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Officers and Office-Holding at the English Court: A Study of the Chapel Royal, 1485–15471
Published online by Cambridge University Press: 01 January 2020
Extract
There is an established literature on office-holding in the English royal household, which has focused on those members of the court involved in the royal body service and ceremonial; those associated with the domestic needs of the monarch, the royal family and wider domus and those involved in its administration. Yet this mainly deals with the late seventeenth century and beyond; comparable detailed and comprehensive information on this particular aspect of court history for earlier periods has yet to appear in print. The courts of the Tudors have, for example, suffered in this respect. This is surprising, for recent historical scholarship has shown that far from ossifying into a purely domestic establishment as an older generation of scholars thought, the Tudor Court was rather of central importance in the political, administrative, religious and cultural history of sixteenth-century England. By that time the royal domus was the centre of politics, patronage and power and access to the sovereign—the sole font of that power—and the ability to catch ‘either… [his/her] ear or… eye’ headed, to a large extent, the agenda of any ambitious courtier. A published investigation of the patterns and procedures of office-holding within this important institution is, therefore, long overdue.
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- Copyright © Royal Musical Association, 1999
Footnotes
Unless stated otherwise, all manuscript references occurring in this article are to material in the Public Record Office, London. All abbreviations in the footnotes are given in full in the Abbreviations to the Appendix which follows the main text.
References
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148 See Appendix.Google Scholar
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164 LP I i, 969 (19); LP I ii, 3324 (43); LP II i, 583; LP V, 318 (13); LP VL 1383 (26); LP I ii, 3226 (20); LP XIII ii, 734 (5); LP VII, 1352 (4).Google Scholar
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166 Minstrels receiving denization were Mark Anthony Galliardello, John de John, Joseph Lupo, Peter Restane, Peregrine Symon alias Mahou, Peter and Philip van Wilder and various members of the Bassani family; Letters of Denization and Acts of Naturalization for Aliens in England 1509–1603, ed. William Page, Publications of the Huguenot Society, 8 (Lymington, 1893), 16, 100, 132, 158, 204, 229, 244.Google Scholar
167 Bent, ‘The English Chapel Royal’, 90.Google Scholar
168 At Christmas 1408 there may have been 13 boys; Wathey, Music in the Royal and Noble Households, 124–5.Google Scholar
169 LRC, 57; BB, 136.Google Scholar
170 See Table One.Google Scholar
171 Dora Robertson, Sarum Close (London, 1938), 25.Google Scholar
172 Wathey, Music in the Royal and Noble Households, 78.Google Scholar
173 BB, 136. See Appendix.Google Scholar
174 See Appendix. William Crane was formally appointed three years after the death of William Cornish, his predecessor, although he had taken over as acting master a few months just before the latter's death in December 1523.Google Scholar
175 See Appendix.Google Scholar
176 Baldwin, 321.Google Scholar
177 Lbl Add. MS 21481, ff. 151v, 263, 266, 282v, 287, E36/216, ff. 5, 7v, 10, 12v, 14v, 17v, etc. During the tenure of William Crane (1523–45) bordwages were paid from the Privy Purse, probably because this treasury had risen to a financial prominence rivalling that of the Treasury of the Chamber.Google Scholar
178 Braddock, ‘The Rewards of Office-Holding’, 38.Google Scholar
179 David Ransome, ‘Artisan Dynasties in London and Westminster in the Sixteenth Century’, Guildhall Miscellany, 2 (1960–68), 237. Neil Samman suggests that the childrens' bordwages provided for their temporary lodgings in times of plague, when they were required to leave their rooms at court and inhabit buildings at a safe distance from the king until the risk of infection was passed; ‘The Tudor Court’, 36–7, 58, 64. While this may have been true under certain circumstances, it cannot adequately explain why bordwages were paid regularly until the 1540s, as plague was not a constant threat throughout that period; Paul Slack, The Impact of Plague in Tudor and Stuart England (London, 1985).Google Scholar
180 This issue is further discussed in Kisby, ‘A Courtier in the Community’.Google Scholar
181 Ivy Pinchbeck and Margaret Hewitt, Children in English Society, 2 vols (London and Wiltshire, 1969–73), i, 26–7. Royal choristers continued to reside with their master even in the nineteenth century; Baldwin, 331.Google Scholar
182 BB, 136. One of the houses in which the children of the chapel boarded may have been situated at Greenwich, and this is discussed in greater detail in Kisby, ‘A Courtier in the Community’.Google Scholar
183 Bowers, 189–90, note 61; Wathey, Music in the Royal and Noble Households, 140.Google Scholar
184 H433, ii, 163.Google Scholar
185 Lbl Add. MS 20030, f. 73.Google Scholar
186 See Kisby, Chapter Five.Google Scholar
187 Mertes, The English Noble Household, 145.Google Scholar
188 E101/420/11, ff. 115, 143; LC2/1, f. 69.Google Scholar
189 BB, 138.Google Scholar
190 BB, 138.Google Scholar
191 Alan Cobban, The King's Hall Within the University of Cambridge in the Later Middle Ages (Cambridge, 1969), 62; Nicholas Orme, English Schools in the Middle Ages (London, 1973), 217.Google Scholar
192 Orme, ‘The Medieval Clergy of Exeter Cathedral: the Secondaries and Choristers’, 91.Google Scholar
193 Cobban, The King's Hall, 62.Google Scholar
194 Cambridge, St John's College, MS D102.9, p. 17; D91.21, p. 91. The Master of the Choristers was commonly in charge of the liturgical music books; T.N. Cooper, ‘Children, the Liturgy and the Reformation’, Studies in Church History, 31 (1994), 266.Google Scholar
195 BB, 136–7.Google Scholar
196 Cobban, The King's Hall, 9–14.Google Scholar
197 Cobban, The King's Hall, 21.Google Scholar
198 Wathey, Music in the Royal and Noble Households, 88.Google Scholar
199 PSO 2/3, unlabelled membrane, 1 March 1488.Google Scholar
200 BRUOl, ii, 1802.Google Scholar
201 Smith, ‘The Practice of Music in English Cathedrals’, 86.Google Scholar
202 For the role of choristers in secular revels see Kisby, Chapter Three. Certain families (none with the surnames of early-Tudor choristers) monopolised minstrel appointments, and siblings were often instructed in the art of minstrelsey by their parents; the will of Egidiis (Giles?) Duwes and Philip van Wylder describes this process: Guildhall MS 9171/10, f. 244v; PROB 11/36 1 Tashe.Google Scholar
203 See Appendix.Google Scholar
204 See Appendix.Google Scholar
205 The vestry contained around five or six members in early-Tudor times; see Table One.Google Scholar
206 LRC, 57; BB, 165–72, 177–81.Google Scholar
207 See Appendix.Google Scholar
208 See Appendix.Google Scholar
209 LRC, 65; BB, 139; Bent, ‘The English Chapel Royal’, 90.Google Scholar
210 See Kisby, Chapter Six.Google Scholar
211 BB, 138.Google Scholar
212 BB, 138; E101/420/1/10; E101/421/3.Google Scholar
213 OCB, 76.Google Scholar
214 BB, 138–9.Google Scholar
215 The biographical entries in the Appendix also show that many of the gentlemen of the chapel were recruited from churches in London where the court was mainly based.Google Scholar
∗ Entries with an asterisk denote a known composer. Work lists can be found in EECM1/2.Google Scholar
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