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Books Received

Published online by Cambridge University Press:  20 November 2018

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Renaissance Quarterly , Volume 58 , Issue 4 , Winter 2005 , pp. 1455 - 1477
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Copyright © 2005 Renaissance Society of America

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References

Editions and Translations

Roberta, Barker , ed. Common Conditions [?1576]. The Malone Society Reprints 168. Oxford and New York : Oxford University Press , 2004. Reprint. xxx + 56 pp. append. illus. $49.95. ISBN: 0-19-729044-2.Google Scholar
William, Bathe. A Briefe Introduction to the Skill of Song. Ed. Kevin C. Karnes. Music Theory in Britain, 1500–1700: Critical Editions. Aldershot and Burlington, VT : Ashgate Publishing Company , 2004. x + 137 pp. index. illus. tbls. bibl. $79.95. ISBN: 0-7546-3544-9.Google Scholar
Jean-Philippe, Beaulieu , ed. Les angoisses douloureuses qui procèdent d’amour. Saint-Étienne : Publications de l’Université de Saint-Étienne , 2005. 379 pp. gloss. bibl. €10. ISBN: 2-86272-368-1.Google Scholar
Pietro, Bembo. Lyric Poetry, Etna. Trans. Mary P. Chatfield. The I Tatti Renaissance Library 18. Cambridge, MA and London : Harvard University Press , 2005. xxi + 278 pp. index. append. bibl. $29.95. ISBN: 0-674-01712-9.Google Scholar
Jean, Bosquet. Elemens ou Institutions de la langue françoise (1586). Ed. Colette Demaizière. Textes de la Renaissance 83. Paris : Honoré Champion Éditeur , 2005. 176 pp. index. illus. bibl. €49. ISBN: 2-7453-1146-8.Google Scholar
Henry, Bullinger. The Decades of Henry Bullinger. Ed. Thomas Harding. 2 vols. Grand Rapids : Reformation Heritage Books , 2004. cxxviii + 423; viii + 586 pp. index. bibl. $65. ISBN: 1-892777-38-X; 1-892777-39-8.Google Scholar
Georges, Chastellain. Les Exposicions sur Verité mal prise: Le Dit de Verité. Ed. Jean-Claude Delclos. Textes de la Renaissance 90. Paris : Honoré Champion Éditeur , 2005. 271 pp. index. gloss. €54. ISBN: 2-7453-1139-5.Google Scholar
Vittoria, Colonna. Sonnets for Michelangelo: A Bilingual Edition. Ed. and trans. Abigail Sarah Brundin. The Other Voice in Early Modern Europe. Chicago and London : The University of Chicago Press , 2005. xxxii + 197 pp. index. illus. bibl. $24. ISBN: 0-226-11392-2.Google Scholar
Ginevra, Crosignani. “De Adeundis Ecclesiis Protestantium”: Thomas Wright, Robert Parsons, S.J., e il dibattito sul conformismo occasionale nell’Inghilterra delle’età moderna. Bibliotecha Instituti Historici S.I. 56. Rome : Institutum Historicum Societatis Iesu , 2004. 378 pp. index. bibl. €40. ISBN: 88-7041-356-0.Google Scholar
Francisca, de los Apóstoles. The Inquisition of Francisca: A Sixteenth-Century Visionary on Trial. Ed. and trans. Gillian T. W. Ahlgren. The Other Voice in Early Modern Europe. Chicago and London : The University of Chicago Press , 2005. xxviii + 195 pp. index. append. chron. bibl. $18. ISBN: 0-226-14222-1.Google Scholar
Fronton, du Duc. The Tragic History of La Pucelle of Domrémy, Otherwise Known as The Maid of Orléans: (L’histoire tragique de la Pucelle de Dom-Rémy, aultrement d’Orléans). Trans. Richard Hillman. Carleton Renaissance Plays in Translation 39. Ottawa : Dovehouse Editions, Inc. , 2005. 200 pp. bibl. $12. ISBN: 1-895537-76-2.Google Scholar
Desiderius, Erasmus. Adages III iv 1 To IV ii 100. Ed. John N. Grant. Trans. Denis L. Drysdall. Vol. 35 of Collected Works of Erasmus. Toronto and Buffalo : University of Toronto Press , 2005. xii + 592 pp. tbls. bibl. $150. ISBN: 0-8020-3643-0.Google Scholar
Desiderius, Erasmus. Adagiorum chilias secunda. Ed. M. Szymanski. Vol. 2.3 of Opera Omnia. Amsterdam and Boston : Elsevier Science , 2005. x + 528 pp. index. illus. $200. ISBN: 0-444-51638-7.Google Scholar
Desiderius, Erasmus. Controversies: Responsio ad epistolam paraeneticam Alberti Pii. Apologia adversus rhapsodias Alberti Pii. Brevissima scholia. Ed. Nelson H. Minnich. Trans. Daniel J. Sheerin. Vol. 84 of Collected Works of Erasmus. Toronto and Buffalo : University of Toronto Press , 2005. cxlviii + 483 pp. index. illus. bibl. $175. ISBN: 0-8020-4397-6.Google Scholar
Desiderius, Erasmus. Expositions of the Psalms.Vol. 64 of Collected Works of Erasmus. Ed. Dominic Baker-Smith. Trans. Emily Kearns, Caroline White, and Michael J. Heath. Toronto and Buffalo : University of Toronto Press , 2005. xv + 416 pp. index. illus. bibl. $150. ISBN: 0-8020-3584-1.Google Scholar
