Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-30T19:43:05.192Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  01 March 2009

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 34 , Issue 1 , March 2009 , pp. 101 - 102
Copyright
Copyright © International Federation for Theatre Research 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ASPHERGER, CYNTHIA, The Rhythm of Space and the Sound of Time: Michael Chekhov's Acting Technique in the 21st Century. Amsterdam and New York: Rodopi, 2008. Pp. 368. €80 Pb.Google Scholar
AUSLANDER, PHILIP, Liveness: Performance in a Mediatized Culture. Second Edition. Abingdon and New York: Routledge, 2008 (first published 1999). Pp. xiv + 208. £19.99/$35.95 Pb.Google Scholar
AUSLANDER, PHILIP, Theory for Performance Studies: A Student's Guide. Abingdon and New York: Routledge, 2008. Pp. viii + 168. £15.99/$27.95 Pb.Google Scholar
BADA, VALéRIE, Mnemopoetics: Memory and Slavery in African-American Drama. Bruxelles, Bern e.a.: Peter Lang, 2008. Pp. 226. €36.90/£25.90 Pb.Google Scholar
BARRETT, MICHèLE and BAKER, BOBBY, eds., Bobby Baker: Redeeming Features of Daily Life. Abingdon and New York: Routledge, 2007. Pp. xii + 276 + illus. £25 Pb.Google Scholar
BELSEY, CATHERINE, Shakespeare in Theory and Practice. Edinburgh: Edinburgh University Press, 2008. Pp. viii + 208. £50 Hb.CrossRefGoogle Scholar
BERRY, CICELY, From Word to Play: A Handbook for Directors. London: Oberon, 2008. Pp. viii + 184. £14.99 Pb.Google Scholar
BLEEKER, MAAIKE, ed., Anatomy Live: Performance and the Operating Theatre. Amsterdam: Amsterdam University Press, 2008. Pp. 270 + illus. €32.50 Pb.CrossRefGoogle Scholar
BLEEKER, MAAIKE, Visibility in the Theatre: The Locus of Looking. Basingstoke: Palgrave Macmillan, 2008. Pp. xiv + 288. £50 Hb.CrossRefGoogle Scholar
BOTTOMS, STEPHEN and GOULISH, MATTHEW, eds., Small Acts of Repair: Performance, Ecology and Goat Island. Abingdon and New York: Routledge, 2007. Pp. xviii + 242 + illus. £19.99 Pb.Google Scholar
BOWERS, RICK, Radical Comedy in Early Modern England: Contexts, Cultures, Performances. Aldershot: Ashgate, 2008. Pp. 122. £45 Hb.Google Scholar
BURCH, STEVEN DEDALUS, Andrew P. Wilson and the Early Irish and Scottish National Theatres, 1911–1950. Lewiston, NY: Edwin Mellon, 2008. Pp. 240. $109.95/£69.95 Hb.Google Scholar
DEER, JOE and DAL VERA, ROCCO, Acting in Musical Theatre: A Comprehensive Course. With a Foreword by Lynn Ahrens. Abingdon and New York: Routledge, 2008. Pp. xxxii + 448. £16.99 Pb, £60 Hb.Google Scholar
DICKER-SUN, GLENDA, African American Theater: A Cultural Companion. Cambridge: Polity, 2008. Pp. xiv + 210. £18.99 Pb., £60 Hb.Google Scholar
DIEDE, MARTHA KALNIN, Shakespeare's Knowledgeable Body. New York, Bern, e.a.: Peter Lang, 2008. Pp. 186. €53/£32.40 Pb.Google Scholar
FISCHER-LICHTE, ERIKA, The Transformative Power of Performance: A New Aesthetics. Translated by JAIN, Saskya Iris. Abingdon and New York: Routledge, 2008 (first published 2004). Pp. 232. £18.99 Pb; £65 Hb.Google Scholar
GALE, MAGGIE B., J. B. Priestley. Abingdon and New York: Routledge, 2008. Pp. x + 208. £14.99 Pb.Google Scholar
GHOSE, INDIRA, Shakespeare and Laughter: A Cultural History. Manchester and New York: Manchester University Press, 2008. Pp. 230. £55 Hb.CrossRefGoogle Scholar
GOODALL, JANE, Stage Presence. Abingdon and New York: Routledge, 2008. Pp. viii + 224. £19.99 Pb.Google Scholar
HAMILTON, JAMES R., The Art of Theater. Oxford: Blackwell, 2007. Pp. xvi + 226. £45 Hb.CrossRefGoogle Scholar
HARSHAV, BENJAMIN, The Moscow Yiddish Theater: Art on Stage in the Time of Revolution. New Haven, CT: Yale University Press, 2007. Pp. 198. $45 Hb.Google Scholar
