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Published online by Cambridge University Press: 05 April 2016
Kammer Klang is enjoying a purple patch. Based in East London's Café Oto, the series sits in a sweet spot between the rougher-edged music usually played at Oto and the more conventionally white cubed silence of new music. Audiences are generally relaxed in the setting, despite creaking chairs. The series' mixed programmes gel, with the distance between various featured musics growing ever smaller as cultural demographics continue to shift.
1 TEMPO, Vol. 68, No. 268 (2014), pp. 84–5Google Scholar.