, 1930–1960: An Anthology of Plays. Fishponds, Bristol, UK and Chicago: Intellect, 2011. $30 paper.Google Scholar
*Cheng, Anne Anlin. Second Skin: Josephine Baker & the Modern Surface. Oxford and New York: Oxford University Press, 2011. $24.95 cloth.Google Scholar
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D, Savitri, and Talen, Bill. The Reverend Billy Project: From Rehearsal Hall to Super Mall with the Church of Life After Shopping. Ed. Solomon, Alisa. Ann Arbor: University of Michigan Press, 2011. $55 cloth, $22.95 paper.Google Scholar
*Davis, Andrew. America's Longest Run: A History of the Walnut Street Theatre. University Park: Penn State University Press, 2010. $44.95 cloth.Google Scholar
Davis, Andrew. Baggy Pants Comedy: Burlesque and the Oral Tradition. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2011. $90 cloth.Google Scholar
*Dobson, Michael. Shakespeare and Amateur Performance: A Cultural History. Cambridge: Cambridge University Press, 2011. $85 cloth.CrossRefGoogle Scholar
Dorn, Dennis, and Shanda, Mark. Drafting for the Theatre. 2d ed.Carbondale: Southern Illinois University Press, 2012. $59.95 paper, $59.95 e-book.Google Scholar
*Enders, Jody, ed. and trans. “The Farce of the Fart” and Other Ribaldries: Twelve Medieval French Plays in Modern English. Philadelphia: University of Pennsylvania Press, 2011. $49.95 cloth.CrossRefGoogle Scholar
Filewood, Alan. Committing Theatre: Theatre Radicalism and Political Intervention in Canada. Toronto: Between the Lines, 2011. $29.95 paper.Google Scholar
*Fischer, Iris Smith. Mabou Mines: Making Avant-Garde Theater in the 1970s. Ann Arbor: University of Michigan Press, 2011. $60 cloth.CrossRefGoogle Scholar
Ford-Smith, Honor. 3 Jamaican Plays: A Postcolonial Anthology (1977–1987). Kingston, Jamaica: Paul Issa Publications, 2011. $24 paper.Google Scholar
*Foster, Michael, and Foster, Barbara. A Dangerous Woman: The Life, Loves, and Scandals of Adah Isaacs Menken, 1835–1868, America's Original Superstar. Guilford, CT: Lyons Press, 2011. $24.95 cloth.Google Scholar
Francis, Penny. Puppetry: A Reader in Theatre Practice. Readers in Theatre Practices. New York: Palgrave Macmillan, 2012. $85 cloth, $32 paper.CrossRefGoogle Scholar
Grover-Friedlander, Michal. Operatic Afterlives. New York: Zone Books, 2011. $29.95 cloth.Google Scholar
*Harris, Max. Sacred Folly: A New History of the Feast of Fools. Ithaca and London: Cornell University Press, 2011. $49.95 cloth.CrossRefGoogle Scholar
*Harvie, Jen, and Lavender, Andy, eds. Making Contemporary Theatre: International Rehearsal Processes. Manchester and New York: Manchester University Press, 2010. $84.95 cloth, $24.95 paper.Google Scholar
Hecht, Stuart J.Transposing Broadway: Jews, Assimilation, and the American Musical. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2011. $85 cloth.CrossRefGoogle Scholar
Hohman, Valleri J.Russian Culture and Theatrical Performance in America, 1891–1933. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2011. $85 cloth.CrossRefGoogle Scholar
Holdsworth, Nadine. Joan Littlewood's Theatre. Cambridge Studies in Modern Theatre. Cambridge: Cambridge University Press, 2011. $90 cloth.Google Scholar
Hopkins, Lisa. Drama and the Succession to the Crown, 1561–1633. Studies in Performance and Early Modern Drama. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2011. $99.95 cloth.Google Scholar
Igweonu, Kene, ed. Trends in Twenty-First Century African Theatre and Performance. Themes in Theatre: Collective Approaches to Theatre and Performance. Amsterdam and New York: Rodopi, 2011. $136 cloth.CrossRefGoogle Scholar
Jackson, Anthony, and Kidd, Jenny, eds. Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation. Manchester and New York: Manchester University Press, 2011. $90 cloth.Google Scholar
Johnson, James H.Venice Incognito: Masks in the Serene Republic. Berkeley, Los Angeles, and London: University of California Press, 2011. $39.95 cloth, $39.95 e-book.CrossRefGoogle Scholar
