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List of Books Received as of 1 December 2009

Published online by Cambridge University Press:  26 April 2010

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Books Received
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Theatre Survey , Volume 51 , Issue 1 , May 2010 , pp. 177 - 184
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Copyright © American Society for Theatre Research 2010

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References

Alexander, Catherine M. S., ed. The Cambridge Companion to Shakespeare's Last Plays. Cambridge and New York: Cambridge University Press, 2009. $90 cloth, $29.99 paper.CrossRefGoogle Scholar
Allain, Paul, ed. Grotowski's Empty Room. London, New York, and Calcutta: Seagull Books, 2009. $29 cloth.Google Scholar
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Anderson, Patrick, and Menon, Jisha, eds. Violence Performed: Local Roots and Global Routes of Conflict. Studies in International Performance. New York: Palgrave Macmillan, 2009. $80 cloth.CrossRefGoogle Scholar
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Buch, David J.Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater. Chicago and London: University of Chicago Press, 2009. $50 cloth.Google Scholar
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Carlson, Marvin. Theatre Is More Beautiful than War: German Stage Directing in the Late Twentieth Century. Iowa City: University of Iowa Press, 2009. $42.95 cloth.Google Scholar
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*Chemers, Michael. Staging Stigma: A Critical Examination of the American Freak Show. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2008. $80 cloth.Google Scholar
Clemons, Leigh. Branding Texas: Performing Culture in the Lone Star State. Austin: University of Texas Press, 2008. $40 cloth.Google Scholar
Cohen, Robert, and Calleri, James. Acting Professionally: Raw Facts about Careers in Acting, 7th ed.New York: Palgrave Macmillan, 2009. $29.95 paper.Google Scholar
*Collison, David. The Sound of Theatre: From the Ancient Greeks to the Modern Digital Age. Eastbourne: PLASA Limited, 2008. $49.99 cloth.Google Scholar
Cousins, A. D., and Scott, Alison V., eds. Ben Jonson and the Politics of Genre. Cambridge and New York: Cambridge University Press, 2009. $90 cloth.CrossRefGoogle Scholar
Craig, Edward Gordon. On the Art of the Theatre. Ed. Chamberlain, Franc. Routledge Theatre Classics. London and New York: Routledge, 2009. $99 cloth, $28.98 paper.Google Scholar
*Cunningham, Vanessa. Shakespeare and Garrick. Cambridge and New York: Cambridge University Press, 2008. $90 cloth.Google Scholar
Curran, Kevin. Marriage, Performance, and Politics at the Jacobean Court. Studies in Performance and Early Modern Drama. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2009. $99.95 cloth.Google Scholar
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Dundjerovic, Aleksandar Saša. Robert Lepage. Routledge Performance Practitioners. London and New York: Routledge, 2009. $110 cloth, $27.95 paper.Google Scholar
Dunne, Will. The Dramatic Writer's Companion: Tools to Develop Characters, Cause Scenes, and Build Stories. Chicago and London: University of Chicago Press, 2009. $45 cloth, $19 paper.CrossRefGoogle Scholar
Eynat-Confino, Irene. On the Uses of the Fantastic in Modern Theatre: Cocteau, Oedipus, and the Monster. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2008. $80 cloth.CrossRefGoogle Scholar
Fehsenfeld, Martha Dow, and Overbeck, Lois More, eds. The Letters of Samuel Beckett, 1929–1940. Cambridge and New York: Cambridge University Press, 2009. $50 cloth.Google Scholar
Filloux, Catherine. “The Silence of God” and Other Plays. London, New York, and Calcutta: Seagull Books, 2009. $99.95 cloth, $24.95 paper.Google Scholar
Fischer-Lichte, Erika. The Transformative Power of Performance: A New Aesthetics. Trans. Saskya Iris Jain. London and New York: Routledge, 2008. $117 cloth, $36.95 paper.Google Scholar
