Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-27T20:24:43.307Z Has data issue: false hasContentIssue false

The Performance Practice of Acting: The Eighteenth Century Part III: The Arms

Published online by Cambridge University Press:  23 January 2009

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Articles
Copyright
Copyright © International Federation for Theatre Research 1978

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. This research has been financed by grants from the Australian Research Grants Committee. Assistance has also been given by the Flinders University of South Australia.

2. I wish to make grateful acknowledgement of the contribution made to this research by my research assistant Jeanette Massy-Westropp.

3. We are indebted to the following libraries for microfilms of some of the sources quoted in this article: Bibliothèque de L'Arsenal, Paris; Bibliothèque Nationale, Paris; The British Library, London; The New York Public Library, New York; The State Library of Victoria, Melbourne; Yale University Library, New Haven; Toneelmuseum, Amsterdam.

4. op. cit., p. 148.

5. The French and Latin translations are by Jeanette Massy-Westropp.

6. See Goethe's letter to Zelter of 3 May 1816 in Goethes Werke, Weimar, 18871919, Abt. 4, Bd.27.Google Scholar

7. See Werke, Goethes, Weimar, 18871919Google Scholar, Abt. 1, Bd. 35, Tag-und Jahres-Hefte, 1803.