Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-10T21:43:15.590Z Has data issue: false hasContentIssue false
  • English
  • Français

Filipp Herschkowitz: Mahler and Memories of War

Published online by Cambridge University Press:  22 January 2016

Ghuzal Badamshina
Get access Rights & Permissions [Opens in a new window]

Extract

It is impossible to speak of any composer's harmony, syntax and form without exploring their close linkage. However, on the other hand, it is impossible to understand this close linkage without examining harmony, syntax and form separately.

Type
Research Article
Information
Tempo , Issue 190 , September 1994 , pp. 23 - 26
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Brodyachiye, ‘wandering, vagrant’. Herschkowitz is clearly using the Schoenbergian terminology, usually rendered as ‘roving’ in his English theoretical texts. Cf. Structural Functions of Harmony (London: Williams & Norgate, 1954), p.3 Google ScholarPubMed: ‘Roving harmony is often to be observed in modulatory sections… evidently in [this kind of harmony] no succession of three chords can unmistakably express a region or a tonality’.

* O Muzikye, p.324.

† O Muzikye, pp.343–345. The letter was written in the first half of the 1980s.

2 Herschkowitz was born in the Romanian town of Iasi (Yassy) and studied at the conservatory there. After escaping the Anschluss – with a handwritten diploma from Webern – he had been teaching in Chernovitsy, which had been annexed to the USSR.