Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-27T20:24:49.141Z Has data issue: false hasContentIssue false
  • English
  • Français

The Memory of Ruins: Quevedo's Silva to “Roma antigua y moderna”

Published online by Cambridge University Press:  20 November 2018

Rodrigo Cacho Casal
Rodrigo Cacho Casal*
Affiliation:
Clare College, University of Cambridge
Get access Rights & Permissions [Opens in a new window]

Abstract

The silva to “Roma antigua y moderna” by Francisco de Quevedo is a complex rewriting of Joachim Du Bellay's Antiquitez de Rome. The Spanish author makes an archeological study of his model, identifying the sources, and, through intertextual dialogue with the classical and humanistic descriptions of Rome, creates a symbolic space of memory where different stages of history are represented. In this manner, Quevedo produces a Baroque reading of the Renaissance.

Type
Studies
Information
Renaissance Quarterly , Volume 62 , Issue 4 , Winter 2009 , pp. 1167 - 1203
Copyright
Copyright © 2009 Renaissance Society of America

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Álvarez Hernández, Arturo R.. “Fuentes y originalidad en un soneto de Quevedo consagrado a Roma, sepultada en sí misma.” Canente 6 (1989): 13–27.Google Scholar
Aristotle, . On Memory and Recollection. Ed. and trans. , Bloch, David. Leiden, 2007.Google Scholar
Arnaldi, Francesco, , Rosa, Lucia Gualdo, and , Sabia, Liliana Monti, eds. Poeti latini del Quattrocento. Milan, 1964.Google Scholar
Asensio, Eugenio. “Un Quevedo incógnito: las silvas.” Edad de Oro 2 (1983): 13–48.Google Scholar
Bettinzoli, Attilio. Daedaleum iter: studi sulla poesia e la poetica di Angelo Poliziano. Florence, 1995.Google Scholar
Biondo, Flavio. Roma ristaurata, et Italia illustrata . Trans. , Fauno, Lucio. Venice, 1548.Google Scholar
Blanco, Mercedes. “Qu'est-ce qu'un concepto?” Les Langues Néo-Latines 254 (1985): 5–20.Google Scholar
Blanco, Mercedes. “El mecanismo de la ocultación: análisis de un ejemplo de agudeza.” Criticón 43 (1988): 13–36.Google Scholar
Blanco, Mercedes. Les Rhétoriques de la pointe: Baltasar Gracián et le conceptisme en Europe. Geneva, 1992.Google Scholar
Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. Oxford, 1997.Google Scholar
Bolzoni, Lina. La stanza della memoria: modelli letterari e iconografici nell'età della stampa. Turin, 1995.Google Scholar
Burckhardt, Jacob. The Civilization of the Renaissance in Italy. Trans. , Middlemore, S. G. C.. London, 1950.Google Scholar
Cacho Casal, Rodrigo. “La silva El pincel de Quevedo y Rémy Belleau.” In Studies in Honor of James O. Crosby, ed. , Schwartz, Lía, 49–68. Newark, 2004.Google Scholar
Candelas Colodrón, Manuel Ángel. “Las silvas de Quevedo.” In Estudios sobre Quevedo: Quevedo desde Santiago entre dos aniversarios, ed. , Fernández Mosquera, Santiago, 161–85. Santiago de Compostela, 1995.Google Scholar
Candelas Colodrón, Manuel Ángel. Las silvas de Quevedo. Vigo, 1997.Google Scholar
Carruthers, Mary. The Book of Memory: A Study of Memory in Medieval Culture. Cambridge, 2008.CrossRefGoogle Scholar
Cicero. De oratore. Trans. Sutton, E. W.. 2 vols. Cambridge, MA, 1967–68.Google Scholar
Cicero [attributed]. Rhetorica ad Herennium. Trans. Caplan, Harry. Cambridge, MA, 1968.Google Scholar
Conti, Natale. Mythologiae. Venice, 1567.Google Scholar
Conti, Natale. Mythologiae. Trans. , Mulryan, John and , Brown, Steven. 2 vols. Tempe, 2006.Google Scholar
Cooper, Richard. “Poetry in Ruins: The Literary Context of Du Bellay's Cycles on Rome.” Renaissance Studies 3 (1989): 156–66.CrossRefGoogle Scholar