Nicodemus, Frischlin. Priscianus Vapulans: Der Geschlagene Priscian andIulius Redivivus: Julius Caesars Rückkehr ins Erdenleben. Ed. and trans. Christoph Jungck and Lothar Mundt. Vol. 3, pt. 1 of Sämtliche Werke. Berliner Ausgaben. Stuttgart : Frommann-Holzboog , 2003. 668 pp. append. €184. ISBN: 3-7728-1937-0.Google Scholar
Niccolò, Machiavelli. Art of War. Ed. and trans. Christopher Lynch. Chicago and London : The University of Chicago Press , 2005. Reprint. xlv + 262 pp. index. illus. map. gloss. bibl. $16. ISBN: 0-226-50046-2.Google Scholar
Niccolò, Machiavelli. The Prince. Ed. and trans. William J. Connell. The Bedford Series in History and Culture. Boston and New York : Bedford/St. Martin’s , 2005. xviii + 206 pp. index. illus. map. chron. bibl. $13.95. ISBN: 0-312-14978-6.Google Scholar
Christopher, Marlowe. Doctor Faustus. Ed. David Wootton. Indianapolis and Cambridge, MA : Hackett Publishing Company, Inc. , 2005. xxxviii + 154 pp. append. $24.95 (cl), $6.95 (pbk). ISBN: 0-87220-730-7 (cl), 0-87220-729-3 (pbk).Google Scholar
Claude N., Pavur , trans. The Ratio Studiorum: The Official Plan for Jesuit Education. Jesuit Primary Sources 22. St. Louis : The Institute of Jesuit Sources , 2005. xiv + 294 pp. index. append. chron. bibl. $29.95. ISBN: 1-880810-59-X.Google Scholar
Juan de, Polanco. Year by Year with the Early Jesuits (1537–1556): Selections from the Chronicon of Juan de Polanco, S.J. Trans. John Patrick Donnelly. Jesuit Primary Sources 21. St. Louis : The Institute of Jesuit Sources , 2004. xiv + 480 pp. index. chron. bibl. $37.45. ISBN: 1-880810-57-3.Google Scholar
Étienne, Vitelli. Commentaires sur la guerre civile de France: De la surprise de Meaux à la bataille de Saint-Denis (1567). Ed. Anne Lombard-Jourdan and Marc H. Smith. Trans. Anne Lombard-Jourdan. Études et rencontres de l’E ´cole des Chartes 17. Paris : École des chartes , 2005. 142 pp. index. append. illus. map. bibl. €20. ISBN: 2-900791-52-9.Google Scholar

Bibliography and Reference:

Ludwig, Bertalot. Initia Humanstica Latina: Initienverzeichnis lateinischer Prosa und Poesie aus der Zeit des 14. bis 16. Jahrhunderts. Vol. 2/2: Prosa N-Z. Tübingen : Max Niemeyer Verlag , 2004. xvi + 1423 pp. €172. ISBN: 3-484-80139-5.Google Scholar
Thomas, Kailuweit. Dido— Didon— Didone: Eine kommentierte Bibliographie zum Dido-Mythos in Literatur und Musik. Frankfurt and Berlin : Peter Lang , 2005. 600 pp. index. bibl. $109. ISBN: 3-631-52030-1.Google Scholar
Gregory, Walker, Clapinson, Mary , and, Forbes, Lesley , eds. The Bodleian Library: A Subject Guide to the Collections. Chicago and London : The University of Chicago Press , 2004. 240 pp. + 19 color pls. index. illus. bibl. $37.50. ISBN: 1-85124-079-9.Google Scholar

Anthologies and Texts:

Khaled, Anatolios. Athanasius. The Early Church Fathers. London and New York : Routledge , 2004. viii + 293 pp. index. bibl. $29.95. ISBN: 0-415-20203-5.Google Scholar
Geraldine A., Johnson Renaissance Art: A Very Short Introduction. Very Short Introductions. Oxford and New York : Oxford University Press , 2005. xviii + 157 pp. index. illus. gloss. bibl. $9.95. ISBN: 0-19-280354-9.Google Scholar
Margaret, Kean , ed. John Milton’s Paradise Lost: A Sourcebook. Routledge Guides to Literature. London and New York : Routledge , 2005. xiv + 173 pp. index. illus. gloss. chron. bibl. $26.95. ISBN: 0-415-30325-7.Google Scholar

Collections and Studies:

Gauvin Alexander, Bailey, Jones, Pamela , and, Worcester, Thomas W. , eds. Hope and Healing: Painting in Italy in a Time of Plague, 1500–1800. Chicago and London : The University of Chicago Press , 2005. viii + 264 pp. index. illus. bibl. $39.95. ISBN: 0-936042-05-2. Includes: Franco Mormando, “Introduction: Response to the Plague in Early Modern Italy: What the Primary Sources, Printed and Painted, Reveal”; Sheila C. Barker, “Plague Art in Early Modern Rome: Divine Directives and Temporal Remedies”; Pamela M. Jones, “San Carlo Borromeo and Plague Imagery in Milan and Rome”; James Clifton, “Art and Plague at Naples”; Gauvin Alexander Bailey, “Anthony van Dyck, the Cult of Saint Rosalie, and the 1624 Plague in Palermo”; Andrew Hopkins, “Combating the Plague: Devotional Paintings, Architectural Programs, and Votive Processions in Early Modern Venice”; Thomas Worcester, “Saint Roch vs. Plague, Famine, and Fear”; and Gauvin Alexander Bailey and Pamela M. Jones, “Catalogue of the Exhibition.”Google Scholar
