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Alastair White, RUNE, Tête à Tête Festival, Round Chapel, Hackney, London, 17 August 2021.

Published online by Cambridge University Press:  15 December 2021

George K. Haggett
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Extract

The setting is Khye-Rell, part of a web of worlds in our universe's distant future. In this society, history is forbidden. A young girl, Kes'Cha'Au’, crosses a series of ‘transdimensional canals’, journeying back through our own time and our looming ecological collapse. She reveals, at the heart of everything, the universe creating itself out of nothing: it inscribes itself like a rune.

Type
FIRST PERFORMANCES
Information
Tempo , Volume 76 , Issue 299 , January 2022 , pp. 89 - 90
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Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

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References

1 Deleuze, Gilles and Guattari, Félix, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Massumi, Brian (London: Bloomsbury Revelations, 2013), pp. 5–23CrossRefGoogle Scholar.

2 Miranda Heggie, ‘Q&A: Composer Alastair White on His New Opera ROBE’, theartsdesk, 31 July 2019, https://theartsdesk.com/opera/theartsdesk-qa-composer-alastair-white-his-new-opera-robe (accessed 20 August 2021).

3 Robert Hugill, ‘To Cope with the Complexity of Modern Experience – Composer Alastair White Discusses the Striking Philosophical Underlay of His Opera ROBE, which is Receiving Its Premiere Recording’, 20 February 2021, www.planethugill.com/2021/02/to-cope-with-complexity-of-modern.html (accessed 22 August 2021).

4 Claire Jackson, ‘Alastair White: ROBE’, BBC Music Magazine, 14 April 2021, www.classical-music.com/reviews/opera/alastair-white-robe/ (accessed 21 August 2021).

5 Mark Berry, ‘Alastair White's RUNE Poses Many Searching Questions’, Seen and Heard International, 23 August 2021, https://seenandheard-international.com/2021/08/alastair-whites-rune-poses-many-searching-questions/ (accessed 21 August 2021).