Hostname: page-component-5cf477f64f-pw477 Total loading time: 0 Render date: 2025-04-02T13:51:51.600Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  01 July 2008

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 33 , Issue 2 , July 2008 , pp. 220 - 221
Copyright
Copyright © International Federation for Theatre Research 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ASTON, ELAINE and CASE, SUE-ELLEN, eds., Staging International Feminisms. Basingstoke: Palgrave Macmillan, 2007. Pp. xviii + 232 + illus. £45 Hb.CrossRefGoogle Scholar
ASTON, ELAINE and HARRIS, GERALDINE, eds., Performance Practice and Process: Contemporary (Women) Practitioners. Basingstoke: Palgrave Macmillan, 2007. Pp. x + 194. £14.99 Pb.Google Scholar
BOLTWOOD, SCOTT, Brian Friel, Ireland, and the North. Cambridge: Cambridge University Press, 2007. Pp. xiv + 258. £50/$95 Hb.CrossRefGoogle Scholar
BROOKS, LYNN MATLUCK, ed., Women's Work: Making Dance in Europe before 1800. Madison, WI: University of Wisconsin Press, 2008. Pp. 288. $27.95 Pb; $65 Hb.Google Scholar
BULMAN, GAIL A., Staging Words, Performing Worlds: Intertextuality and Nation in Contemporary Latin American Theater. Lewisburg: Bucknell University Press, 2007. Pp. 276. $55 Hb.Google Scholar
CASTELLUCCI, CLAUDIA, CASTELLUCCI, ROMEO, GUIDI, CHIARA, KELLEHER, JOE and RIDOUT, NICHOLAS, The Theatre of Socìetas Raffaello Sanzio. Abingdon and New York: Routledge, 2007. Pp. x +274 + illus. £19.99 Pb.Google Scholar
CONNER, LYNNE, Pittsburgh in Stages: Two Hundred Years of Theater. Pittsburgh: University of Pittsburgh Press, 2007. Pp. 278. $32 Hb.Google Scholar
CLARK, SANDRA, Renaissance Drama. Cambridge and Malden: Polity Press, 2007. Pp. viii + 224. £16.99 Pb; £55 Hb.Google Scholar
COLEMAN, DAVID, Drama and the Sacraments in Sixteenth-Century England: Indelible Characters. Basingstoke: Palgrave Macmillan, 2007. Pp. viii + 18. £45 Hb.COLEMAN. 18 pages for £45 can't be right, can it?CrossRefGoogle Scholar
D'MONTÉ, REBECCA and SAUNDERS, GRAHAM, eds., Cool Britannia? British Political Drama in the 1990s. Basingstoke: Palgrave Macmillan, 2007. Pp. x +252. £15.99 Pb.Google Scholar
DAVIS, TRACY C., Stages of Emergency: Cold War Nuclear Civil Defense. Durham and London: Duke University Press, 2007. Pp. 432 + illus. US$24.95 Pb.; US$89.95 Hb.CrossRefGoogle Scholar
DAVIS, TRACY C. and HOLLAND, PETER, eds., The Performing Century: Nineteenth-Century Theatre's History. Basingstoke: Palgrave Macmillan, 2007. Pp. xiv + 272. £55 Hb.CrossRefGoogle Scholar
DUNDJEROVIC, ALEKSANDAR SASA, The Theatricality of Robert Lepage. Montreal e.a.: McGill-Queen's University Press, 2007. Pp. xii + 252 + illus. £16.99/$32.95 Pb; $80 Hb.Google Scholar
EDMONDSON, LAURA, Performance and Politics in Tanzania: The Nation on Stage. Bloomington, IN: Indiana University Press, 2007. Pp. 175. $24.95 Pb.Google Scholar
GARELICK, RHONDA K., Electric Salome: Loie Fuller's Performance of Modernism. Princeton: Princeton University Press, 2007. Pp. 264. $35 Hb.CrossRefGoogle Scholar
