Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-26T18:17:28.596Z Has data issue: false hasContentIssue false
  • English
  • Français

DARMSTADT 2014: THE COMPOSER-PERFORMER

Published online by Cambridge University Press:  02 January 2015

Viola Yip
Get access Rights & Permissions [Opens in a new window]

Extract

It seems clear that, by a certain point in the twentieth century, the roles of composer and performer had become increasingly separated, but when we think of composers such as JS Bach, Beethoven and Rachmaninov, we are reminded that the idea of the musician as composer-performer is not new. Today, we can see an increasing number of musicians running a double life as composer and performer. What does it mean to be a composer-performer in the twenty-first century? How does the relationship of compositions to their performances change when the composer is the performer?

Type
FORUM: DARMSTADT 2014
Information
Tempo , Volume 69 , Issue 271 , January 2015 , pp. 69 - 72
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)