Iranian Theatre Festivalized

Abstract

This article explores contemporary Iranian theatre festivals and their relation to the whole structure of theatrical playing in the country. It examines in particular the role of the most important decision-making centre for theatre and theatre festivals: the Dramatic Arts Centre (DAC), the theatrical branch of the Ministry of Culture. The main framework of the article is based on Willmar Sauter's model of the theatrical event. Two of his four elements have been selected to develop the concept of festivals as theatrical events. The section titled ‘Organization and cultural context’ will discuss the organizational structure of festivals; and the section ‘Contextual theatricality’ will analyse the framework of the festival culture. Some fifty festivals and mini-festivals are held annually throughout the whole country. They are categorized in the article according to their genre: international, national, regional and community.