Published online by Cambridge University Press: 26 May 2017
To its admirers, the Legenda aurea is a powerful expression of medieval belief. To the evangelical pamphleteers of early modern England, it was a symbol of all the failings of unreformed religion. For historians, it is a convenient shorthand for popular hagiography before the Reformation. These readings, however, understate the Legenda's often ambiguous place in early modern devotional life. This article seeks to complicate the Legenda's history in late medieval and early modern England. It argues that the concept and the act of translation rendered Jacobus's text more complex than the historiographical shorthand allows. Translation contributed to the Legenda's power as a devotional work, was a means by which it found its use, impact and wide audience, and was central to how reformers remembered both the text itself and its author. The translated Legenda was not the exception to the narrative of the long Reformation, but an emblem of it.
I gratefully acknowledge the support of the Gonville Research Fund, the Archbishop Cranmer Fund, the Huntington Library, and the Bibliographical Society.
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25 Caxton, Legenda aurea (1483), fol. 71r. In the AV, the verse reads: ‘And David's heart smote him after that he had numbered the people. And David said unto the LORD, I have sinned greatly in that I have done: and now, I beseech thee, O LORD, take away the iniquity of thy servant; for I have done very foolishly.’
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27 Ibid., fol. 73v.
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29 Manchester, John Rylands Library, MS 54577, fols 2r–54v. Some of these are also present in the New Testament section.
30 BL, C.11.c.16, fol. 33v. Whether or not this annotator was trying to align the Legenda more closely with a particular translation is unclear. Both the Wycliffe Bible and the Bishops’ Bible use ‘ruddy’ in translating 1 Samuel 17: 42. Elsewhere, the annotator substituted ‘dreames’ for Caxton's ‘sweuenes’ in 1 Samuel 28: 6. ‘Sweuenes’ is used in the early Wycliffe Bible, while ‘dreames’ is present in the later Wycliffe translation and in Coverdale. In Judith 5: 11, Caxton refers to ‘claye tyles’, which the annotator amended to ‘bryke’: Wycliffe's translation has ‘clay’, while Coverdale and subsequent versions have ‘brick’ and ‘clay’: see C.11.c.16, fols 36r, 50r.
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44 New Haven, CT, Yale Center for British Art, MS BX4654.J32, fol. 84r.
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