Hostname: page-component-745bb68f8f-s22k5 Total loading time: 0 Render date: 2025-01-14T12:25:38.648Z Has data issue: false hasContentIssue false
  • English
  • Français

Michael Finnissy - MICHAEL FINNISSY: The History of Photography in Sound. Ian Pace (pno). Métier MSV77501

Published online by Cambridge University Press:  16 June 2014

Michael Hooper
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
CDs and DVDs
Information
Tempo , Volume 68 , Issue 269 , July 2014 , pp. 88 - 89
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Dornbush, Jean, ‘The Death of the Penultimate: Paradox in Mallarmé’s “Le Démon de l‘Analogie”’, French Forum, 5/3 (September 1980), 239–60Google Scholar, here 258.