Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-03T01:57:23.116Z Has data issue: false hasContentIssue false
  • English
  • Français

Profound Connectivity

A Social Life of Music during the Pandemic

Published online by Cambridge University Press:  18 March 2021

Gelsey Bell
Get access Rights & Permissions [Opens in a new window]

Abstract

Online musical performances in the first few months of the pandemic and lockdown in New York City bring to light the sonic and temporal challenges, unique acoustic space, and aesthetic possibilities of performing on Zoom. The social connection gained through these performance events is the key to their efficacy.

Type
Critical Acts
Information
TDR , Volume 65 , Issue 1 , March 2021 , pp. 180 - 188
Copyright
© The Author(s) 2021. Published by Cambridge University Press for Tisch School of the Arts/NYU

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Dewar, Andrew Raffo. 2011. “CD Introduction: Beyond Notation/Notation Beyond.” Leonardo Music Journal 21:74–85.CrossRefGoogle Scholar
Dixon, Steve. 2007. Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, MA: The MIT Press.CrossRefGoogle Scholar
Dresser, Mark, Desson, Michael, Mitchel, Nicole, and Weaver, Sarah. 2020. “The History of Telematic Performance in Creative and Experimental Music.” Panel for the School of Jazz and Contemporary Music at The New School, CoPA Remote Summer Festival, 4 August. Accessed 7 August 2020. www.facebook.com/NewSchoolJazz/videos/2797070810526634/.Google Scholar
Duckworth, William. 1999. Talking Music: Conversations with John Cage, Philip Glass, Laurie Anderson, and Five Generations of American Experimental Composers. New York: Da Capo Press.Google Scholar
Mockus, Martha. 2008. Sounding Out: Pauline Oliveros and Lesbian Musicality. London: Routledge.Google Scholar
Oliveros, Pauline. 1974. Sonic Meditations. Baltimore, MD: Smith Publications.Google Scholar
Oliveros, Pauline, Braasch, Jonas, Chafe, Chris, Dresser, Mark, Pitcher, Jefferson, and Weaver, Sarah. 2009. “Telematic Music: Six Perspectives.” Leonardo Music Journal 19:95–6.Google Scholar
Sklar, Julia. 2020. “‘Zoom fatigue’ is taxing the brain. Here’s why that happens.” National Geographic, 24 April. Accessed 7 August 2020. www.nationalgeographic.com/science/2020/04/coronavirus-zoom-fatigue-is-taxing-the-brain-here-is-why-that-happens/#close.Google Scholar
Van Doren, Charles. 1991. A History of Knowledge: Past, Present, and Future. New York: Ballantine Books.Google Scholar