From Orientalist to Postcolonial Representations: A Critique of Indian Theatre Historiography from 1827 to the Present

Abstract

This essay offers a comparative critique of all major Indian theatre histories written during the modern era. It reveals three distinct representations of Indian theatre and argues that each was a manifestation of a discrete historiographic approach, shaped by its particular historical and cultural moment. Theatre histories of the Orientalist period offer a narrow and elitist construction of Indian theatre as synonymous with a single defunct genre, the ancient Sanskrit theatre. Histories of the high nationalist phase make a token acknowledgement of the Sanskrit and traditional genres but define Indian theatre as comprising primarily of the modern genre. Postcolonial histories construct a democratic and comprehensive Indian theatre – embracing the Sanskrit, traditional, and modern genre – but with an unpersuasively high significance assigned to the modern genre's post-Independence phase. Such different representations of Indian theatre show how theatre historiography in the modern period, like theatre historiography in any era, regularly refashioned itself under the pressure of changing historical, political, and cultural conditions.