Covarrubias, Sebastián de. Tesoro de la lengua castellana o española. Ed. , de Riquer, Martín. Barcelona, 1998.Google Scholar
Crosby, James O.., and , Lerner, Lía Schwartz. “La silva El sueño de Quevedo: génesis y revisiones.” Bulletin of Hispanic Studies 63 (1986): 111–26.CrossRefGoogle Scholar
Cuervo, Rufino José. “Dos poesías de Quevedo a Roma.” Revue Hispanique 18 (1908): 432–38.Google Scholar
Curtius, Ernst Robert. European Literature and the Latin Middle Ages. Trans. , Trask, Willard R.. Princeton, 1953.Google Scholar
Diccionario de Autoridades. 3 vols. Madrid, 1990.Google Scholar
Du Bellay, Joachim. Le Premier livre des Antiquitez de Rome . In Œuvres poétiques II: Recueils de sonnets, ed. , Chamard, Henri, 1–42. Paris, 1910a.Google Scholar
Du Bellay, Joachim. Les Regrets . In Œuvres poétiques II: Recueils de sonnets, ed. , Chamard, Henri, 43–210. Paris, 1910b.Google Scholar
Du Bellay, Joachim. The Defence and Illustration of the French Language. Trans. , Turquet, Gladys M.. London, 1939.Google Scholar
Du Bellay, Joachim. Œuvres poétiques VII: Œuvres latines: Poemata. Ed. , Demerson, Geneviève. Paris, 1984.Google Scholar
Du Bellay, Joachim. Œuvres complètes I: La Deffence, et illustration de la langue françoyse. Ed. , Goyet, Francis and , Millet, Olivier. Paris, 2003.Google Scholar
Du Bellay, Joachim. The Amores of Faustina, Latin Epigrams, and Elegies. Trans. , Hawkins, Hubert W.. Manquin, 2004.Google Scholar
Du Bellay, Joachim. The Regrets with The Antiquities of Rome, Three Latin Elegies, and The Defense and Enrichment of the French Language. Trans. , Helgerson, Richard. Philadelphia, 2006.Google Scholar
Fauno, Lucio. Delle antichità della città di Roma. Venice, 1548.Google Scholar
Ferri Coll, José María. Las ciudades cantadas: el tema de las ruinas en la poesía española del Siglo de Oro. Alicante, 1995.Google Scholar
Flor, Fernando R. de la. Barroco: representación e ideología en el mundo hispánico (1580–1680). Madrid, 2002.Google Scholar
Foucault, Michel. Les Mots et les choses: une archéologie des sciences humaines. Paris, 1966.Google Scholar
Fucilla, Joseph G.. “Superbi colli (Notas sobre la boga del tema en España).” In Fucilla, Superbi colli e altri saggi, 7–43. Rome, 1963.Google Scholar
Gamucci, Bernardo. Libri quattro dell'antichità della città di Roma. Venice, 1565.Google Scholar
Garin, Eugenio, ed. Prosatori latini del Quattrocento. Milan, 1952.Google Scholar
Garzoni, Tomaso. La piazza universale di tutte le professioni del mondo. Ed. , Battista Bronzini, Giovanni. 2 vols. Florence, 1996.Google Scholar
Ghero, Ranuito [Janus Gruterus], ed. Delitiae CC. italorum poetarum. 2 vols. Frankfurt, 1608.Google Scholar
Ghero, Ranuito [Janus Gruterus], ed. Delitiae C. poetarum gallorum. 3 vols. Frankfurt, 1609.Google Scholar
Grafton, Anthony. Bring Out Your Dead: The Past as Revelation. Cambridge, MA, 2001.Google Scholar
Greene, Thomas M.. The Light in Troy: Imitation and Discovery in Renaissance Poetry. New Haven, 1982.Google Scholar
Guevara, Antonio de. Libro primero de las Epístolas familiares. Ed. , de Cossío, José María. 2 vols. Madrid, 1950–51.Google Scholar
Hall, H. Gaston. “Castiglione's ‘Superbi colli’ in Relation to Raphael, Petrarch, Du Bellay, Spenser, Lope de Vega, and Scarron.” Kentucky Romance Quarterly 21 (1974): 159–81.Google Scholar
Horace, . Satires, Epistles, and Ars poetica. Trans. , Fairclough, H. Rushton, Cambridge, MA, 1978.Google Scholar
Horace, . Odes and Epodes. Trans. , Rudd, Niall. Cambridge, MA, 2004.Google Scholar
Jauralde Pou, Pablo. “Las silvas de Quevedo.” In La silva, ed. , López Bueno, Begoña, 157–80. Seville, 1991.Google Scholar
