Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-27T19:52:29.727Z Has data issue: false hasContentIssue false

Miscellanea Curiositae Michelangelae: A Steep Tariff, a Half Dozen Horses, and Yards of Taffeta

Published online by Cambridge University Press:  20 November 2018

William E. Wallace*
Affiliation:
Washington University

Extract

There is such an abundance of documentary information about the life of Michelangelo Buonarroti that we necessarily are selective in our use of the primary sources: nearly 1,400 letters to and from the artist, more than three hundred published pages of his personal and professional ricordi, and an extensive correspondence among members of his immediate family. In addition to what they tell us about the artist and his commissions, these primary sources offer a rich and detailed picture of everyday life in Renaissance Italy. The following miscellany is offered as diverse glimpses into the world and work of Michelangelo, a sort of micro-historical view of a major historical figure.

Type
Studies
Copyright
Copyright © Renaissance Society of America 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

This article was completed during my tenure as a fellow at Villa I Tatti in Florence, 1990-91. For their help and many suggestions, I would like to thank Paul Barolsky, Alison Brown, Patrick Chorley, Samuel Heath, Edward Maeder, Thomas Roche, Michael Rocke, and Sarah Schroth.

References

Anderson, Ruth M. Hispanic Costume, 1480- 1530. New York, 1979.Google Scholar
Barbadoro, Bernardino. Le finanze delta repubblica fiorentina. Florence, 1929.Google Scholar
Barolsky, Paul. Why Mona Lisa Smiles and Other Tales by Vasari. University Park, PA, 1991.Google Scholar
Birbari, Elizabeth. Dress in Italian Painting 1460-1500. London, 1975.Google Scholar
Bullard, Melissa Meriam. Filippo Strozziand the Medici: Favor and Finance in Sixteenth- Century Florence and Rome. Cambridge, 1980.Google Scholar
Cambi, Giovanni. Istorie di Giovanni Cambi. In Delizie degli Eruditi Toscani, 22, 1786.Google Scholar
Cappi Bentivegna, Ferruccia. Abbigliamento e costume nella pittura italiana: Rinascimento. Rome, 1962.Google Scholar
Il Carteggio di Michelangelo.1 Ed. P. Barocchi and R. Ristori. 5 vols. Florence, 1965-83.Google Scholar
Il Carteggio indiretto di Michelangelo. Ed. P. Barocchi, K. L. Bramanti, and R. Ristori. Vol. 1. Florence, 1988.Google Scholar
Castiglione, Baldassare. The Book of the Courtier. Baltimore, 1967.Google Scholar
Cervantes, Miguel. Don Quixote. [Signet ed.] New York, 1979.Google Scholar
Colasanti, Arduino. “Il memoriale di Baccio Bandinelli.” Repertorium für Kunstwissenschaft 28 (1905): 406-43.Google Scholar
Cropper, Elizabeth. Rev. of Il Carteggio indiretto di Michelangelo, ed. Barocchi, P., Bramanti, K.L., R., Ristori. Renaissance Quarterly 43 (1990): 616-18.Google Scholar
D'Ancona, Paolo, Michelangelo. Milan, 1989.Google Scholar
Davenport, Millia. The Book of Costume. New York, 1948.Google Scholar
Esch, Arnold. “Le importazioni nella Roma del primo Rinascimento (il loro volume secondo i registri doganali romani negli anni 1452-1462).” In Aspetti della vita economica e culturale a Roma nel Quattrocento, 9-79. Rome, 1981.Google Scholar
Esch, Arnold and Doris, . “Die Grabplatte Martins V. und andere Importstucke in der römischen Zollregistern der Fruhrenaissance.” Romisches Jahrbuch für Kunstgeschichte 17 (1978): 211-17.Google Scholar
