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PRELUDES AND CANONS

Published online by Cambridge University Press:  28 June 2021

Howard Skempton
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Extract

A recent exchange of emails with the composer Christopher Fox touched on Morton Feldman. Christopher commented, ‘My “problem” with Feldman, and it is just mine and not a problem, is that he was not an innovator; but has there ever been a conservative composer who took more risks?’. This led me to consider the value of innovation, the need for risk and the nature of the risks we take.

Type
RESEARCH ARTICLE
Information
Tempo , Volume 75 , Issue 297 , July 2021 , pp. 71 - 77
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Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

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References

1 Cage, John, ‘Lecture on Nothing’, in Silence (Middletown: Wesleyan University Press, 1961), p. 109Google Scholar.

2 John Cage, ‘Lecture on Something’, in Silence, p. 139.

3 Skempton, Howard, ‘Sleeve Notes’, Sixteen Contemporary Love Songs (Orchid Classics, ORC100083, 2018)Google Scholar.

4 Caroline Bird, ‘In Conversation with Forward Arts Foundation’: www.forwardartsfoundation.org/forward-prizes-for-poetry/caroline-bird/forward-arts-foundation-in-conversation-with-caroline-bird/ (accessed 28 February 2021).

5 Skempton, Howard, ‘Sleeve Notes’, The Piano Music of Howard Skempton (Orchid Classics, ORC100116, 2020)Google Scholar.

6 Stephens, James, Collected Poems (London: MacMillan, 1926), pp. x–xiGoogle Scholar.