Articles
The Signs of the Theatre
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- 23 January 2009, pp. 1-15
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The Performance Practice of Acting: The Eighteenth Century Part I: Ensemble Acting
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- 23 January 2009, pp. 157-186
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Financial Arrangements for the Athenian Dramatic Festivals
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- 23 January 2009, pp. 79-86
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A New Witness of the Restoration Stage, 1660–1669
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- 23 January 2009, pp. 16-28
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Literary Management in the Lord Admiral's Company, 1596–1603
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- 23 January 2009, pp. 186-197
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A New Witness of the Restoration Stage, 1670—1680
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- 23 January 2009, pp. 86-97
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Social Criticism in El burlador de Sevilla
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- 23 January 2009, pp. 197-221
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On Translating Goethe and Schiller for the English-speaking Stage
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- 23 January 2009, pp. 28-33
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East End and West End: Class and Audience in Victorian London
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- 23 January 2009, pp. 98-103
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Sardou on the English Stage
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- 23 January 2009, pp. 33-44
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The Second Staging of Peer Gynt, 1886
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- 23 January 2009, pp. 104-117
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Jacques Copeau, Drama Critic
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- 23 January 2009, pp. 221-229
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Translating Ibsen for the Contemporary English Stage
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- 23 January 2009, pp. 44-53
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An American Actress at Balmoral
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- 23 January 2009, pp. 117-131
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Reviews
The Triple Bond: Plays, Mainly Shakespearean, in Performance. Edited by Joseph G. Price. University Park and London: The Pennsylvania State University Press, 1975. Pp. xiv + 312.
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- 23 January 2009, pp. 229-230
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Articles
Agitation and Anaesthesia: Aspects of Chinese Theatre Today
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- 23 January 2009, pp. 53-64
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Reviews
English Plays of the Nineteenth Century. V. Pantomimes, Extravaganzas and Burlesques. Edited by Michael R. Booth. Oxford at the Clarendon Press, 1976. Pp. 534 + illustrations. £12.50.
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- 23 January 2009, pp. 230-231
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Articles
Homage to Robert Aron, 1898—1975
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- 23 January 2009, pp. 131-139
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Reviews
The Stage of Aristophanes. By C. W. Dearden. Pp. xiv + 203. London: The Athlone Press, 1976. £7.00
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- 23 January 2009, pp. 65-66
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Articles
Jeanne d'Arc During the German Occupation
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- 23 January 2009, pp. 139-145
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