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Banal Profundity and Profound Banality

Three Exercises in Reading Hong Kong

Published online by Cambridge University Press:  16 June 2022

Abstract

Focusing on performance that functions outside explicitly theatrical frames, art installations staged in Hong Kong between June and October 2020 progress a broader view of Hong Kong’s complex development as global financial center, creative hub, and meeting point between “East” and “West.” Artists Mark Chung, Nadim Abbas, and Christopher Ho interrogate Hong Kong at a historically definitive moment, allowing audiences to study what constitutes “home” beyond what conventional academic analyses, traditional publishing outlets, and social media allow.

Type
Article
Copyright
© The Author(s) 2022. Published by Cambridge University Press for Tisch School of the Arts/NYU

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