Johnson, Stephen, ed. A Tyranny of Documents: The Performing Arts Historian as Film Noir Detective; Essays Dedicated to Brooks McNamara. New York: Theatre Library Association, 2011. $30 paper.Google Scholar
Kershaw, Baz, and Nicholson, Helen, eds. Research Methods in Theatre and Performance. Edinburgh: Edinburgh University Press, 2011. $100 cloth, $40 paper.CrossRefGoogle Scholar
Kester, Grant H.The One and the Many: Contemporary Collaborative Art in a Global Context. Durham and London: Duke University Press, 2011. $24.95 paper, $89.95 cloth.Google Scholar
Krasner, David. An Actor's Craft: The Art and Technique of Acting. New York: Palgrave Macmillan, 2011. $80 cloth, $27 paper.Google Scholar
*Lambert, Philip. To Broadway, to Life! The Musical Theater of Bock and Harnick. Oxford and New York: Oxford University Press, 2010. $35 cloth.CrossRefGoogle Scholar
Lee, Josephine, Eitel, Don, and Shiomi, R. A., eds. Asian American Plays for a New Generation. Philadelphia: Temple University Press, 2011. $84.50 cloth, $29.95 paper.Google Scholar
*Leon, Mechele. Molière, the French Revolution, and the Theatrical Afterlife. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2010. $39.95 cloth, $29.95 e-book.Google Scholar
Lerman, Liz. Hiking the Horizontal: Field Notes from a Choreographer. Middleton, CT: Wesleyan University Press, 2011. $29.95 cloth, $14.99 e-book.Google Scholar
Lindsay, Robert. Letting Go. London: Thorogood, 2011. $16.95 paper.Google Scholar
Linnell, Jim. Walking on Fire: The Shaping Force of Emotion in Writing Drama. Carbondale and Edwardsville: Southern Illinois University Press, 2011. $29.95 paper.Google Scholar
Lublin, Robert I.Costuming the Shakespearean Stage: Visual Codes of Representation in Early Modern Theatre and Culture. Studies in Performance and Early Modern Drama. Farnham, Surrey, UK: Ashgate, 2011. $99.95 cloth.Google Scholar
*Madison, D. Soyini. Acts of Activism: Human Rights as Radical Performance. Theatre and Performance History. Ed. Davis, Tracy C.. Cambridge and New York: Cambridge University Press, 2010. $104 cloth, $83 e-book.CrossRefGoogle Scholar
Majer, Michele, ed. Staging Fashion 1880–1920: Jane Hading, Lily Elsie, Billie Burke. New York, Bard Graduate Center, 2012. $40 paper.Google Scholar
Major, Leon, with Laing, Michael. The Empty Voice: Acting Opera. Milwaukee: Amadeus Press, 2011. $19.99 paper.Google Scholar
*Malkin, Jeanette R., and Rokem, Freddie, eds. Jews and the Making of Modern German Theatre. Iowa City: University of Iowa Press, 2010. $49.95 cloth.CrossRefGoogle Scholar
Mamet, David. Theatre. New York: Faber & Faber, 2010. $22 cloth, $15 paper.Google Scholar
Martin, Randall, and Scheil, Katherine, eds. Shakespeare/Adaptation/Modern Drama: Essays in Honour of Jill L. Levenson. Toronto, Buffalo, and London: University of Toronto Press, 2011. $65 cloth.CrossRefGoogle Scholar
Merkin, Ros, ed. Liverpool Playhouse: A Theatre and Its City. Liverpool: Liverpool University Press, 2011. $45 cloth.Google Scholar
*Newey, Katherine, and Richards, Jeffrey. John Ruskin and the Victorian Theatre. London and New York: Palgrave Macmillan, 2010. $90 cloth.CrossRefGoogle Scholar
Nye, Edward. Mime, Music and Drama on the Eighteenth-Century Stage: The Ballet d'Action. Cambridge: Cambridge University Press, 2011. $99 cloth.CrossRefGoogle Scholar
O'Quinn, Daniel. Entertaining Crisis in the Atlantic Imperium 1770–1790. Baltimore: Johns Hopkins University Press, 2011. $75 cloth.CrossRefGoogle Scholar
Pascoe, Judith. The Sarah Siddons Audio Files: Romanticism and the Lost Voice. Ann Arbor: University of Michigan Press, 2011. $50 cloth.CrossRefGoogle Scholar
*Pearson, Mike. Site-Specific Performance. London and New York: Palgrave Macmillan, 2010. $85 cloth, $29 paper.CrossRefGoogle Scholar
Perry, Jill, with Roach, Joseph and West, Shearer. The First Actresses: From Nell Gwyn to Sarah Siddons. Ann Arbor: University of Michigan Press, 2011. $50 cloth.CrossRefGoogle Scholar
Pilkinton, Mark C.Washington Hall at Notre Dame: Crossroads of the University, 1864–2004. Notre Dame: University of Notre Dame Press, 2011. $30 paper.Google Scholar
