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Musicological Archaeology and Constança Capdeville

Published online by Cambridge University Press:  01 September 2022

Abstract

In a concert of two sound worlds, one acoustic and the other electroacoustic, it is difficult to balance both sonically. When texts, lights, gestures, and movements from different artistic domains such as theatre, dance, or cinema combine with the music this coexistence creates, the result is a new language: the language of Constança Capdeville.

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Article
Copyright
© The Author(s) 2022. Published by Cambridge University Press for Tisch School of the Arts/NYU

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References

References

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