Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-25T18:50:14.437Z Has data issue: false hasContentIssue false
  • English
  • Français

WITOLD LUTOSŁAWSKI AND THE CRAFT OF WRITING NOTHING

Published online by Cambridge University Press:  14 July 2010

Hugh Collins Rice
Get access Rights & Permissions [Opens in a new window]

Extract

From the moment Schoenberg saw the need to use the designations Hauptstimme and Nebenstimme, the issue of differentiating material in complex post-tonal scores has been significant. It has formal and textural connotations, and it relates directly to the experience of listening to this music.

Type
Research Article
Information
Tempo , Volume 64 , Issue 253 , July 2010 , pp. 21 - 29
Copyright
Copyright © Cambridge University Press 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)