GIESEKAM, GREG, Staging the Screen: The Use of Film and Video in Theatre. Basingstoke: Palgrave Macmillan, 2007. Pp. x + 280 + illus. £15.99 Pb.CrossRefGoogle Scholar
GLOW, HILARY, Power Plays: Australian Theatre and the Public Agenda. Sydney: Currency, 2007. Pp. xi + 207 +illus. AU$32.95 Pb.Google Scholar
HAMMERSCHMIDT-HUMMEL, HILDEGARD, The Life and Times of William Shakespeare, 1564–1616. London: Chaucer Press, 2007. Pp. xii + 420 + illus. £35 Hb.Google Scholar
HARSHAV, BENJAMIN, The Moscow Yiddish Theater Art on Stage in the Time of Revolution. New Haven: Yale University Press, 2007. Pp. 198. $45 Hb.Google Scholar
HEDDON, DEIRDRE, Autobiography and Performance. Basingstoke: Palgrave Macmillan, 2007. Pp. xii + 218. £15.99 Pb.Google Scholar
HEINRICH, ANSELM, Entertainment, Propaganda, Education: Regional Theatre in Germany and Britain between 1918 and 1945. Hatfield: University of Hertfordshire Press, 2007. £25/$50 Hb.Google Scholar
HINDSON, CATHERINE, Female Performance Practice on the Fin-de-Siècle Popular Stages of London and Paris: Experiment and Advertisement. Manchester: Manchester University Press, 2007. Pp. x + 228. £50 Hb.Google Scholar
JACKSON, ANTHONY, Theatre, Education and the Making of Meanings: Art or Instrument? Manchester: Manchester University Press, 2007. Pp. xii + 302 + illus. £15.99 Pb.Google Scholar
KEEFE, JOHN and MURRAY, SIMON, eds., Physical Theatres: A Critical Reader. Abingdon and New York: Routledge, 2007. Pp. xxviii + 284. £21.99 Pb.Google Scholar
KRASNER, DAVID and SALTZ, DAVID Z., eds., Staging Philosophy: Intersections of Theater, Performance, and Philosophy. Ann Arbor: University of Michigan Press, 2006. $28.95 Pb; $70 Hb.CrossRefGoogle Scholar
KROLL, RICHARD, Restoration Drama and ‘The Circle of Commerce’: Tragicomedy, Politics, and Trade in the Seventeenth Century. Cambridge: Cambridge University Press, 2007. Pp. xii +334. £55/$99 Hb.Google Scholar
MARCEL, GABRIEL, Path to Peace: Dramatic Explorations. Trans. HANLEY, KATHERINE ROSE. Milwaukee: Marquette University Press, 2008. Pp. 272. $30 Pb.Google Scholar
MCARTHUR, BENJAMIN, The Man Who Was Rip Van Winkle: Joseph Jefferson and Nineteenth-Century American Theatre. New Haven: Yale University Press, 2007. Pp. 464 + illus. $45 Hb.Google Scholar
MCKINNIE, MICHAEL, City Stages: Theatre and Urban Space in a Global City. Toronto: University of Toronto Press, 2007. Pp. 208. $45 Hb.Google Scholar
MONCRIEF, KATHRYN M. and MCPHERSON, KATHRYN R., eds., Performing Maternity in Early Modern England. Aldershot: Ashgate, 2007. Pp. xiv +248. £50 Hb.Google Scholar
MOODY, JANE and O'QUINN, DANIEL, eds., The Cambridge Companion to British Theatre 1730–1830. Cambridge: Cambridge University Press, 2007. Pp. xxxii + 286. £17.99/$29.99 Pb; £45/$85 Hb.CrossRefGoogle Scholar
MURRAY, SIMON and KEEFE, JOHN, Physical Theatres: A Critical Introduction. Abingdon and New York: Routledge, 2007. Pp. xvi + 230. £18.99.MURRAY AND KEEFE. Pb or Hb?Google Scholar