Polster, Joshua E.Reinterpreting the Plays of Arthur Miller: An Approach Using Cultural Semiotics and New Historicism. With a Foreword by Witham, Barry. Lewiston, Queenston, and Lampeter: Edwin Mellen Press, 2010. $129.95 cloth.Google Scholar
Racine, Jean. The Complete Plays of Jean Racine, Volume I: The Fratricides. Trans. and annot. Argent, Geoffrey Alan. University Park, PA: Pennsylvania State University Press, 2010. $49.95 cloth, $21.95 paper.Google Scholar
*Ragussis, Michael. Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain. Philadelphia: University of Pennsylvania Press, 2010. $55 cloth.CrossRefGoogle Scholar
Rebhorn, Matthew. Pioneer Performances: Staging the Frontier. New York and Oxford: Oxford University Press, 2012. $65 cloth.CrossRefGoogle Scholar
Reilly, Kara. Automata and Mimesis on the Stage of Theatre History. London and New York: Palgrave Macmillan, 2011. $80 cloth.CrossRefGoogle Scholar
Reinelt, Janelle, and Hewitt, Gerald. The Political Theatre of David Edgar: Negotiation and Retrieval. Cambridge Studies in Modern Theatre. Cambridge: Cambridge University Press, 2011. $99 cloth.CrossRefGoogle Scholar
Rokem, Freddie. Philosophers and Thespians: Thinking Performance. Cultural Memory in the Present. Stanford: Stanford University Press, 2010. $60 cloth, $21.95 paper, $21.95 e-book.Google Scholar
Roselli, David Kowalko. Theater of the People: Spectators and Society in Ancient Athens. Austin: University of Texas Press, 2011. $55 cloth, $25 paper.Google Scholar
Rudkin, David. “Red Sun” and “Merlin Unchained.” With expository essays edited by Rabey, David Ian. Chicago: University of Chicago Press, 2011. $40 paper.Google Scholar
Saxon, Theresa. American Theatre: History, Context, Form. Edinburgh: Edinburgh University Press, 2011. $95 cloth, $32 paper.CrossRefGoogle Scholar
Schanke, Robert A.Queer Theatre and the Legacy of Cal Yeomans. New York: Palgrave Macmillan, 2011. $85 cloth.CrossRefGoogle Scholar
*Scheer, Edward, ed. 100 Years of Cruelty: Essays on Artaud. Seattle: University of Washington Press, 2011. $29.95 paper.Google Scholar
*Scott, Shelley. Nightwood Theatre: A Woman's Work Is Always Done. Canadian Play. Edmonton: Athabasca University Press, 2010. $39.95 paper.CrossRefGoogle Scholar
*Scott, Virginia. Women on the Stage in Early Modern France, 1540–1750. Cambridge and New York: Cambridge University Press, 2010. $99 cloth.CrossRefGoogle Scholar
Shakespeare, William. The Tempest. Rev. ed. Eds. Vaughan, Virginia Mason and Vaughan, Alden T.. The Arden Shakespeare – Third Series. London: Bloomsbury, 2011. $17.00 paper.Google Scholar
Shaw, Peggy. A Menopausal Gentleman: The Solo Performances of Peggy Shaw. Ed. and intro. Dolan, Jill. Ann Arbor: University of Michigan Press, 2011. $65 cloth, $26.95 paper.CrossRefGoogle Scholar
Sidiropoulou, Avra. Authoring Performance: The Director in Contemporary Theatre. What is Theatre? New York: Palgrave Macmillan, 2011. $85 cloth.CrossRefGoogle Scholar
Smith, Cherise. Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith. Durham and London: Duke University Press, 2011. $89.95 cloth, $24.95 paper.Google Scholar
Smith, Helen. There's a Place for Us: The Musical Theatre Works of Leonard Bernstein. Farnham, Surrey, UK: Ashgate, 2011. $99.95 cloth.Google Scholar
Storm, William. Irony and the Modern Theatre. Cambridge Studies in Modern Theatre. Cambridge: Cambridge University Press, 2011. $90 cloth, $72 e-book.CrossRefGoogle Scholar
Tait, Peta. Wild and Dangerous Performances: Animals, Emotions, Circus. New York: Palgrave Macmillan, 2012. $80 cloth.Google Scholar
Taylor, Philip, and Susan, Taylor. Jonathan Dewhurst: The Curtain Falls. Leicestershire, UK: Matador, 2011. Indeterminate U.S. price [£12 from publisher] cloth.Google Scholar
Volpp, Sophie. Worldly Stage: Theatricality in Seventeenth-Century China. Cambridge, MA; Harvard University Press (for Harvard University Asia Center), 2011. $44.95 cloth.Google Scholar
Welton, Martin. Feeling Theatre. New York: Palgrave Macmillan, 2011. $85 cloth.Google Scholar
Wyles, Rosie. Costume in Greek Tragedy. London: Bristol Classical Press, 2011. $34.95 paper.CrossRefGoogle Scholar