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Unraveling a Tradition, or Spinning a Myth? Gender Critique in Czech Society and Culture
Published online by Cambridge University Press: 13 March 2017
Extract
The hostility that met feminist ideas and gender equality issues in east central Europe (ECE) after the demise of the Communist regimes was accompanied by a notion that feminism was imported to these societies after 1989. In the Czech Republic, the record of the publishing output by feminist scholars in the 1990s, however, speaks against this myth. Drawing on existing scholarship and the author's own research on cultural discourses of gender and on socialist state science policies and censorship, this article argues that there has been a long tradition of gender critique that was present in a variety of discourses even during late state socialism. It proposes that the feminist impulse began in the 19th century and continued in some form throughout the 20th century. It then examines how the myth of the feminist import came to exist and what were the possible sources of the hostility toward feminism in the 1990s.
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References
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26. Garver, “Women in the First Czechoslovak Republic”; Feinberg, Elusive Equality.
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32. The book was then published again in 2002, which testifies to the continued existence of an audience for the text.
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53. Barbara Einhorn mentions 37 registered women's organizations by early 1991 (“Where Have All the Women Gone? Women and the Women's Movements in East Central Europe,” Feminist Review 39, no. 1 (1991), 30); Haškova cites their number as 70 by the early 1990s (“Czech Women's Civic Organising,” 1083).
54. Data from the author's archive. In the mid-1990s I researched and collected all gender-related syllabi since 1990.
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74. Ibid., ix. Emphasis added.
75. Funk, introduction to Gender Politics and Post-Communism, 3.
76. Ibid.
77. Ibid., 14.
78. Šmejkalova-Strickland, “Revival?,” 1001.
79. Šmejkalova, “On the Road: Smuggling Feminism across the Post-Iron Curtain,” in Margit Feischmidt, Eniko Magyari-Vincze, and Violetta Zentai, eds., Women and Men in East European Transition (Cluj, 1996), 28.
80. Šiklova, “McDonald’s.”
81. Šmejkalova, “Co Je Feminismus: Kam s ni/m?, Part 1–5.” Tvar 2, no. 37–41 (1991).
82. I have drawn this conclusion from my own media archive that I systematically collected in the fi rst half of the 1990s, the newspaper clipping service commissioned by the Gender Studies Center in Prague from the same period, and also from my own participation in this NGO.
83. Horska, Naše prababičky feministky, 90.
84. Bahenska, Počátky emancipace, 144.
85. Matonoha, “Dispositives of Silence.”
86. Libora Indruchova, “Women in the Czech Press,” personal archive of the author, unpublished, 1993.
87. Jaroslav Spurny, “Sila soudcovskeho zvyku,” Respekt, September 21–27, 1992, 12. The phrase “excessive feminization” being associated with a critical state of aff airs in some industries was not new in 1992. For example, in 1972 it was used in a radio broadcast on the shortcomings of the publishing industry by the Deputy Head of the Department of Culture of the Central Committee of the Communist Party (Vladimir Solecky, “Komentař [Commentary],” Prague, 1972).
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90. Indruchova, “Western Feminist Literary Theory vis-a-vis Czech Literature and Culture” (MA thesis, Lancaster University, 1992).
91. Josef Škvorecky, “Je možne mluvit a psat spravně bez diskriminace?: dobrodružstvi americkeho feminismu,” Respekt, November 16, 1992, 13; “Je možne mluvit se ženou bez pohlavniho obtěžovani?: Dobrodružstvi americkeho feminismu,” Respekt, September 28, 1992, 13; “Je možny sex bez znasilněni?: Dobrodružstvi americkeho feminismu,” Respekt, August 10, 1992, 10; Ota Ulč and Vladimir Stwora, “O velkem sexualnim harašeni,” Mladý svět, January 15, 1993, 40–41; Ulč, “Přizrak sexualniho harašeni,” Mladý svět, March 4, 1994, 44.
92. Harašit as a verb literally means “to rattle” and fi guratively “to lose [one’s] marbles.” To my knowledge, however inimical to feminism and sexist Škvorecky's articles are, he always ever used sexuální obtěžování (the correct translation of “sexual harassment”) in his work.
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