Pamela J., Benson , and, Kirkham, Victoria , eds. Strong Voices, Weak History: Early Modern Writers and Canons in England, France, and Italy. Ann Arbor : The University of Michigan Press , 2005. viii + 380 pp. index. illus. tbls. bibl. $29.95. ISBN: 0-472-06881-4. Includes: Virginia Cox, “Women Writers and the Canon in Sixteenth-Century Italy: The Case of Vittoria Colonna”; Janet Levarie Smarr, “A Female Tradition? Womens’ Dialogue Writing in Sixteenth-Century France ”; Thelma S. Fenster, “Strong Voices, Weak Minds? The Defenses of Eve by Isotta Nogarola and Christine de Pizan, Who Found Themselves in Simone de Beauvoir’s Situation”; E. Ann Matter, “The Canon of Religious Life: Maria Domitilla Galluzzi and the Ruleof St. Clare of Assisi”; Kevin Brownlee, “Christine de Pizan: Gender and the New Vernacular Canon”; Fabio Finotti, “Women Writers in Renaissance Italy: Courtly Origins of New Literary Canons”; Pamela Joseph Benson, “The Stigma of Italy Undone: Aemilia Lanyers’ Canonization of Lady Mary Sidney ”; Mary Victoria Kirkham, “Sappho on the Arno: The Brief Fame of Laura Battiferra”; Armando Maggi, “The Place of Female Mysticism in the Italian Literary Canon”; John N. King, “Thomas Bentleys Monument of Matrons: The Earliest Anthology of English Women’s Texts”; Deanna Shemek, “The Collector’s Cabinet: Lodovico Domenichis’ Gallery of Women ”; Stuart Curran, “Recollecting the Renaissance: Luisa Bergallis Componimenti Poetici(1726)”; Ann Rosalind Jones, “Bad Press: Modern Editors versus Early Modern Women Poets (Tullia d’Aragona, Gaspara Stampa, Veronica Franco)”; Lina Insana, “Fascist Appropriations: The Case of Jolanda De Blasis Le scrittrici italiane”; and Elaine V. Beilin, “A Woman for All Seasons: The Reinvention of Anne Askew.”Google Scholar
Yvonne, Bruce , ed. Images of Matter: Essays on British Literature of the Middle Ages and Renaissance. Proceedings of the Eighth Citadel Conference on Literature, Charleston, South Carolina, 2002. Newark and Cranbury : University of Delaware Press/AUP , 2005. 283 pp. index. illus. $53.50. ISBN: 0-87413-894-9. Includes: Yvonne Bruce, “Preface”; “Introduction”; John M. Adrian, “Itineraries, Perambulations, and Surveys: The Intersections of Chorography and Cartography in the Sixteenth Century”; Rob Browning, “‘To serve my purpose’: Interpretive Agency in George Withers A Collection of Emblemes”; Kathryn L. Lynch, “The Three Noble Kinsmen: Chaucer, Shakespeare, Fletcher”; Heather James, “Ovid and the Question of Politics in Early Modern England”; Helen M. Whall, “Parodies Lost: Aretino Reads Raimondi”; Jeannie Sargent Judge, “Accepting the Flesh: George Herbert and the Sacrament of Holy Communion”; Julia B. Griffin, “’Twixt Treason and Convenience: Some Images of Thomas Wentworth, First Earl of Strafford”; Heather E. Ostman, “Backbiters, Flatterers, and Monarchs: Domestic Politics in The Tragedy of Mariam”; Jennifer A. Rich, “Gender and the Market in Henry VI, 1”; Erin Mullally, “Hrethels Heirloom: Kinship, Succession, and Weaponry in Beowulf”; Jay L. Halio, “Shylock: Shakespeare’s Bad Jew”; and Scott Lucas, “Coping with Providentialism: Trauma, Identity, and the Failure of the English Reformation.”Google Scholar
Edward, Chaney , ed. The Evolution of English Collecting: The Reception of Italian Art in the Tudor and Stuart Periods. Studies in British Art 12. New Haven and London : Yale University Press , 2004. vii + 484 pp. index. illus. $75. ISBN: 0-300-10224-0. Includes: Edward Chaney, “The Italianate Evolution of English Collecting”; Kathryn Barron, “The Collecting and Patronage of John, Lord Lumley (c. 1535–1609)”; Richarad L. Williams, “Collecting and Religion in Late Sixteenth-Century England”; Susan Bracken, “The Early Cecils and Italiante Taste”; Karen Hearn, “A Question of Judgement: Lucy Harington, Countess of Bedford, as Art Patron and Collector”; Robert Hill, “The Ambassador as Art Agent: Sir Dudley Carleton and Jacobean Collecting”; Jane Roberts, “Thomas Howard, the Collector Earl of Arundel”; Elizabeth V. Chew, “The Countess of Arundel and Tart Hall”; Philip McEvansoneya, “Italian Paintings in the Buckingham Collection”; Anne Brookes, “Richard Symonds and Thomas Isham as Collectors of Prints in Seventeenth-Century Italy”; Christopher Baker, “The Aldrich Prints: A Late Seventeenth-Century Collection, its Sources and Arrangements”; and Charles Avery, “The Duke of Marlborough as a Collector and Patron of Sculpture. ”Google Scholar
