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THE PUBLIC LIFE OF OPERA: A CONVERSATION WITH DAPHNE LEI AND MARY ZIMMERMAN

Published online by Cambridge University Press:  18 October 2010

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Extract

Section Editor's Note: For this edition of “Critical Stages,” appearing within the journal's special issue on opera, I posed three sets of questions to Daphne Lei, author of Operatic China: Staging Chinese Identity Across the Pacific (2006), and Tony Award–winning director Mary Zimmerman, cocreator with Philip Glass and Arnold Weinstein of the opera Galileo Galilei (2002).

Type
Critical Stages: Edited by Patrick Anderson
Information
Theatre Survey , Volume 51 , Special Issue 2: Operatic Intersections , November 2010 , pp. 275 - 279
Copyright
Copyright © American Society for Theatre Research 2010

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References

Endnotes

1. The Metropolitan Opera's Live in HD program broadcasts live productions in moviehouses across the United States and in Canada.

2. Wang, Horng-Luen, “National Culture and Its Discontents: The Politics of Heritage and Language in Taiwan, 1949–2003,” Comparative Study of Society and History 46.4 (2004): 786–815, quote at 790CrossRefGoogle Scholar. The quotation is from Handler, Richard, Nationalism and the Politics of Culture in Quebec (Madison: University of Wisconsin Press, 1988), 153Google Scholar.