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Introduction

Published online by Cambridge University Press:  23 January 2009

Helen Peters
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Type
Introduction
Information
Theatre Research International , Volume 21 , Issue 1 , Spring 1996 , pp. 3 - 7
Copyright
Copyright © International Federation for Theatre Research 1996

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References

Notes

1. Kruger, Loren, The National Stage: Theatre and Cultural Legitimation in England, France and America (Chicago: University of Chicago Press, 1992), p. 3.Google Scholar

2. Ibid., p. 13.

3. Ibid., p. 27.

4. Ibid., p. 127.

5. Snead, James, ‘European pedigrees/African contagions: nationality, narrative, and community in Tutuola, Achebe, and Reed’, Nations and Narrations, ed. Bhabha, Homi K. (London: Routledge, 1990 [rpt 1994]), pp. 235–6.Google Scholar

6. Ibid., p. 233.

7. Kruger, p. 130.

8. Homi K. Bhabha, The Location of Culture (London: Routledge, 1994), p. 12.

9. Ibid., p. 21.

10. Ibid., p. 27.

11. Ibid., p. 27–8.

12. Ibid., p. 37.

13. Ibid., p. 67.

14. Ibid., p. 75.

15. Ibid., p. 86.

16. Ibid., p. 87.

17. During, Simon, ‘Literature—Nationalism's other? The case for revision’, Nation and Narration, ed. Bhabha, Homi K. (London: Routledge, 1990 [rpt 1994]), p. 139.Google Scholar

18. Gunew, Sneja, ‘Denaturalizing cultural nationalisms: multicultural readings of “Australia”’, Nation and Narration, ed. Bhabha, Homi K. (London: Routledge, 1990 ‘rpt 1994’), p. 111.Google Scholar

19. Bhabha, Homi K., The Location of Culture (London: Routledge, 1994), p. 155.Google Scholar The wording here is a revision of the paper published initially in Bhabha, Homi K., ‘DissemiNation’, Nature and Narration, ed. Bhabha, Homi K. (London: Routledge, 1990 [rpt 1994]), p. 305.Google Scholar