Hostname: page-component-586b7cd67f-rcrh6 Total loading time: 0 Render date: 2024-11-27T21:37:19.589Z Has data issue: false hasContentIssue false

Shakespeare, Spectatorship and the Technologies of Performance. By Pascale Aebischer. Cambridge: Cambridge University Press, 2020; 256 pp.; illustrations. $99.99 cloth, e-book available. - Shakespeare, Technicity, Theatre. By W.B. Worthen. Cambridge: Cambridge University Press, 2020; 278 pp.; illustrations. $99.99 cloth, e-book available.

Published online by Cambridge University Press:  15 September 2021

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books
Copyright
© The Author(s) 2021. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Lehmann, Hans-Thies. 2006. Postdramatic Theatre. Trans. Jürs-Munby, Karen. London: Routledge.CrossRefGoogle Scholar
Levinas, Emmanuel. 1961. Totality and Infinity: An Essay on Exteriority. Trans. Lingis, Alphonso. Pittsburgh: Duquesne University Press.Google Scholar
Rancière, Jacques. 2009. The Emancipated Spectator. Trans. Elliott, Gregory. London: Verso.Google Scholar
Stiegler, Bernard. 1998. Technics and Time, 1: The Fault of Epimetheus. Trans. Beardsworth, Richard and Collins, George. Stanford: Stanford University Press.Google Scholar
Weimann, Robert. 1978. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Trans. Schwartz, Robert. Baltimore: Johns Hopkins University Press.Google Scholar