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Published online by Cambridge University Press: 04 February 2010
‘Beatrix Cenci’ Irving Lowens
Simpson/Lumsdaine Ottaway/Cooke
1 The quotations from Ginastera's ‘How and Why I Wrote Bomarzo’ in this article are taken from my copy of the original typed draft with emendations suggested by the composer, which accounts for the fact that the phraseology differs from time to time from that in the published version of the talk in the Central Opera Service Bulletin, IX (05–06 1967), 10–13.Google Scholar
2 ‘Current Chronicle, Washington, D.C.’, The Musical Quarterly, LI (1965), 412.Google Scholar
3 Ibid., 413.
4 ‘Current Chronicle, Washington, D. C.’, The Musical Quarterly, LIII (1967), 555.Google Scholar