Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-12-02T21:42:02.044Z Has data issue: false hasContentIssue false

Victor Hugo's Theatrical Royalties during his Exile Years

Published online by Cambridge University Press:  23 January 2009

Pierre L. Horn
Affiliation:
Associate Professor of French, Wright State University, Dayton, Ohio 45435, USA

Extract

It is commonly known that Victor Hugo felt only contempt and hatred for Napoleon III and his Second Empire, so readers of Hugo's History of a Crime might easily expect that the Emperor's vengeful wrath would fall on the poet. However, far from trying to destroy Hugo financially, Napoleon not only allowed the sale of numerous of his masterpieces in France (with the exception of Châtiments and other writings considered insulting to the regime) but he did not interfere with the performance of the Hugolian repertoire on the stage of Parisian theatres.

Type
Articles
Copyright
Copyright © International Federation for Theatre Research 1982

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1 Maurois, André, Olympio ou la Vie de Victor Hugo (Paris, Hachette, 1954), p. 476.Google Scholar

2 ‘II segreto per essere felice’ from Lucrezia Borgia.

3 Including royalties on the Director's box (loge).

4 Maurois, , Olympio, p. 387.Google Scholar