Fletcher, Anne. Rediscovering Mordecai Gorelik: Scene Design and the American Theatre. Theater in the Americas. Carbondale: Southern Illinois University Press, 2009. $37.50 paper.Google Scholar
*Fliotsos, Anne, and Vierow, Wendy. American Women Stage Directors of the Twentieth Century. Urbana and Chicago: University of Illinois Press, 2008. $60 cloth.Google Scholar
*Forman, Valerie. Tragicomic Redemptions: Global Economics and the Early Modern English Stage. Philadelphia: University of Pennsylvania Press, 2008. $59.95 cloth.CrossRefGoogle Scholar
Frankel, Noralee. Stripping Gypsy: The Life of Gypsy Rose Lee. Oxford and New York: Oxford University Press, 2009. $27.95 cloth.Google Scholar
Goldhill, Simon, and Hall, Edith, eds. Sophocles and the Greek Tragic Tradition. Cambridge and New York: Cambridge University Press, 2009. $99 cloth.Google Scholar
Griffin, Eric J. English Renaissance Drama and the Specter of Spain: Ethnopoetics and Empire. Philadelphia: University of Pennsylvania Press, 2009. $59.95 cloth.CrossRefGoogle Scholar
Grossman, Barbara Wallace. A Spectacle of Suffering: Clara Morris on the American Stage. Theater in the Americas. Carbondale: Southern Illinois University Press, 2009. $37.50 paper.Google Scholar
Gurr, Andrew. Shakespeare's Opposites: The Admiral's Company 1594–1625. Cambridge: Cambridge University Press, 2009. $99 cloth.Google Scholar
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Hopkins, D. J., Orr, Shelley, and Solga, Kim, eds. Performance and the City. New York: Palgrave Macmillan, 2009. $85 cloth.CrossRefGoogle Scholar
*Huang, Alexander C. Y. Chinese Shakespeares: Two Centuries of Cultural Exchange. New York: Columbia University Press, 2009. $84.50 cloth, $26.50 paper.Google Scholar
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Ibbett, Katherine. The Style of the State in French Theater, 1630–1660: Neoclassicism and Government. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2009. $99.95 cloth.Google Scholar
Jensen, Phebe. Religion and Revelry in Shakespeare's Festive World. Cambridge and New York: Cambridge University Press, 2009. $90 cloth.Google Scholar
*Johnson, Claudia Durst. Church and Stage: The Theatre as Target of Religious Condemnation in Nineteenth Century America. Jefferson, NC: McFarland, 2008. $39.95 paper.Google Scholar
Jones, Megan Sanborn. Performing American Identity in Anti-Mormon Melodrama. Studies in American Popular History and Culture. New York and London: Routledge, 2009. $105 cloth.Google Scholar
*Kanter, Jodi. Performing Loss: Rebuilding Community through Theater and Writing. Carbondale, IL: Southern Illinois University Press, 2007. $37.50 paper.Google Scholar
Katselas, Milton. Acting Class: Take a Seat. Beverly Hills: Phoenix Books, 2008. $34.95 cloth.Google Scholar
Kennedy, Dennis. The Spectator and the Spectacle: Audiences in Modernity and Postmodernity. Cambridge and New York: Cambridge University Press, 2009. $90 cloth.Google Scholar
Kermode, Lloyd Edward, ed. Three Renaissance Usury Plays: “The Three Ladies of London,” “Englishmen for My Money,” “The Hog Hath Lost His Pearl.” The Revels Plays Companion Library. Manchester and New York: University of Manchester Press, 2009. $94 cloth.Google Scholar
*Kershaw, Baz. Theatre Ecology: Environments and Performance Events. New York and Cambridge: Cambridge University Press, 2008. $100 cloth, $39.99 paper.Google Scholar
Kobialka, Michal.Further on, Nothing: Tadeusz Kantor's Theatre. Minneapolis and London: University of Minnesota Press, 2009. $105 hardcover, $35 paper.Google Scholar
Koegel, John. Music in German Immigrant Theater: New York City, 1840–1940. Rochester, NY: University of Rochester Press, 2009. $80 cloth.Google Scholar
Kolin, Philip C., ed. The Influence of Tennessee Williams: Essays on Fifteen American Playwrights. Jefferson, NC and London: McFarland, 2008. $39.95 paper.Google Scholar
