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Opéra Comique at the Théâtre Italien

Published online by Cambridge University Press:  23 January 2009

Klaus Neiiendam
Klaus Neiiendam
Affiliation:
Klaus Neiiendam isProfessor of Drama, Det Teatervidenskabelige Institut, University of Copenhagen.
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Extract

In 1976 a drawing, today at the Bibliothèque Nationale, by the French artist, Pierre Alexandre Wille (1748–1821) was published in Theatre Research International. The picture is signed and dated: ‘P. A. Wille filius del 1767’ and depicts a performance in the Hôtel de Bourgogne, at that time called the Théâtre Italien or the Comédie Italienne. But the drawing has not yet been analysed, nor has the artist's motif been identified. [Plate I]

Type
Articles
Information
Theatre Research International , Volume 13 , Issue 1 , Spring 1988 , pp. 44 - 48
Copyright
Copyright © International Federation for Theatre Research 1988

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References

Notes

1. Barlow, Graham: ‘The Hôtel de Bourgogne According to Sir James Thorhill’ in Theatre Research International, vol. I. no. 2, 1972 p. 86ff. Plate VI.Google Scholar

2. Thieme-Becker, : Allgemeines Lexikon der bildende Künstler. Herausgegeben von Hans Vollmer, vol. 26, p. 12 ff. Leipzig 1947.Google Scholar

3. Brenner, Clarence C.: The Théâtre Italien its Repertory 1716–1793. University of California Publications in Modern Philology, vol. 63. Berkeley and Los Angeles 1961, p. 11.Google Scholar

4. Barlow, , op. cit.Google Scholar plate Dumont, V. G. P. M.: Parallèle de Plans des Plus Belles Salles de Spectacles d'Italie et de France. 1774.Google Scholar

5. Œuvres choisies de Sédaine. Paris 1888, p. 105.Google Scholar

6. Souchal, François: Les Slodtz sculpteurs et décorateurs du Roi. Paris 1967, p. 478, pi. 69 b.Google Scholar

7. Œuvres choisies de Sédaine, op. cit. p. 113.Google Scholar

8. Auguste Font: L'Opéra Comique. Paris 1894Google Scholar. Diderot, Denis: Essai sur la poésie dramatique 1758, vol. VII, p. 385.Google Scholar

9. Brenner, , op cit. pp. 299–300.Google Scholar

10. Krogh, Torben: Christian VIIs franske Hofaktører, in Kulturminder. Copenhagen 1947, p. 4.Google Scholar

11. Dumont, , op. cit.Google Scholarde Saint-Aubin, Gabriel's water-colour seems relatively unknown in European art history. For example, the picture is not mentioned in Emile Dacier's fundamental work: Gabriel Saint-Aubin. I–II. Paris 1929–1931.Google Scholar

12. Brenner, , op. cit. p. 337.Google Scholar