Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-23T23:45:28.016Z Has data issue: false hasContentIssue false
  • English
  • Français

Jennifer Walshe - Jennifer Walshe, A Late Anthology of Early Music vol. 1: Ancient to Renaissance. Bandcamp.

Published online by Cambridge University Press:  17 December 2020

George K. Haggett
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
CDs AND DVDs
Information
Tempo , Volume 75 , Issue 295 , January 2021 , pp. 112 - 115
Check for updates
Copyright
Copyright © Cambridge University Press 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Juliet Fraser and Jennifer Walshe, ‘eavesdropping conversation 07: jennifer walshe’, eavesdropping.london (SoundCloud, 24 January 2020), https://soundcloud.com/eavesdropping_london/07-jennifer-walshe-2020, accessed 10 June 2020.

2 Fraser and Walshe, ‘eavesdropping conversation 07: jennifer walshe’.

3 Jennifer Walshe, personal correspondence, 9 August 2020.

4 CJ Carr and Zack Zukowski, ‘FAQ’, DADABOTS, https://dadabots.com/faq.php, accessed 20 July 2020.

5 Carr and Zukowski, ‘FAQ’.

6 ‘Relentless Doppelganger \M/ \M/ \M/ \M/ \M/ \M/ \M/ \M/ \M/ \M/ \M/ \M/ \M/ \M/’, updated 4 September, 2019, www.youtube.com/watch?v=MwtVkPKx3RA, accessed 20 July 2020.

7 Dan Robitzski, ‘Mind-Melting AI Makes Frank Sinatra Sing “Toxic” by Britney Spears’, Futurism (20 May 2020), https://futurism.com/mind-melting-ai-frank-sinatra-toxic-britney-spears, accessed 20 July 2020.

8 Jennifer Walshe, ‘Jennifer Walshe “a Late Anthology of Early Music” (Excerpts)’, eavesdropping archive2020 (SoundCloud, 1 February 2020), https://soundcloud.com/eavesdropping_london/sets/eavesdropping-archive-jennifer-walshe, accessed 10 June 2020.

9 Walshe, ‘Jennifer Walshe “a Late Anthology of Early Music” (Excerpts)’.

10 Carr and Zukowski, ‘FAQ’.

11 Walshe, ‘Jennifer Walshe “a Late Anthology of Early Music” (Excerpts)’.

12 Walshe, Jennifer, ‘Ghosts of the Hidden Layer’, MusikTexte, 159/3 (2018), pp. 29–38Google Scholar.

13 Carr and Zukowski, ‘F.A.Q’.

14 Walshe, Jennifer, ‘Statement: The New Discipline’, MusikTexte 149/2 (2016), pp. 149–50Google Scholar.

15 Tim Rutherford-Johnson, Music after the Fall: Modern Composition and Culture since 1989 (Oakland: University of California Press, 2017), p. 98.

16 Stanyek, Jason and Piekut, Benjamin, ‘Deadness: Technologies of the Intermundane’, TDR/The Drama Review 54/1 (2010), p. 14–38CrossRefGoogle Scholar.

17 Carr and Zukowski, ‘FAQ’.

18 Walshe, ‘Ghosts of the Hidden Layer’ (2018).

19 Cox., Jennifer K. ‘Symbiotic Werewolves and Cybernetic Anchoresses: Premodern Posthumans in Medieval Literature’. Quidditas, 36 (2015), p. 84–105Google Scholar; Raymund Papica, ‘The Armor Network: Medieval Prostheses and Degenerative Posthuman Bodies’ (PhD diss., University of California, Riverside, 2016); Godden, Richard H. and Mittman, Asa Simon, Monstrosity, Disability, and the Posthuman in the Medieval and Early Modern World (Cham: Palgrave Macmillan, 2019)Google Scholar; Zayaruznaya, Anna, The Monstrous New Art: Divided Forms in the Late Medieval Motet (Cambridge: Cambridge University Press, 2015)CrossRefGoogle Scholar.

20 See Leech-Wilkinson, Daniel, The Modern Invention of Medieval Music: Scholarship, Ideology, Performance (Cambridge: Cambridge University Press, 2002)Google Scholar.

21 Walshe, Personal correspondence, 9 August 2020.

22 Walshe, ‘Jennifer Walshe “a Late Anthology of Early Music” (Excerpts)’.