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In an industry where the brand new and the first performance are fixated upon, Ultraschall Berlin is to be applauded for being less interested in presenting a glut of premieres than in cultivating a twenty-first-century tradition. At this year's festival, its twentieth edition, only a quarter of the 69 works performed were world premieres, with just four of them commissioned by the two organisations presenting the festival, state broadcasters rbb and Deutschlandfunk Kultur.
1 See www.newmusic.report for a comprehensive analysis, or rather a wall of shame, of the gender balance at major European festivals.
2 For a more convincing performance of the work, hear Juliette Hurel's world premiere performance with the Rotterdam Philharmonic under Yannick Nézet-Séguin: www.youtube.com/watch?v=XIl4t7wqv8M (accessed 9 March 2018).