Renate, Dürr, Engel, Gisela , and, Süßmann, Johannes , eds. Expansionen in der Frühen Neuzeit. Vol. 34 of Zeitschrift für Historische Forschung. Berlin : Duncker & Homblot , 2005. 392 pp. illus. map. €54. ISBN: 3-428-11701-8. Includes: Gisela Engel, Johannes Süßmann, and Renate Dürr, “Einführung”; Felicitas Schmieder, “Das Werden des mittelalterlichen Europa aus dem Kulturkontakt: Voraussetzungen und Anfänge der europäischen Expansion”; Christoph Auffarth, “Neue Welt und Neue Zeit — Weltkarten und Säkularisie-rung in der Frühen Neuzeit”; Achim Mittag, “‘Offensive Expansion’ und innere ‘ Kolonisation’ — das Fallbeispiel China: Zu den Voraussetzungen der Expansion des Qing-Reichs (17.–19. Jh.) im historischen Denken und kartographisch-geographischen. .”; Jan Kusber, “‘Entdecker’ und ‘Entdeckte’: Zum Selbstverständnis von Zar und Elite im frühneuzeitlichen Moskauer Reich zwischen Europa und Asien”; Ralf Elger, “Der Fall Andalusiens und die eu-ropäische Expansion in der Sicht des algerischen Gelehrten Ahmad al-Maqqarî (gest. 1632)”; Eckhard Lobsien, “Die Pluralität der Welten im 16. und 17. Jahrhundert”; John M. Headley, “‘The Extended Hand of Europe: Expansionist and Imperialist Motifs in the Political Geography of Giovanni Botero”; Ulrike Ilg, “Die ‘Entdeckung der osmanischen Kultur durch Künstler und Gelehrte im 16. Jahrhundert: eine humanistische Utopie”; Catherine Jami, “Representations and Uses of ‘European Science’ in China (1582–1722)”; Maximilian Bergengruen, “Expansion in die Natur: Zum Verhältnis von arsund naturabei Paracelsus und im Paracelsismus”; Jürgen Klein, “Plus Ultra: Bacons Vision der Welterkenntnis im Spiegel der Begründung und Universalapplikation empirischer Wissenschaft”; Michael Kempe, “Jungfräuliche Erde, unsichtbare Welten: Mikro- und makro-kosmiche Ausdehnungen der frühneuzeitlichen Medizin und Naturgeschichte”; Daniel Damler, “Herr der Welt und König der Frösche: Von der ästhetischen zur teleologischen Weltherrschaftsidee”; Susanna Burghartz, “Erfolg durch Scheitern? Zur Konstruktion von Überlegenheit im kolonialen Diskurs um 1600”; Kirsten Mahlke, “Das Alte und das Neue Frankreich: Lescarbots Histoire de la Nouvelle Franceund die hebräischen Wurzeln einer politischen Utopie”; Iris Gareis, “Uto-pie und Expansion: Eine europäische Idee in der Neuen Welt”; and Tanja Michalsky, “Horizonterweiterung? Niederländische Landschaft in Brasilien.”Google Scholar
Roberto González, Echevarría , ed. Cervantes’ Don Quixote: A Casebook. Casebooks in Criticism. Oxford and New York : Oxford University Press , 2005. xiv + 281 pp. index. illus. bibl. $24.95. ISBN: 0-19-516938-7. Includes: Roberto González, “Introduction”; Manuel Durán Echevarría, “Cervantes’ Harassed and Vagabond Life”; Erich Auerbach, “The Enchanted Dulcinea”; Ramón Men éndez Pidal, “The Genesis of Don Quixote”; Georgina Dopico Black, “Canons Afire: Libraries, Books, and Bodies in Don Quixotes Spain”; E. C. Riley, “Literature and Life in Don Quixote”; Bruce W. Wardropper, “Don Quixote: Story or History?”; Leo Spitzer, “Linguistic Perspectivism in the Don Quijote”; Roberto González “Don Quixote: Crossed Eyes and Vision”; George Haley Echevarra, í “The Narrator in Don Quijote: Maese Pedro’s Puppet Show”; and Miguel de Cervantes, “Self-Portraits: Introduced by Roberto González Echevarr í a. ”Google Scholar
Stephen N., Fliegel , and, Jugie, Sophie , eds. Art from the Court of Burgundy: The Patronage of Philip the Bold and John the Fearless 1364–1419. Musée des Beaux-Arts, Dijon. Cleveland : The Cleveland Museum of Art , 2004. 367 pp. illus. chron. bibl. $55. ISBN: 2-7118-4864-7. Includes: Renaud Donnedieu de Vabres, François Rebsamen, and Katharine Lee Reid, “Preface”; Stephen N. Fliegel and Sophie Jugie, “Foreword”; Stephen N. Fliegel, “The Collecting of Valois Burgundian Art in the United States”; Bertrand Schnerb, “The Dukes of Burgundy and the Burgundian Principalities (1361–1419)”; Sophie Jugie, “The Dukes of Burgundy: Princes of Paris and the Fleur-de-lis”; Ludovic Nys, “Art in the Court of Flanders at the Time of the Marriage of Philip the Bold and Margaret de Male”; Bertrand Schnerb, “The Piety and Worship of Philip the Bold and John the Fearless”; Fabrice Rey, “Princely Piety: The Devotions of the Duchesses, Margaret of Flanders and Margaret of