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Peter Zadek: The Outsider Who Has Come Inside
Published online by Cambridge University Press: 01 October 2007
Abstract
Peter Zadek, now in his eighties, is among the most honoured and respected stage directors in Germany, a nation which during most of the past century has privileged stage directors above all other theatre artists. Zadek's central position is somewhat surprising in that he began his professional career in England and has in his repertoire, his public statements and his artistic approach sought to position himself outside the mainstream German tradition. This survey of his lengthy career seeks to illuminate this paradox, to show the nature and extent of Zadek's singularity and also to suggest what features in his approach have attracted such a devoted following within a culture he has never claimed as his own.
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References
NOTES
1 Peter, Zadek , My Way (Köln: Kiepenheuer und Witsch, 1998), pp. 154, 174–80Google Scholar.
2 Ibid., p. 197.
3 Ibid., p. 255.
4 Ibid., p. 281.
5 Ibid., pp. 351–2.
6 Ibid., p. 306.
7 Hermann, Beil , ‘Ich bin all hier’, in Klaus, Dermutz , ed., Peter Zadek: His Way (Berlin: Henschel, 2006), pp. 50–1Google Scholar.
8 ‘Die neue Regisseursgeneration (II)’, Theater Heute, 3, 2 (1962), pp. 24–28, here p. 26. This and all other translations are my own, unless otherwise noted.
9 Zadek, My Way, p. 336.
10 Ibid., p. 360.
11 Ibid., pp. 351–2.
12 ‘“Was kann man machen”: Ein Gespräch über Theater und Theatermachen in diesem Jahr 1968 mit den Regisseuren Peter Stein und Peter Zadek’, Theater Heute, 9, 13 (1968), pp. 28–30, here p. 29.
13 Quoted in Volker Canaris, ‘BO-PZ 1’, in Dermutz, Peter Zadek: His Way, p. 66.
14 Quoted in ibid., p. 62.
15 Peter Zadek, Die heißen Jahre (Köln: Kiepenheur und Witsch, 2006), pp. 225–6.
16 See Andreas Höfde, ‘The Erotik in the Theatre of Peter Zadek’, New Theatre Quarterly, 7, 2 (1991), pp. 229–37.
17 Günter Rühle, ‘Die Bewähring und die Wende’, in Hilmar Hoffmann and Heinrich Klotz, eds., Die Kultur Unseres Jahrhunderts 1970–1990 (Düsseldorf: ECON, 1990), pp. 99–115, p. 107.
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34 See, for example, Franz Wille, ‘Rassismus zum Verlieben’, Theater Heute, 43, 2 (2002), pp. 6–7.
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