Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-28T15:42:58.161Z Has data issue: false hasContentIssue false
  • English
  • Français

Annebelle Sreberny and Massoumeh Torfeh, eds. Cultural Revolution in Iran: Contemporary Popular Culture in the Islamic Republic (London and New York: I.B. Tauris, 2017). Pp. 296. $27.50 paper. ISBN 9781784535131.

Published online by Cambridge University Press:  15 January 2019

George Mürer
George Mürer*
Affiliation:
The Graduate Center, City University of New York
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Field Spotlight: Book Reviews in Performing Arts
Information
Review of Middle East Studies , Volume 52 , Issue 2 , November 2018 , pp. 363 - 366
Copyright
Copyright © Middle East Studies Association of North America, Inc. 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Youssefzadeh, Ameneh, “The situation of music in Iran since the Revolution: The role of official organizations,” British Journal of Ethnomusicology 9, no. 2 (2000): 35-61CrossRefGoogle Scholar; Youssefzadeh, Ameneh, “Singing in a Theocracy: Female Musicians in Iran,” in Shoot the Singer! Music Censorship Today, ed. Korpe, Marie (London: Zed Books, 2004), 129-135Google Scholar; Youssefzadeh, Ameneh, “Iran's Regional Music Traditions in the Twentieth Century: A Historical Overview,” Iranian Studies 38, no. 3 (September 2005): 417-439CrossRefGoogle Scholar; Youssefzadeh, Ameneh, “Singing the Martyrs: Revolutionary and Patriotic Songs in the Repertoire of the Khorasani Bards,” in Musical Culture and Memory (Musicological Studies: Proceedings, no. 2), eds. Markovic, Tatjana and Mikic, Vesna. Belgrade: Department of Musicology, Faculty of Music, University of Arts, 2008): 281-289Google Scholar; Youssefzadeh, Ameneh, “Veiled Voices: Music and Censorship in Post-Revolutionary Iran,” in The Oxford Handbook of Music Censorship, ed. Hall, Patricia, (New York: Oxford University Press, 2017): 657-675Google Scholar.

2 Olszewska, Zuzanna, The Pearl of Dari: Poetry and Personhood among Young Afghans in Iran (Bloomington: Indiana University Press, 2015)Google Scholar.

3 Naficy, Hamid, A Social History of Iranian Cinema, Volume 1-2 (Duke University Press, 2011)Google Scholar; Naficy, Hamid, A Social History of Iranian Cinema, Volume 3-4 (Duke University Press, 2012)Google Scholar.

4 Dabashi, Hamid, Persophilia: Persian Culture on the Global Scene (Cambridge: Harvard University Press, 2015)CrossRefGoogle Scholar; Dabashi, Hamid. The World of Persian Literary Humanism (Cambridge: Harvard University Press, 2012)CrossRefGoogle Scholar; Dabashi, Hamid, Close Up: Iranian Cinema, Past, Present, and Future (London and New York: Verso, 2001)Google Scholar.

5 Beeman, William O., Iranian Performance Traditions (Los Angeles: Mazda Publications, 2011)Google Scholar; Beeman, William O., Language, Status, and Power in Iran (Bloomington: Indiana University Press, 1986)Google Scholar.