Frey, Karl. “Studien zu Michelagniolo Buonarroti und zur seiner Zeit.” Jahrbuch der königlich preuszischen Kunstsammlungen 30 (1909): 103-80.Google Scholar
Gotti, Aurelio. Vita di Michelangelo Buonarroti. 2 vols. Florence, 1875.Google Scholar
Harte, N. B., andPonting, K.G., eds. Cloth and Clothing in Medieval Europe: Essays in Memory of Professor E. M. Carus-Wilson. London, 1983.Google Scholar
Herald, Jacqueline. Renaissance Dress in Italy, 1400-1500. London, 1981.Google Scholar
Herlihy, David. “Direct and Indirect Taxation in Tuscan Urban Finance, ca. 1200- 1400.” In Finances et Comptabilité urbaines du XIHe au XVIe Stècle (Actes, Colloque International), 385405. Brussels, 1964.Google Scholar
Hirst, Michael. “Michelangelo, Carrara and the Marble for the Cardinal's Pietà.” The Burlington Magazine 127 (1985): 154-156.Google Scholar
Hirst, Michael. Michelangelo and His Drawings. New Haven and London, 1989.Google Scholar
Hoshino, Hidetoshi. L'arte della lana in Firenzenel basso medioevo. Florence, 1980.Google Scholar
La Roncière, Charles M. “Indirect Taxes or 'Gabelles’ at Florence in the Fourteenth Century: The Evolution of Tariffs and Problems of Collection.” In Florentine Studies, ed. Rubinstein, N., 140-92. London, 1968.Google Scholar
Laver, James, ed. Costume of the Western World: Fashions of the Renaissance. New York [1951].Google Scholar
Levi Pisetzky, Rosita. Storia del costume in Italia. 5 vols. Milan, 1964-69.Google Scholar
Lotz, Wolfgang. “Zu Michelangelos Christus in S. Maria sopra Minerva.” In Festschrift fiir Herbert von Einem, 143-50. Berlin, 1965.Google Scholar
Milanesi, Gaetano. he lettere di Michelangelo Buonarroti coi ricordi ed i contratti artistici. Florence, 1875.Google Scholar
Molho, Anthony. Florentine Public Finances in the Early Renaissance 1400-1433. Cambridge, MA, 1971.Google Scholar
Molho, Anthony. “Recent Works on the History of Tuscany.” Journal of Modern History 62 (1990): 57-77.Google Scholar
Murray, Linda. Michelangelo: His Life, Work and Times. New York, 1984.Google Scholar
Panofsky, Gerda S. Michelangelos ‘Christus' und sein römischer Auftraggeber. Worms, 1991.Google Scholar
Parronchi, Alessandro. “Il primo ‘Christo Risorto’ per Metello Vari.” Opere Giovanili di Michelangelo 2:157-90. Florence, 1975.Google Scholar
Richards, Gertrude R. B. Florentine Merchants in the Age of the Medici. Cambridge, 1932.Google Scholar
Richards, Gertrude R. B. I Ricordi di Michelangelo. Ed. L. B. Ciulich and P. Barocchi. Florence, 1970.Google Scholar
Schneider, Jane, “Peacocks and Penguins: The Political Economy of European Cloth and Colors.” American Ethnologist 5 (1978): 413-47.Google Scholar
Thode, Henry. Michelangelo. Kritische Untersuchungen über seine Werke. 3 vols. Berlin, 1908-13.Google Scholar
Tolnay, Charles de. Michelangelo: The Medici Chapel. Princeton, 1948.Google Scholar
Vasari, Giorgio. La vita di Michelangelo nelle redazioni del 1500 e del 1568. 5 vols. Ed. P. Barocchi. Milan-Naples, 1962.Google Scholar
Vasari, Giorgio. Le vite de’ più eccellenti pittori, scultori edarchitettori. 9 vols. Ed. G. Milanesi. Florence, 1878-85.Google Scholar
Wallace, William E. “How did Michelangelo Become a Sculptor?” In The Genius of the Sculptor in Michelangelo's Work (exhib. catalog), Musée des Beaux Arts, 151-67. Montreal, 1992.Google Scholar