Bavaria (1369–1423)”; Gaëlle Tarbochez, “The Furnishings of the Ducal Chapel”; Laurent Hablot, “The Use of Emblems by Philip the Bold and John the Fearless”; Sylvain Faivre and Sophie Jolivet-Jacquet, “Ephemeral Art: Ceremonial Dress and Decor at the Court of Burgundy”; Sophie Cassagnes-Brouquet, “Artists to the Dukes of Burgundy”; Philippe Lorentz, “The Painters of Philip the Bold and John the Fearless in Dijon”; Claudine Lemaire, “The Burgundy Library”; Fabrice Rey, “The Tapestry Collections”; Élisabeth Taburet-Delahaye, “Gold and Silver”; Patrice Bek, “The Ducal Residences: Architecture as the Theater of Power”; Sophie Cassagnes-Brouquet, “Decor of the Ducal Residences”; Patrice Beck, “The Royal Residences in Dijon”; Céline Berrette, “The Beaune Mansions: Ducal Residences?”; Michel Maerten, “The Germolles Château”; Emmanuel Laborier, “Montbard, a Capetian Fortress for the Duchesses”; Georges Frignet, “The Château de Rouvres”; Priscilla Debouige, “Philip the Bolds Ch âteau at Argilly (1363–1404)”; Philippe Plagnieux, “The Artois Mansion: Paris Residence of John the Fearless”; François Duceppe-Lamarre, “The Ducal Residence at Hesdin and its Place in Courtly Art under Philip the Bold and his Son (1384–1419)”; Vincent Tabbagh, “Introduction: Religious Institutions Founded by the Dukes”; Renate Prochno, “The Origins and History of the Chartreuse”; Sherry C. M. Lindquist, “The Organization of the Construction Site at the Chartreuse de Champmol”; Renate Prochno, “The Portal”; “The Church and Its Interior Plan”; “The Chapels”; Sophie Jugie, “Painting”; Marie-Françoise Damongeot-Bourdat, “The Manuscripts of the Chartreuse de Champmol”; Renate Prochno, “The Well of Moses”; Sophie Jugie, “The Tomb of Philip the Bold”; Renate Prochno, “Funerary Customs”; “Influences”; Vincent Tabbagh, “Art Patrons in Burgundy (1360–1420)”; Sabine Witt, “The Statuary of Poligny: Foundations and Court Art in Franche-Comté”; Sandrine Roser, “Baume-les-Messieurs ”; Sophie Cassa-gnes-Brouquet, “Atelier Activity and the Status of Artists”; Sophie Jugie, “Painting in Burgundy”; Virginie Inguenaud, “Notes on Some Burgundian Painted Wall Decorations”; Denise Borl ée, “Sculpture in Fourteenth-Century Burgundy”; Véronique Boucherat, “A New Approach to the Sculpture of Claus de Werve”; Céline Vandeuren-David, “Metalwork and Metalworkers under Philip the Bold and John the Fearless: Dijon”; and Sophie Jugie, “Artists Biographies.”Google Scholar
David G., Franklin , ed. Leonardo da Vinci, Michelangelo, and the Renaissance in Florence. National Gallery of Canada. New Haven and London : Yale University Press , 2005. 371 pp. index. illus. bibl. $65. ISBN: 0-88884-804-8. Includes: David Franklin, “‘Revealing Magnificence and Grandeur:’ Florentine Drawing in the First Half of the Sixteenth Century”; Louis A. Waldman, “‘Ingenious and Subtle Spirits: Florentine Painting in the First Half of the Sixteenth Century”; and Andrew Butterfield, “‘Equal to the Ancients: Florentine Sculpture in the First Half of the Sixteenth Century.”Google Scholar
Ian, Gadd , and, Gillespie, Alexandra , eds. John Stow and the Making of the English Past (1525–1605). Studies in Early Modern Culture and the History of the Book. London : The British Library , 2004. xiv + 192 pp. index. illus. map. bibl. $60. ISBN: 0-7123-4864-6. Includes: Alexandra Gillespie, “Introduction”; Ian W. Archer, “John Stow, Citizen and Historian”; Oliver Harris, “Stow and the Contemporary Antiquarian Network”; Meraud Grant Ferguson and Ian Gadd, “‘For his paynes: John Stow and the Stationers”; Alfred Hiatt, “Stow, Grafton, and Fifteenth-Century Historiography”; Alexandra Gillespie, “Stow’s ‘Owlde’ Manuscripts of London Chronicles”; Anthony Bale, “Stow’s Medievalism and Antique Judaism in Early Modern London”; Andrew Gordon, “Overseeing and Overlooking: John Stow and the Surveying of the City”; Angela Stock, “Stow’s Surveyand the London Playwrights”; Helen Moore, “Succeeding Stow: Anthony Munday and the 1618 Survey of London”; A. S. G. Edwards, “John Stow and Middle English Literature”; Derek Pearsall, “John Stow and Thomas Speght as Editors of Chaucer: A Question of Class”; Jane Griffiths, “Text and Authority: John Stows 1568 Edition of Skeltons Workes”; Martha W. Driver, “Stow’s Books Bequeathed: Notes on William Browne (1591–c. 1643) and Peter Le Neve (1661–1729)”; Joseph A. Dane, “In Search of Stow’s Chaucer ”; and Katherine Duncan-Jones, “Afterword: Stow’s Remains.”Google Scholar
