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Civil War and Civil Discord: Theatrical Representation of the Common Will and the Single Heart in the Terrible Century

Published online by Cambridge University Press:  23 January 2009

Gordon Armstrong
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Extract

The goal of this series of articles is to examine the nature of twentieth-century civil war and civil discord in theatrical representations and the conditions of performance by listening to the words of playwrights, scholars, performers, politicians and theatre historians in America, Africa, and Europe.

Type
Articles
Information
Theatre Research International , Volume 23 , Issue 1 , Spring 1998 , pp. 1 - 6
Copyright
Copyright © International Federation for Theatre Research 1998

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References

Notes

1. Huntingdon, Samuel P., The Clash of Civilizations and the Remaking of World Order (New York: Simon and Schuster, 1997).Google Scholar

2. Huntington, , CivilizationsGoogle Scholar, cited in The New York Review of Books, Vol. XLIV, No. 1, 9 January 1997, p. 18.

3. McNeill, William H., ‘Decline of the West?’ in The New York Review of Books, Vol. XLIV, No. 1, 9 01 1997, p. 21.Google Scholar

4. Artaud, Antonin, ‘Le Théâtre et la peste’, in Œuvres complètes, IV (Paris: Gallimard, 1978), pp. 24–5.Google Scholar ‘Once launched in fury, an actor needs infinitely more virtue to stop himself committing a crime than a murderer needs to perpetrate his crune … Just as it is not impossible that the unconsumed despair of a lunatic screaming hi an asylum can cause the plague, so by a kind of reversibility of feelings and imagery, in the same way we can admit that outward events, political conflicts, natural disasters, revolutionary order and wartime chaos, when they occur on a theatrical level, are released into the audience's sensitivity with the strength of an epidemic.' (Artaud on Theatre, edited by Schumacher, Claude (London: Methuen Drama, 1989), p. 114.)Google Scholar

5. Roach, Joseph, ‘Problems and Prospects for Theatre Research’Google Scholar, unpublished. Document prepared for the American Council of Learned Societies, 1992.

6. Aeschylus, , Agamemnon (458 BC), lines 177–80.Google Scholar

7. Dorfman, Ariel, ‘Afterword’ (dated, 11 09 1991), Death and the Maiden (New York: Penguin Books USA Ltd, 1992), pp. 73–4.Google Scholar

8. Aeschylus, , The Eumenides, lines 976–87.Google Scholar

9. Moynihan, Daniel Patrick, Pandaemonium: Ethnicity in International Politics (New York & Oxford: Oxford University Press, 1993), p. 173.Google Scholar