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From the Editor

Published online by Cambridge University Press:  10 April 2019

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Type
From the Editor
Information
Theatre Survey , Volume 60 , Issue 2 , May 2019 , pp. 175 - 178
Copyright
Copyright © American Society for Theatre Research 2019 

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References

Endnotes

1. Kershaw, Baz, The Politics of Performance: Radical Theatre as Cultural Intervention (London: Routledge, 1992)Google Scholar; Román, David, Acts of Intervention: Performance, Gay Culture, and AIDS (Bloomington: Indiana University Press, 1998)Google Scholar; Filewod, Alan, Committing Theatre: Theatre Radicalism and Political Intervention in Canada (Toronto: Between the Lines, 1998)Google Scholar. Key titles in Reynolds and Aston's Performance Interventions series (Basingstoke: Palgrave Macmillan) include Lynette Goddard, Staging Black Feminisms: Identity Politics, Performance (2007); Jen Harvie, Fair Play—Art, Performance and Neoliberalism (2013), and Elaine Aston and Geraldine Harris, A Good Night Out for the Girls: Popular Feminisms in Contemporary Theatre and Performance (2013). Contemporary Theatre Review’s “Interventions” forum can be found at www.contemporarytheatrereview.org/interventions/.

2. OED Online, s.v. “intervention, n.” Oxford University Press, December 2018; www.oed.com.ezproxy.library.yorku.ca/view/Entry/98431?redirectedFrom=intervention, accessed 11 January 2019.

3. The “Cite Black Women” movement launched in November 2017, led by anthropologist Christen A. Smith. Although the campaign began with supporters wearing T-shirts with the phrase “Cite Black Women,” it soon migrated to social media, with the #CiteBlackWomen and #CiteBlackWomenSunday hashtags. For more see the Cite Black Women Collective, www.citeblackwomencollective.org/, accessed 13 January 2019; Sophie Inge, “‘Cite Black Women’ Campaign Gains Momentum,” Times Higher Education, 22 January 2018, www.timeshighereducation.com/news/cite-black-women-campaign-gains-momentum, accessed 13 January 2019.