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Published online by Cambridge University Press: 06 September 2018
Visiting Borealis for two of its five-day stretch in March, I encountered a festival that offered a refreshingly diverse take on the field of experimental music – diverse not only in terms of who is making it (the festival actively works towards equality of representation) but also in the practices represented. Indeed, perhaps a majority of the works presented in the festival intersected with fields of artistic activity outside of conventional musical performance.