Marcia B., Hall , ed. The Cambridge Companion to Raphael. Cambridge Companions to the History of Art. Cambridge and New York : Cambridge University Press , 2005. xvi + 415 pp. + 39 b/w pls. index. illus. map. bibl. $95. ISBN: 0-521-80809-X. Includes: Marcia B. Hall, “Introduction”; Jeryldene M. Wood, “Young Raphael and the Practice of Painting in Renaissance Italy”; Sheryl E. Reiss, “Raphael and His Patrons: From the Court of Urbino to the Curia and Rome”; Linda Pellecchia, “The Contested City: Urban Form in Early Sixteenth-Century Rome”; Ingrid Rowland, “The Vatican Stanze”; Joanna Woods-Marsden, “One Artist, Two Sitters, One Role: Raphael’s Papal Portraits”; Costanza Barbieri, “The Competition between Raphael and Michelangelo and Sebastiano’s Role in It ”; Bette Talvacchia, “Raphael’s Workshop and the Development of a Managerial Style”; Patricia Emison, “Raphael’s Multiples ”; Linda Wolk-Simon, “Raphael Drawings, Pro-Contra”; Marcia B. Hall, “Classicism, Mannerism, and the Relieflike Style”; Carl Goldstein, “French Identity in the Realm of Raphael”; Giovanna Perini, “Raphael’s European Fame in the Seventeenth and Eighteenth Centuries ”; and Cathleen Sara Hoeniger, “Restoring Raphael.”Google Scholar
Marcia B., Hall , ed. Rome. Artistic Centers of the Italian Renaissance. Cambridge and New York : Cambridge University Press , 2005. xl + 358 pp. + 32 color pls. index. illus. bibl. $120. ISBN: 0-521-62445-2. Includes: Ingrid D. Rowland, “Cultural Introduction to Renaissance Rome”; Marcia B. Hall, “Introduction: The Art History of Renaissance Rome”; Meredith J. Gill, “The Fourteenth and Fifteenth Centuries”; Marcia B. Hall, “The High Renaissance, 1503–1534”; Clare Robertson, “Phoenix Romanus: Rome, 1534–1565”; and Steven F. Ostrow, “The Counter-Reformation and the End of the Century.”Google Scholar
James, Hankins. Humanism and Platonism in the Italian Renaissance. Vol. 1, Humanism. Storia e Letteratura: Raccolta di Studi e Testi 215. Rome : Edizioni di Storia e Letteratura , 2003. 649 pp. index. append. illus. tbls. €76. ISBN: 88-8498-076-3. Includes: James Hankins, “Preface”; “Life and Works”; “Unknown and Little-known Texts of Leonardo Bruni”; “Remarks on the Textual Tradition of Leonardo Brunis Epistulae familiares”; “A Zibaldone of Rinuccio Aretino”; “The Humanist, the Banker, and the Condottiere: An Unpublished Letter of Cosimo and Lorenzo de’ Medici Written by Leonardo Bruni”; “The Latin Poetry of Leonardo Bruni”; “Translation Practice in the Renaissance: The Case of Leonardo Bruni”; “The EthicsControversy”; “Manuel Chrysoloras and the Greek Studies of Leonardo Bruni”; “The Study of Greek in the Latin West”; “Renaissance Crusaders: Humanist Crusade Literature in the Age of Mehmed II”; “Cosimo de’ Medici as a Patron of Humanistic Literature”; “Ptolemys Geogra- phy in the Renaissance”; “The Popes and Humanism”; “Roma caput mundi: Humanism in High Renaissance Rome”; “Forging Links with the Past”; “Christ and the Classics: Three Exhibitions for the Bimillenario di Cristo”; “Living with History: Jacob Burckhardt on the Greeks”; “The Lost Continent”; “Neo-Latin Philology in North America during the Twentieth Century”; “Two Twentieth-Century Interpreters of Renaissance Humanism: Eugenio Garin and Paul Oskar Kristeller”; and “Renaissance Philosophy between God and the Devil.”Google Scholar
James, Hankins. Humanism and Platonism in the Italian Renaissance. Vol. 2, Platonism. Storia e Letteratura: Raccolta di Studi e Testi 220. Rome : Edizioni di Storia e Letteratura , 2004. 538 pp. index. append. illus. €60. ISBN: 88-8498-167-0. Includes: James Hankins, “Plato in the Middle Ages”; “Antiplatonism in the Renaissance and Middle Ages”; “Scholasticism and Modernity”; “The Reception of Plato in the Early Renaissance: Two Case Studies”; “The Study of the Timaeusin Early Renaissance Italy”; “Pierleone da Spoleto on Plato’s Psychogony”; “Galileo, Ficino, and Renaissance Platonism”; “Cosimo de’ Medici and the ‘Platonic Academy’”; “The Myth of the Platonic Academy of Florence”; “Lorenzo de’ Medici as a Patron of Philosophy”; “Lorenzo de’ Medici as a Student of Ficino: The De summo bono”; “The Invention of the Platonic Academy of Florence”; “Renaissance Platonism”; “Bessarione, Ficino e le scuole di Platonismo del secolo XV”; “Marsilio Ficino”; “On the History and Character of Ficino’s Translation of Plato”; “Marsilio Ficino as a Critic of Scholasticism”; “Giovanni Pico della Mirandola”; “Michelangelo and the Culture of Laurentian Florence”; and “Castigliones Courtierand Renaissance Philosophy.”Google Scholar
