Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-11-27T12:04:12.706Z Has data issue: false hasContentIssue false
  • English
  • Français

Documenting the Storied Narrative of Gaza

Published online by Cambridge University Press:  11 December 2019

Samirah Alkassim
Samirah Alkassim*
Affiliation:
George Mason University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Film and Cinema Studies in Review
Information
Review of Middle East Studies , Volume 53 , Issue 2 , December 2019 , pp. 375 - 382
Copyright
Copyright © Middle East Studies Association of North America, Inc. 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 See Yara Hawari, “From inspiration to despair: A year of Gaza's Great March of Return”, Middle East Eye, March 30, 2019, https://www.middleeasteye.net/opinion/inspiration-despair-year-gazas-great-march-return.

2 See Alexandra Juhasz & Alisa Lebow, “Beyond Story: An Online, Community-Based Manifesto” in World Records Journal 2.3, Text 3, https://vols.worldrecordsjournal.org/02/03.

3 See definition of scratchboard technique: https://scratchboardsociety.org/faq/what-is-scratchboard/

4 See Rastegar, Kamran, Surviving Images: Cinema, War, and Cultural Memory in the Middle East (Oxford University Press, 2015)CrossRefGoogle Scholar.