Kottman, Paul A. Tragic Conditions in Shakespeare: Disinheriting the Globe. Rethinking Theory. Baltimore: Johns Hopkins University Press, 2009. $60 cloth.Google Scholar
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Leon, Mechele. Molière, the French Revolution, and the Theatrical Afterlife. Iowa City: University of Iowa Press, 2009. $39.95 cloth.Google Scholar
Lyly, John. Love's Metamorphosis. Ed. Scragg, Leah. Manchester and New York: Manchester University Press, 2008. $79 cloth.Google Scholar
McConachie, Bruce. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. Cognitive Studies in Literature and Performance. New York: Palgrave Macmillan, 2008. $80 cloth.CrossRefGoogle Scholar
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Macintosh, Fiona. Sophocles: “Oedipus Tyrannus.” Plays in Production. Cambridge and New York: Cambridge University Press, 2009. $80 cloth, $29.99 paper.Google Scholar
*Marshall, Louise H. National Myth and Imperial Fantasy: Representations of Britishness on the Early Eighteenth-Century Stage. New York: Palgrave Macmillan, 2008. $80 cloth.CrossRefGoogle Scholar
*Mason, Jeffrey D. Stone Tower: The Political Theater of Arthur Miller. Ann Arbor: University of Michigan Press, 2008. $49.50 cloth.Google Scholar
Maude, Ulrika. Beckett, Technology, and the Body. Cambridge and New York: Cambridge University Press, 2009. $81 cloth.Google Scholar
Mee, Erin B. Theatre of Roots: Redirecting the Modern Indian Stage. London, New York, and Calcutta: Seagull Books, 2008. $94.95 cloth, $29.95 paper.Google Scholar
*Miller, Tice L. Entertaining the Nation: American Drama in the Eighteenth and Nineteenth Centuries. Carbondale, IL: Southern Illinois University Press, 2007. $37.50 paper.Google Scholar
*Murphy, Andrew. Shakespeare for the People: Working-Class Readers, 1800–1900. Cambridge and New York: Cambridge University Press, 2008. $93 cloth.Google Scholar
Nascimento, Cláudia Tatinge. Crossing Cultural Borders Through the Actor's Work: Foreign Bodies of Knowledge. Routledge Advances in Theatre and Performance Studies. New York and London: Routledge, 2009. $103 cloth.Google Scholar
*Nathans, Heather S. Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black. Cambridge and New York: Cambridge University Press, 2009. $90 cloth.Google Scholar
Nichols, Richard, ed. Modern Korean Drama: An Anthology. New York: Columbia University Press, 2009. $50 cloth.Google Scholar
Nicholson, Helen. Theatre & Education. Theatre &. New York: Palgrave Macmillan, 2009. $9 paper.CrossRefGoogle Scholar
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*Novick, Julius. Beyond the Golden Door: Jewish American Drama and Jewish American Experience. New York: Palgrave Macmillan, 2008. $75 cloth, $26.95 paper.CrossRefGoogle Scholar
Ostovich, Helen, Syme, Holger Schott, and Griffin, Andrew, eds. Locating the Queen's Men, 1583–1603. Studies in Performance and Early Modern Drama. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2009. $99.95 cloth.Google Scholar
Papa, Lee, ed. Staged Action: Six Plays from the American Workers' Theatre. Ithaca, NY and London: Cornell University Press, 2009. $65 cloth, $21.95 paper.Google Scholar
Peimer, David, ed. Armed Response: Plays from South Africa. London, New York, and Calcutta: Seagull Books, 2009. $99.95 cloth, $24.95 paper.Google Scholar
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Plunka, Gene A. Holocaust Drama: The Theater of Atrocity. Cambridge and New York: Cambridge University Press, 2009. $99 cloth.CrossRefGoogle Scholar
Postlewait, Thomas. The Cambridge Introduction to Theatre Historiography. Cambridge and New York: Cambridge University Press, 2009. $80 cloth, $26.99 paper.Google Scholar
Rabey, David Ian. Howard Barker: Ecstasy and Death—An Expository Study of His Drama, Theory and Production Work, 1988–2008. New York: Palgrave Macmillan, 2009. $90 cloth.CrossRefGoogle Scholar
Raby, Peter, ed. The Cambridge Companion to Harold Pinter, 2d ed.Cambridge and New York: Cambridge University Press, 2009. $81 cloth, $28 paper.CrossRefGoogle Scholar
