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Beholding the Gap in Commemorations of Resistance
Published online by Cambridge University Press: 15 September 2021
Dread Scott’s two-day Slave Rebellion Reenactment, part recreation and part historical revision, dramatized the 1811 slave rebellion in a more fully developed manner than historical records authored by slaveholders, incorporating a range of strategies used in other artworks depicting slave resistance, including: elisions, caesura, lacuna, off-screen action, obfuscation, abstraction, redaction, and more. These devices safeguard history from appropriation or commodification on the one hand; and on the other, highlight the way slave resistance is neglected in the historical record and commemorative landscape.