NAIR, SREENATH, Restoration of Breath: Consciousness and Performance. Amsterdam and New York: Rodopi, 2007. Pp. 198. €40 Pb.Google Scholar
NORMINGTON, KATIE, Modern Mysteries: Contemporary Productions of Medieval English Cycle Dramas. Cambridge: D. S. Brewer, 2007. Pp. xiv + 192. £30 Hb.Google Scholar
OKAGBUE, OSITA, African Theatres and Performances. Abingdon and New York: Routledge, 2007. Pp. viii + 200 + illus. £60 Hb.Google Scholar
OYA, REIKO, Representing Shakespearean Tragedy: Garrick, the Kembles, and Kean. Cambridge: Cambridge University Press, 2007. Pp. xii + 244. £50/$95 Hb.Google Scholar
QUICK, ANDREW, The Wooster Group Work Book. Abingdon and New York: Routledge, 2007. Pp. 288 + illus. £21.99 Pb.Google Scholar
SANDERS, JULIE, Shakespeare and Music: Afterlives and Borrowings. Cambridge: Polity, 2007. Pp. x + 232. £15.99 Pb; £50 Hb.Google Scholar
SHAFFER, JASON, Performing Patriotism: National Identity in the Colonial and Revolutionary American Theater. Philadelphia: University of Pennsylvania Press, 2007. Pp. 264. $45 Hb.Google Scholar
SKLOOT, ROBERT, ed., The Theatre of Genocide: Four Plays about Mass Murder in Rwanda, Bosnia, Cambodia, and Armenia. Madison, WI: University of Wisconsin Press, 2008. Pp. 232. $29.95 Pb; $75 Hb.Google Scholar
SMALLWOOD, ROBERT, ed., Players of Shakespeare 6: Essays in the Performance of Shakespeare's History Plays. Cambridge: Cambridge University Press, 2007. Pp. xiv + 222. £16.99/$32.99 Pb; £37.50/$60 Hb.Google Scholar
SMITH, EMMA, The Cambridge Introduction to Shakespeare. Cambridge: Cambridge University Press, 2007. Pp. x + 166. £10.99/$19.99 Pb; £35/$65 Hb.CrossRefGoogle Scholar
STEGGLE, MATTHEW, Laughing and Weeping in Early Modern Theatres. Aldershot: Ashgate, 2007. Pp. xiv + 158. £45 Hb.Google Scholar
TAXIDOU, OLGA, Modernism and Performance: Jarry to Brecht. Basingstoke: Palgrave Macmillan, 2007. Pp. xviii + 250. £18.99 Pb.Google Scholar
THOMPSON, PETER E., The Triumphant Juan Rana: A Gay Actor of the Spanish Golden Age. Toronto: University of Toronto Press, 2006. Pp. 176. $45 Hb.CrossRefGoogle Scholar
TURNER, CATHY and BEHRNDT, SYNNE K., Dramaturgy and Performance. Basingstoke: Palgrave Macmillan, 2007. Pp. xii + 230. £16.99 Pb.Google Scholar
wiles, david, Mask and Performance in Greek Tragedy: From Ancient Festival to Modern Experimentation. Cambridge: Cambridge University Press, 2007. Pp. xii + 320 + illus. £50/$90 Hb.Google Scholar
WILMETH, DON. B., ed., The Cambridge Guide to American Theatre. Second edition. Cambridge: Cambridge University Press, 2007. Pp. xvi + 758. £80/$150 Hb.Google Scholar
WOLLMAN, ELIZABETH L., The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig. Ann Arbor: University of Michigan Press, 2006. Pp. 288. $29.95 Hb.CrossRefGoogle Scholar
WYGANT, AMY, Medea, Magic, and Modernity in France: Stages and Histories, 1553–1797. Aldershot: Ashgate, 2007. Pp. x + 218 + illus. £50 Hb.Google Scholar