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Published online by Cambridge University Press: 20 November 2018
The essay shows how two royalist recipe books — The Queens Closet Opened (1655) and The Court & Kitchin of Elizabeth (1664) — fashioned Henrietta Maria (1609–69) and Elizabeth Cromwell (1598–1665) as very different housewives to the English nation. By portraying the much-disliked French Catholic Henrietta Maria as engaged in English domestic practices, The Queens Closet Opened implicitly responded to the scandalous private revelations of The Kings Cabinet Opened (1645); while, in contrast, the satiric cookery book attributed to Elizabeth Cromwell stigmatized her as both a country bumpkin and a foreigner. Yet the cookery books also had unintended republicanizing effects, as consumers appropriated the contents of the queen’s closet for their own cabinets and kitchens.
An early version of this essay was given at a 2003 Harvard Alumni Symposium on “New Work in the Renaissance,” and I am grateful for many helpful suggestions given at that time. Detailed and insightful reports provided by Jayne Archer and by one anonymous reader for Renaissance Quarterly usefully guided my revisions. I have also benefited from conversations about this project with Dan Beaver, Katie Field, and Marcy North.