Raphael, Timothy. The President Electric: Ronald Reagan and the Politics of Performance. Ann Arbor: University of Michigan Press, 2009. $65 cloth, $26.95 paper.CrossRefGoogle Scholar
Rebellato, Dan. Theatre & Globalization. Theatre &. New York: Palgrave Macmillan, 2009. $9 paper.CrossRefGoogle Scholar
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Rice, John A. Mozart on the Stage. Composers on the Stage. Cambridge and New York: Cambridge University Press, 2009. $72 cloth, $28 paper.Google Scholar
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Rogerson, Margaret. Playing a Part in History: The York Mysteries, 1951–2006. Toronto, Buffalo, and London: University of Toronto Press, 2009. $65 cloth.CrossRefGoogle Scholar
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Roznowski, Rob, and Domer, Kirk. Collaboration in Theatre: A Practical Guide for Designers and Directors. New York: Palgrave Macmillan, 2009. $90 cloth, $28 paper.CrossRefGoogle Scholar
Sabor, Peter, and Yachnin, Paul, eds. Shakespeare and the Eighteenth Century. Aldershot, Hampshire, UK and Burlington, VT: Ashgate, 2008. $99.95 cloth.Google Scholar
Saint-Denis, Michel. Theatre: The Rediscovery of Style and Other Writings. Ed. Baldwin, Jane. Routledge Theatre Classics. London and New York: Routledge, 2009. $110 cloth, $30.95 paper.Google Scholar
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Savran, David. Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class. Ann Arbor: University of Michigan Press, 2009. $35 cloth.CrossRefGoogle Scholar
*Schechter, Joel. Messiahs of 1933: How American Yiddish Theatre Survived Adversity through Satire. Philadelphia: Temple University Press, 2008. $44.50 cloth.Google Scholar
*Schuler, Catherine A. Theatre and Identity in Imperial Russia. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2009. $49.95 cloth.Google Scholar
*Schwartz, Michael. Broadway and Corporate Capitalism: The Rise of the Professional-Managerial Class, 1900–1920. New York: Palgrave Macmillan, 2009. $85 cloth.CrossRefGoogle Scholar
Schweitzer, Marlis. When Broadway Was the Runway: Theater, Fashion, and American Culture. Philadelphia: University of Pennsylvania Press, 2009. $39.95 cloth.CrossRefGoogle Scholar
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*Shaffer, Jason. Performing Patriotism: National Identity in the Colonial and Revolutionary Theater. Early American Studies. Philadelphia: University of Pennsylvania Press, 2007. $45 cloth.Google Scholar
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Shevtsova, Maria, and Innes, Christopher. Directors/Directing: Conversations on Theatre. Cambridge and New York: Cambridge University Press, 2009. $80 cloth, $23.99 paper.Google Scholar
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Thompson, James. Performance Affects: Applied Theatre and the End of Effect. New York: Palgrave Macmillan, 2009. $80 cloth.CrossRefGoogle Scholar
Tian, Min. The Poetics of Difference and Displacement: Twentieth-Century Chinese–Western Intercultural Theater. Aberdeen and Hong Kong: Hong Kong University Press, 2008. $59.50 cloth.Google Scholar
Turnbull, Olivia. Bringing Down the House: The Crisis in Britain's Regional Theatres. Bristol, UK and Chicago: Intellect, 2009. $40 paper.Google Scholar
Tuttle, Jon. The Trustus Plays: “The Hammerstone,” “Drift,” “Holy Ghost.” Bristol, UK and Chicago: Intellect, 2009. $30 paper.Google Scholar
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Wertheim, Arthur Frank. Vaudeville Wars: How the Keith–Albee and Orpheum Circuits Controlled the Big-Time and Its Performers. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2006. $85 cloth, $28 paper (2008).CrossRefGoogle Scholar
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Willson, Meredith. And There I Stood with My Piccolo. Minneapolis and London: University of Minnesota Press, 2009. $14.95 paper.Google Scholar
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