Jauralde Pou, Pablo. Francisco de Quevedo (1580–1645). Madrid, 1998.Google Scholar
Kallendorf, Hilaire, and , Kallendorf, Craig. “Conversations with the Dead: Quevedo and Statius, Annotation and Imitation.” Journal of the Warburg and Courtauld Institutes 63 (2000): 131–68.CrossRefGoogle Scholar
Lara Garrido, José. “Notas sobre la poética de las ruinas en el Barroco.” Analecta Malacitana 3 (1980): 385–99.Google Scholar
Lara Garrido, José. “El motivo de las ruinas en la poesía española del Siglo de Oro: funciones de un paradigma nacional: Sagunto.” In Lara Garrido, Relieves poéticos del Siglo de Oro: de los textos al contexto, 251–308. Málaga, 1999.Google Scholar
Lavin, Irving. “Memoria e senso di sé: sul ruolo della memoria nella teoria della psicologia dall'antichità a Giambattista Vico.” In La cultura della memoria, ed. , Bolzoni, Lina and , Corsi, Pietro, 291–317. Bologna, 1992.Google Scholar
Lida, María Rosa. “Para las fuentes de Quevedo.” Revista de Filología Hispánica 1 (1939): 369–75.Google Scholar
Livy, . Ab urbe condita. Trans. , Foster, B. O. et al. 14 vols. Cambridge, MA, 1967.Google Scholar
López Bueno, Begoña. “Tópica literaria y realización textual: unas notas sobre la poesía española de las ruinas en el Siglo de Oro.” In Templada lira: 5 estudios sobre poesía del Siglo de Oro, 75–97. Granada, 1990.Google Scholar
López Grigera, Luisa. Anotaciones de Quevedo a la ‘Retórica’ de Aristóteles. Salamanca, 1998.Google Scholar
Lucan, . The Civil War (Pharsalia). Trans. , Duff, J. D.. Cambridge, MA, 1969.Google Scholar
Machiavelli, Niccolò. Discorsi sopra la prima Deca di Tito Livio . In Opere, ed. , Bonfantini, Mario, 87–420. Milan, 1954.Google Scholar
MacPhail, Eric. “The Roman Tomb or the Image of the Tomb in Du Bellay's Antiquitez.” Bibliothèque d'Humanisme et Renaissance 48 (1986): 359–72.Google Scholar
Maravall, José Antonio. La cultura del Barroco: análisis de una estructura histórica. Barcelona, 1996.Google Scholar
Martelli, Mario. “Lamia.” Humanistica 1/2 (2006): 95–98.Google Scholar
Martial, . Epigrams. Trans. , Shackleton Bailey, D. R.. 3 vols. Cambridge, MA, 1993.Google Scholar
Martos Pérez, María D.. Las ruinas en la poesía española contemporánea: estudio y antología. Málaga, 2008.Google Scholar
Mauro, Lucio. Le antichità della città di Roma. Venice, 1558.Google Scholar
McGowan, Margaret M.. The Vision of Rome in Late Renaissance France. New Haven, 2000.Google Scholar
McMinn Chambers, Frank. “Lucan and the Antiquitez de Rome.” Publications of the Modern Language Association 60 (1945): 937–48.CrossRefGoogle Scholar
Medrano, Francisco de. Diversas rimas. Ed. , Cárdenas, Jesús Ponce. Seville, 2005.Google Scholar
Moreno Castillo, Enrique. “Anotaciones a la silva Roma antigua y moderna de Francisco de Quevedo.” La Perinola 8 (2004): 501–43.Google Scholar
Mortier, Roland. La Poétique des ruines en France: ses origines, ses variations de la Renaissance à Victor Hugo. Geneva, 1974.Google Scholar
Orozco Díaz, Emilio. “Ruinas y jardines: su significación y valor en la temática del Barroco.” In Orozco Díaz, Temas del Barroco: de poesía y pintura, 119–76. Granada, 1947.Google Scholar
Ovid, . Metamorphoses. Trans. , Miller, Frank Justus. 2 vols. Cambridge, MA, 1984.Google Scholar
Ovid, . Fasti. Trans. , Frazer, Sir James George. Cambridge, MA, 1989.Google Scholar
Palladio, Andrea. L'antichità di Roma . In Girolamo Franzini, Le cose maravigliose dell'alma città di Roma, 81–119. Rome, 1587.Google Scholar
Pannonius, Janus. Opera. Ed. , Sambuci, Ioannis. Vienna, 1569.Google Scholar
Plato, . Phaedo. Trans. , Bluck, R. S.. London, 1955.Google Scholar
