Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-27T11:32:54.507Z Has data issue: false hasContentIssue false
  • English
  • Français

Music and Theory in Late Thirteenth-Century Paris: The Manuscript Paris, Bibliothèque Nationale, Fonds Lat. 11266

Published online by Cambridge University Press:  01 January 2020

Mark Everist
Get access Rights & Permissions [Opens in a new window]

Extract

The rarity of thirteenth-century manuscript sources containing representative examples from both musical and theoretical traditions is a notorious disadvantage to any study of the polyphony of the ars antiqua. Such a source is the earliest recension of Lambertus's Tractatus de musica, now housed in the Bibliothèque Nationale in Paris under the shelf number 11266, which transmits seven thirteenth-century double motets. However, one ought not simply to assume that the musical compositions illustrate the practice of the treatise, as both Coussemaker (1865, 169ff) and Ludwig (1910, 1/2, 590ff) did. Even since then, most critics have followed the assumptions of these two authors (Gennrich 1957, XLII; Anderson 1971, 39; Norwood 1978, 80; Baltzer 1980). An examination of the data on which these hypotheses are based may lead to a re-assessment of the relationship between music and theory in this manuscript and may suggest alternative interpretations.

Type
Research Article
Information
Royal Musical Association Research Chronicle , Volume 17 , 1981 , pp. 52 - 64
Copyright
Copyright © Royal Musical Association, 1981

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Anderson, Gordon A., 1971. ‘Notre-Dame Latin Double Motets ca. 1215–1250’, Musica disciplina 25, 35–92Google Scholar
Anderson, Gordon A., 1973. ‘Magister Lambertus and the Nine Rhythmic Modes’, Acta musicologica 45, 57–73CrossRefGoogle Scholar
Baltzer, Rebecca, 1980. ‘Lambertus’, The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 10, 400Google Scholar
Branner, Robert, 1977. Manuscript Painting in Paris during the Reign of Saint-Louis: A Study of Styles, California Studies in the History of Art 18. Berkeley, Los Angeles and London: University of California PressGoogle Scholar
Carpenter, Nan C., 1958. Music in the Medieval and Renaissance Universities. Norman, Oklahoma: University of Oklahoma PressGoogle Scholar
Coussemaker, Charles Edmond H. de, 1864-76. Scriptorum de musica medii aevi novam seriem a Gerbertina alteram … 4 vols. Paris: Durand; reprinted Hildesheim: Olms, 1963Google Scholar
Coussemaker, Charles Edmond H. de, 1865. L'art harmonique aux XIIe et XIIIe siècles. Paris; reprinted New York: Broude, 1964Google Scholar
Déslisle, Léopold, 1863-71. Inventaire des manuscrits latins conservés à la Bibliothèque nationale sous les numéros 8823–18613. Paris: ChampionGoogle Scholar
Destrez, Jean, 1935. La pecia dans les manuscrits universitaires du XIIIe et du XIVe siècle. Paris: VautrainGoogle Scholar
Frobenius, Wolf, 1970. ‘Zur Datierung von Francos Ars Cantus Mensurabilis’, Archiv für Musikwissenschaft 27, 122CrossRefGoogle Scholar
Gennrich, Friedrich, 1957. Bibliographic der ältesten französischen und lateinischen Motetten, Summa musicae medii aevi 2. Darmstadt: private publicationGoogle Scholar
Gilissen, Léon, 1969. ‘Un élément codicologique trop peu exploité: la réglure’, Scriptorium 23, 150Google Scholar
Gilissen, Léon, 1972. ‘La composition des cahiers: le pliage du parchemin et l'imposition’, Scriptorium 26, 3CrossRefGoogle Scholar
Gilissen, Léon, 1977. Prolégomènes à la codicologie: recherches sur la construction des cahiers et la mise en page des manuscrits médiévaux, Publications de Scriptorium 7. Ghent: Story-ScientiaGoogle Scholar
Hughes, Andrew, 1980. ‘Franco of Cologne’, The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, 6, 794–7Google Scholar
Lieftinck, Gerard I., 1954. ‘Pour une nomenclature de l'écriture livresque dite gothique’, Nomenclature des écritures livresques du IXe au XVe siècle: Premier colloque international de paléographie latine, Paris, 28–30 avril 1953, ed. d, 15. Paris: Centre National de la Recherche ScientifiqueGoogle Scholar
Ludwig, Friedrich, 1910. Repertorium organorum recentioris et motetorum vetustissimi stili 1/1. Halle: Niemayer; vol. 1/2: New York: Institute of Medieval Music, 1978; vol. 2: New York: Institute of Medieval Music, n.d.Google Scholar
Masai, Francois, and Wittek, Martin, 1968-72. Manuscrits datés conservés en Belgique, 2 vols. Brussels: Story-ScientiaGoogle Scholar
Norwood, Patricia L.P., 1978. A Study of the Provenance and French Motets in Bamberg, Staatsbibliothek, Lit. 115. Ph.D. dissertation, University of Texas at AustinGoogle Scholar
Patterson, Sonia, 1969. Paris and Oxford University Manuscripts in the Thirteenth Century. B.Litt. dissertation, Oxford UniversityGoogle Scholar
Pollard, Graham, 1978. ‘The Pecia System in the Medieval Universities’, Medieval Scribes, Manuscripts and Libraries: Essays Presented to N.R. Ker, ed. d, 145. London: ScolarGoogle Scholar
Reaney, Gilbert, and Gilles, André, ed., 1971. Anonymous: Ars musicae mensurabilis secundum Franconem, Corpus scriptorum de musica 15. American Institute of MusicologyGoogle Scholar
Reaney, Gilbert, and Gilles, André, ed., 1974. Franconis de Colonia: Ars cantus mensurabilis, Corpus scriptorum de musica 18. American Institute of MusicologyGoogle Scholar
Reimer, Erich, ed., 1972. Johannes de Garlandia: De mensurabili musica, Beihefte zum Archiv für Musikwissenschaft 10–11. Wiesbaden: SteinerGoogle Scholar
Robinson, Pamela R., 1977. ‘Self-Contained Units in Composite Manuscripts of the Anglo-Saxon Period’, Anglo-Saxon England 7, 232CrossRefGoogle Scholar
Rokseth, Yvonne, 1935-9. Polyphonies du treizième siècle, 4 vols. Paris: Oiseau-LyreGoogle Scholar
Royer, Louis, 1913. ‘Catalogue des écrits des théoriciens de la musique conservés dans le fonds latin de la Bibliothèque rationale’, Année musicale 3, 232Google Scholar
Samaram, Charles, and Marichal, Robert, 1959-74. Catalogue des manuscrits en écriture latine portant des indications de date, de lieu ou de copiste, 6 vols. Paris: Centre National de la Recherche ScientifiqueGoogle Scholar
Sarti, Mauri, and Fatturni, Mauri, 1769-72, 2/1888–96. De claris archigymnasii Bononiensis professoribus a saeculo XI usque ad saeculum XIV. Bologna; 2/Bologna: MerlaniGoogle Scholar
Sowa, Heinrich, ed., 1930. Ein anonymer glossierter Mensuraltraktat 1279, Königsberger Studien zur Musikwissenschaft 9. Kassel: BärenreiterGoogle Scholar
Vezin, Jean, 1976-8. ‘La réalisation matérielle des manuscrits latins pendant le haut moyenâge’, Codicologica, ed. d, 2, 15ff. Leiden: BrillGoogle Scholar