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Ibsen, Theatre, and the Ideology of Modernism

Published online by Cambridge University Press:  01 November 2004

Toril Moi
Affiliation:
Duke University

Extract

Over the past generation, literary critics and theatre scholars in the United States have not been overly interested in Ibsen, widely considered a fuddy-duddy old realist who never truly became modern. The fact that his plays are still performed all over the world has had little effect on scholarly opinion. This is a deplorable state of affairs, for Ibsen is a major writer of modernity on a par with Baudelaire, and Flaubert. He is also unique among nineteenth-century writers for his clear-eyed and profound analysis of the relationships between women and men in modernity.

Type
Research Article
Copyright
© 2004 The American Society for Theatre Research, Inc.

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Footnotes

Toril Moi is James B. Duke Professor of Literature and Romance Studies at Duke University. Her latest book is What Is a Woman? And Other Essays (Oxford University Press, 1999). She is working on a book provisionally entitled Ibsen's Modernism.
© 2004 Toril Moi