HENKE, ROBERT and NICHOLSON, ERIC, eds., Transnational Exchange in Early Modern Theater. Aldershot: Ashgate, 2008. Pp. xvi + 264. £55 Hb.Google Scholar
KOZEL, SUSAN, Closer: Performance, Technologies, Phenomenology. Cambridge, MA: The MIT Press, 2008. Pp. 380. $35/£22.95 Hb.CrossRefGoogle Scholar
KREUDER, FRIEDEMANN and SCHULER, CONSTANZE, eds., Hostile Takeover – On Violence and Media: Performance and Media Studies 2006. Marburg: Tectum, 2008. Pp. 122. €24.90 Pb.Google Scholar
LEACH, ROBERT, Theatre Studies: The Basics. Abingdon and New York: Routledge, 2008. Pp. x + 194. £9.99 Pb; £55 Hb.Google Scholar
LUNDSKAER-NIELSEN, MIRANDA, Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s. New York and Basingstoke: Palgrave Macmillan, 2008. Pp. x + 232. £42.50 Hb.CrossRefGoogle Scholar
MCARTHUR, BENJAMIN, The Man Who Was Rip Van Winkle: Joseph Jefferson and Nineeteenth-Century American Theatre. New Haven, CT: Yale University Press, 2007. Pp. 464 + illus. $45 Hb.Google Scholar
MCCUTCHEON, JADE ROSINA, Awakening the Performing Body. Amsterdam and New York: Rodopi, 2008. Pp. xii + 174. €37 Pb.Google Scholar
MCNULTY, EUGENE, The Ulster Literary Theatre and the Northern Revival. Cork: Cork University Press, 2008. Pp. x + 258. €39/£30 Hb.Google Scholar
OKAMURO, MINAKO, NAOYA, MORI E.A., eds., Borderless Beckett: Beckett sans frontiers, Tokyo 2006. Amsterdam and New York: Rodopi, 2008. Pp. 468 +illus. €94.Google Scholar
ÓLAFSSON, TRAUSTI, Ibsen's Theatre of Ritualistic Visions: An Interdisciplinary Study of Ten Plays. Oxford, Bern, e.a.: Peter Lang, 2008. Pp. 314 + illus. €57.70/£35 Pb.Google Scholar
OZIEBLO, BARBARA and DICKEY, JERRY, Susan Glaspell and Sophie Treadwell. Abingdon and New York: Routledge, 2008. Pp. xii + 288. £14.99 Pb.Google Scholar
PAUN DE GARCIA, SUSAN and LARSON, DONALD R., eds., The Comedia in English: Translation & Performance. Woodbridge: Tamesis, 2008. Pp. xx + 296. £50 Hb.Google Scholar
PUGA, ANA ELENA, Memory, Allegory, and Testimony in South American Theatre: Upstaging Dictatorship. Abingdon and New York: Routledge, 2008. Pp. 208. £60/$95 Hb.Google Scholar
REDLING, ELLEN and SCHNIERER, PETER PAUL, eds., Non-standard Forms of Contemporary Drama and Theatre. Trier: Wissenschaftlicher Verlag, 2008. Pp. 260. €26.50 Pb.Google Scholar
ROBERTS, PHILIP, About Churchill: The Playwright & The Work. London: Faber & Faber, 2008. Pp. xxviii + 304. £12.99 Pb.Google Scholar
RUTTER, CAROL CHILLINGTON, Shakespeare and Child's Play: Performing Lost Boys on Stage and Screen. Abingdon and New York: Routledge, 2007. Pp. xxii +250. £19.99 Pb.Google Scholar
SLOWEY, DESMOND, The Radicalization of Irish Drama 1600–1900: The Rise and Fall of Ascendancy Theatre. Dublin: Irish Academic Press, 2008. Pp. 288. €59.95/£45 Hb.Google Scholar
TIAN, MIN, The Poetics of Difference and Displacement: Twentieth-Century Chinese Western Intercultural Theatre. Hong Kong: Hong Kong University Press, 2008. Pp. 292. $49.50 Hb.Google Scholar
TRAMUTA, MARIE-JOSé and BUTEL, YANNICK, eds., France–Italie: Un Dialogue théâtral depuis 1950. Bern, Berlin e.a.: Peter Lang, 2008. Pp. x +195 + 5 illus. €42.80/£30 Pb.CrossRefGoogle Scholar
TYNAN, KENNETH, Theatre Writings. Foreword by Tom Stoppard. Selected and edited by Dominic Shellard. London: Nick Hern, 2008. Pp. xxv + 278. £9.99 Pb.Google Scholar
WANDOR, MICHELENE, The Art of Writing Drama: Theory and Practice. London: Methuen, 2008. Pp. viii + 188. £12.99/$19.95 Pb.CrossRefGoogle Scholar
YACHNIN, PAUL and BADIR, PATRICIA, eds., Shakespeare and the Cultures of Performance. Aldershot: Ashgate, 2008. Pp. xiv + 210 + 10 b-&-w illus. £50 Hb.Google Scholar
ZARHY-LEVO, YAEL, The Making of Theatrical Reputations: Studies from the Modern London Theatre. Iowa City: University of Iowa Press, 2008. Pp. 304 + illus. $42.50 Hb.CrossRefGoogle Scholar