Thomas DaCosta, Kaufmann , and, Pilliod, Elizabeth , eds. Time and Place: The Geohistory of Art. Aldershot and Burlington, VT : Ashgate Publishing Company , 2005. xvi + 224 pp. index. illus. $99.95. ISBN: 0-7546-0873-5. Includes: Thomas DaCosta Kaufmann, “Introduction”; Bruce Boucher, “Jacob Burckhardt and the Renaissance ‘ North of the Alps”; Jean Guillaume, “Styles and Manners: Reflections on the longue duréein the History of Architecture”; Konrad A. Ottenheym, “Unity and Discontinuity in the Architecture of the Low Countries, 1530–1700”; Elisabeth de Bièvre, “Alchemy of Wind and Water: Amsterdam, 1200–1700”; Clara Bargellini, “At the Center on the Frontier: The Jesuit Tarahumara Missions of New Spain”; Jennifer Purtle, “Placing Chinese Painting History: The Cultural Production of the Geohistory of Painting Practice in China”; Piotr Piotrowski, “Between Place and Time: A Critical Geography of New ‘ Central Europe”; Dario Gamboni, “‘Independent of time and place: On the Rise and Decline of a Modernist Ideal”; and David Summers, “Arbitrariness and Authority: How Art Makes Cultures.”Google Scholar
William J., Kennedy , ed. Renaissance Transactions and Exchanges. Annals of Scholarship: Art Practices and the Human Sciences in a Global Culture 16. Philadelphia : 2004. 207 pp. $30. ISBN: ISSN: 0192-2858. Includes: William J. Kennedy, “Introduction”; Margaret A. Gallucci, “Burned Under the Tuscan Sun: A Newly Discovered Witchcraft Document in the Archivio di Stato, Florence”; Glen Carman, “Redefining Courtly Language: From Castiglione to Boscán”; Ricardo Padrón, “The Hero in Drag: Poetry, Desire, and the Patriain Garcilasos Second Eclogue”; Edwin M. Duval, “Wrestling Petrarchs Laurels: Scève, Du Bellay, and the Invention of the Canzoniere”; Alan K. Smith, “Melancholic Constraints: Gender and Narrative Space in the Early Modern Novella”; Carla Boyer, “To Bed by Royal Command: Marguerite de Valois and Iphigenia at the Altar”; Mary Moore, “Mary Sidney’s Coupled Work ‘: Poetry as Performance”; Alan Hager, “Shakespeares Twins: The Case of 2 and 3 Henry VI, Richard III, and Taming of the Shrew”; David Posner, “Religious Economies in The Merchant of Venice”; José R. Cartagena-Calderón, “Transatlantic Conquests and the Imagining of Imperial Masculinities in Lope de Vegas El Nuevo Mundo descubierto por Cristóbal Colón”; Elvira Vilches, “Imperial Sissies and Bully Amazons: Economic Crisis and Gender Inversion in Seventeenth-Century Spain”; Thomas Claviez, “Theoretical Specters, Spectral Theories orGlobal America’s New Clothes on Daniel T. O’Hara, Empire Burlesque”; and Lee Piepho, “The Politics of Petrarchism on William J. Kennedy, The Site of Petrarchism” .Google Scholar
Lloyd E., Kermode, Scott-Warren, Jason E. , and, van Elk, Martine , eds. Tudor Drama Before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy. Hampshire and New York : Palgrave/St. Martins Press , 2004. ’ 271 pp. index. illus. tbls. $59.95. ISBN: 1-4309-6526-9. Includes: Lloyd Edward Kermode, Jason Scott-Warren, and Martine van Elk, “Introduction”; Peter Happé, “‘Erazed in the booke’: The Mystery Cycles and Reform”; Karen Sawyer Marsalek, “‘Doctrine Evangelicall’ and Erasmus’s Paraphrasesin The Resurrection of Our Lord”; Paul Whitfield White, “Holy Robin Hood! Carnival, Paris Guilds, and the Outlaw Tradition”; Michelle M. Butler, “Baleus Prolocutor and the Establishment of the Prologue in Sixteenth-Century Drama”; Janette Dillon, “Chariots and Cloud Machines: Gods and Goddesses on Early English Stages”; Alan Somerset, “Some New Thoughts on an Old Question: ‘Professional’ Touring Theater Outside London Before 1590”; Ursula Potter, “Performing Arts in the Tudor Classroom ”; Christopher Gaggero, “Pleasure Unreconciled to Virtue: George Gascoigne and Didactic Drama”; Terry Reilly, “‘This is the case: Gorboducand Early Modern English Legal Discourse Concerning Inheritance”; Todd H. J. Pettigrew, “Sex, Sin, and Scarring: Syphilis in Redford’s Wit and Science”; Daniel T. Kline, “The Circulation of the Letter in Kyd’s The Spanish Tragedy”; and Pamela King, “Postscript.”Google Scholar