Poliziano, Angelo. Silvae. Ed. and Trans. , Fantazzi, Charles. Cambridge, MA, 2004.Google Scholar
Propertius, . Elegies. Trans. , Goold, G. P.. Cambridge, MA, 1990.Google Scholar
Quevedo, Francisco de. España defendida . Ed. , Rose, R. Selden. Boletín de la Real Academia de la Historia 68 (1916): 515–43, 629–39; 69 (1916): 140–82.Google Scholar
Quevedo, Francisco de. Obra poética. Ed. , Blecua, José Manuel. 4 vols. Madrid, 1969–81.Google Scholar
Quevedo, Francisco de. El Rómulo. Ed. , Isasi, Carmen. Bilbao, 1993.Google Scholar
Quevedo, Francisco de. Cinco silvas. Ed. , Rocha de Sigler, María del Carmen. Salamanca, 1994.Google Scholar
Quevedo, Francisco de. Carta al serenísimo, muy alto y muy poderoso Luis XIII, rey cristianísimo de Francia . Ed. , Peraita, Carmen. In Obras completas en prosa, ed. , Rey, Alfonso, 3:249–305. Madrid, 2005.Google Scholar
Quintilian, . The Orator's Education. Trans. , Russell, Donald A.. 5 vols. Cambridge, MA, 2001.Google Scholar
Ramalho, Américo da Costa. “As ruínas de Roma.” In Ramalho, Estudos sobre a época do Renascimento, 297–317. Lisbon, 1997.Google Scholar
Rey, Alfonso. “La colección de silvas de Quevedo: propuesta de inventario.” Modern Language Notes 121 (2006): 257–77.Google Scholar
Rivers, Elias L.., trans. Renaissance and Baroque Poetry of Spain with English Prose Translations. Prospect Heights, 1988.Google Scholar
Robbins, Jeremy. Arts of Perception: The Epistemological Mentality of the Spanish Baroque, 1580–1720. Abingdon, 2007.Google Scholar
Rossi, Paolo. Clavis universalis: arti mnemoniche e logica combinatoria da Lullo a Leibniz. Milan, 1960.Google Scholar
Ruiz Sánchez, Marcos. “Las ruinas deshabitadas: notas sobre la tradición elegíaca del tema de las ruinas en la poesía neolatina.” Excerpta Philologica 9 (1999): 349–76.Google Scholar
Schwartz, Lía. De fray Luis a Quevedo: lecturas de los clásicos antiguos. Málaga, 2005.Google Scholar
Simmel, Georg. “The Ruin.” In Georg Simmel, 1858–1918: A Collection of Essays, with Translations and a Bibliography, ed. , Wolff, Kurt H., 259–66. Columbus, 1959.Google Scholar
Skyrme, Raymond. “‘Buscas en Roma a Roma’: Quevedo, Vitalis, and Janus Pannonius.” Bibliothèque d'Humanisme et Renaissance 44 (1982): 363–67.Google Scholar
Statius, Silvae. Trans. , Shackleton Bailey, D. R.. Cambridge, MA, 2003.Google Scholar
Talavera Esteso, Francisco J.. “Observaciones sobre el tema de las ruinas en algunos poetas neolatinos.” Analecta Malacitana 14 (1991): 289–300.Google Scholar
Tibullus, . Catullus. Tibullus. Pervigilium Veneris. Trans. , Mackail, J. W.. Cambridge, MA, 1988.Google Scholar
Tucker, George Hugo. “Sur les Elogia (1553) de Janus Vitalis et les Antiquitez de Rome de Joachim Du Bellay.” Bibliothèque d'Humanisme et Renaissance 47 (1985): 103–12.Google Scholar
Tucker, George Hugo. “Le portrait de Rome chez Pannonius et Vitalis: une mise au point.” Bibliothèque d'Humanisme et Renaissance 48 (1986): 751–56.Google Scholar
Tucker, George Hugo. The Poet's Odyssey: Joachim Du Bellay and the ‘Antiquitez de Rome.’ Oxford, 1990.CrossRefGoogle Scholar
Virgil, . Eclogues. Georgics. Aeneid. Appendix Vergiliana. Trans. , Fairclough, H Rushton. 2 vols. Cambridge, MA, 1999–2000.Google Scholar
Vitalis, Janus. Sacrosanctae Romanae Ecclesiae elogia. Rome, 1553.Google Scholar
Wardropper, Bruce W.. “The Poetry of Ruins in the Golden Age.” Revista Hispánica Moderna 35 (1969): 295–305.Google Scholar
Weiss, Roberto. The Renaissance Discovery of Classical Antiquity. Oxford, 1988.Google Scholar
Yates, Frances A.. The Art of Memory. Chicago, 1966.Google Scholar