Hostname: page-component-6bf8c574d5-h6jzd Total loading time: 0.001 Render date: 2025-02-20T05:36:07.167Z Has data issue: false hasContentIssue false
  • English
  • Français

Recordings

Published online by Cambridge University Press:  04 February 2010

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Recordings
Information
Tempo , Issue 150 , September 1984 , pp. 44 - 57
Copyright
Copyright © Cambridge University Press 1984

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

* Zemlinsky must have seen the sketches, published in facsimile that very year. He also seems to have had a hand in the original published version of the Adagio and Purgatorio movements, whose second performance he conducted—again, in 1924—in Prague.