Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-10T20:31:40.524Z Has data issue: false hasContentIssue false
  • English
  • Français

The Music of Roman Ledenev

Published online by Cambridge University Press:  04 February 2010

Gerard McBurney
Get access Rights & Permissions [Opens in a new window]

Extract

Gradually the picture of Russian music in our century begins to fill out. The modernists of 70 or 80 years ago like Mossolov and Roslavets are beginning to make the nervous transition from text-book to performance. The constant revaluation of Shostakovich and Stravinsky makes for a couple of flourishing industries. And some living composers like Schnittke and Gubaidulina have produced works which seem almost to have been accepted as part of the repertoire

Type
Research Article
Information
Tempo , Issue 177 , June 1991 , pp. 24 - 31
Copyright
Copyright © Cambridge University Press 1991

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 The name Ledenev is pronounced, like Gorbachev, with a strongly stressed γο sound on the last syllable – i.e. Ledenγοv.

2 It is interesting, in the light of later developments, to note what Ledenev's contemporaries made of the same task: Schnittke and Denisov also wrote oratorios, Nagasaki and Siberian Earth, respectively. Gubaidulina contented herself with a short symphony in E major.

3 Quoted in Gerlach, Hannelore: Fünfzig sowjetische Kamponisten (Edition Peters, Leipzig/Dresden 1984)Google Scholar.