Hostname: page-component-5f56664f6-287w5 Total loading time: 0 Render date: 2025-05-07T22:53:41.395Z Has data issue: false hasContentIssue false
  • English
  • Français

Uri Agnon, Antisemitism: a (((musical))). Camden People's Theatre, London.

Published online by Cambridge University Press:  01 April 2024

Adam Possener
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
FIRST PERFORMANCES
Information
Tempo , Volume 78 , Issue 308 , April 2024 , pp. 91 - 92
Check for updates
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

1 See Shank, Barry, The Political Force of Musical Beauty (Durham, NC: Duke University Press, 2014)Google Scholar and Mouffe, Chantal, ‘Deliberative Democracy or Agnositic Pluralism?’, Social Research, 66, no. 3 (1999), pp. 745–58Google Scholar.

2 Shandler, Jeffrey, ‘Postvernacular Yiddish: Language as a Performance Art’, TDR, 48, no. 1 (2004), pp. 19–43CrossRefGoogle Scholar.

3 Agnon, Uri, ‘On Political Audiences: An Argument in Favour of Preaching to the Choir’, TEMPO, 75, no. 296 (2021), pp. 57–70CrossRefGoogle Scholar.