Thomasin, LaMay , ed. Musical Voices of Early Modern Women: Many-Headed Melodies. Women and Gender in the Early Modern World. Aldershot and Burlington, VT : Ashgate Publishing Company , 2005. xvi + 454 pp. index. illus. tbls. $89.95. ISBN: 0-7546-3742-5. Includes: Thomasin LaMay, “Preliminaries”; Linda Phyllis Austern, “Portrait of the Artist as (Female) Musician”; Jeanice Brooks, “Chivalric Romance, Courtly Love and Courtly Song: Female Vocality and Feminine Desire in the World of Amadis de Gaule”; Pilar Ramos López, “Music and Women in Early Modern Spain: Some Discrepancies between Educational Theory and Musical Practice”; Shawn Marie Keener, “Virtue, Illusion, Venezianita: Vocal Bravura and The Early Cortigiana Onesta”; Catherine E. Gordon-Seifert, “Strong Men — Weak Women: Gender Representation and the Influence of Lullys Operatica Style ‘ on French Airs Sérieux(1650–1700)”; Amanda Eubanks Winkler, “From Whore to Stuart Ally: Musical Venuses on the Early Modern English Stage”; Raphael Seligmann, “With a Sword by Her Side and a Lute in Her Lap: Moll Cutpurse at the Fortune”; Beth L. Glixon, “La sirena antica dell ’Adriatico: Caterina Porri, a Seventeenth-Century Roman Prima Donna on the Stages of Venice, Bologna, and Pavia”; Inna Naroditskaya, “Serf Actresses in the Tsarinas’ Russia: Social Class Cross-Dressing in Russian Serf Theaters of the Eighteenth Century”; Colleen Reardon, “The Good Mother, the Reluctant Daughter, and the Convent: A Case of Musical Persuasion”; Colleen Baade, “‘Hired’ Nun Musicians in Early Modern Castile”; Enrique Alberto Arias, “Sor Juana Inès de la Cruz and Music: Mexicos ‘Tenth Muse ’”; Jennifer Thomas, “Patronage and Personal Narrative in Music Manuscript: Marguerite of Austria, Katherine of Aragon, and London Royal 8 G.vii”; Thomasin LaMay, “Composing from the Throat: Madalena Casulanas Primo libro de madrigali, 1568”; Janet Pollack, “Princess Elizabeth Stuart as Musician and Muse”; and Suzanne G. Cusick, “Epilogue: Francesca among Women, a 600 Gynecentric View. ‘ ”Google Scholar
Donald K., McKim , ed. The Cambridge Companion to John Calvin. Cambridge Companions to Religion. Cambridge and New York : Cambridge University Press , 2004. xviii + 352 pp. index. chron. bibl. $24.99. ISBN: 0-521-01672-X. Includes: James Schmitt, David L. Foxgrover, and Alexandre Ganoczy, “Calvins Life”; William G. Naphy, “Calvin’s Geneva ”; Wulfert De Greef, “Calvins Writ- ings”; John L. Thompson, “Calvin as a Biiblical Interpreter”; I. John Hesselink, “Calvin’s Theology”; Guenther H. Haas, “Calvin’s Ethics”; Dawn DeVries, “Calvin’s Preaching”; Joel R. Beeke, “Calvin on Piety”; Jeannine E. Olson, “Calvin and Social-Ethical Issues”; William R. Stevenson, Jr., “Calvin and Political Issues”; Richard C. Gamble, “Calvins Controversies ”; Andrew Pettegree, “The Spread of Calvin’s Thought”; Carl R. Trueman, “Calvin And Calvinism ”; R. Ward Holder, “Calvin’s Heritage”; David R. Wright, “Calvin’s Role in Church History”; B. A. Gerrish, “The Place of Calvin In Christian Theology”; Jane Dempsey Douglass, “Calvin In Ecumenical Context”; and Paul Fields and Karin Maag, “Calvin In Context: Current Resources.”Google Scholar
Ernan, McMullin , ed. The Church and Galileo. Studies in Science and the Humanities from the Reilly Center for Science, Technology, and Values. Notre Dame : University of Notre Dame Press , 2005. xiv + 391 pp. index. illus. map. bibl. $60 (cl), $30 (pbk). ISBN: 0-268-03483-4 (cl), 0-268-03484-2 (pbk). Includes: Ernan McMullin, “Introduction”; Michel-Pierre Lerner, “The Heliocentric Heresy ‘ ’: From Suspicion to Condemnation ”; Irving Kelter, “The Refusal to Accommodate: Jesuit Exegetes and the Copernican System”; Michael Shank, “Setting the Stage: Galileo in Tuscany, the Veneto, and Rome”; Ernan McMullin, “Galileos’ Theological Venture ”; Annibale Fantoli, “The Disputed Injunction and its Role in Galileo’s Trial”; Ernan McMullin, “The Church’s Ban on Copernicanism, 1616”; Francesco Beretta, “The Documents of Galileos’ Trial: Recent Hypotheses and Historical Criticism”; William Shea, Rafael Martnez, í and Mariano Artigas, “New Light on the Galileo Affair?”; Francesco Beretta, “Galileo, Urban VIII, and the Prosecution of Natural Philosophers”; Stéphane Garcia, “Galileo’s Relapse: On the Publication of the Letter to the Grand Duchess Christina (1636)”; John Heilbron, “Censorship of Astronomy in Italy after Galileo”; Michael Sharratt, “Galileo’s Rehabilitation ‘ :’ Elbow-Room in Theology”; and George Coyne, “The Churchs’ Most Recent Attempt to Dispel the Galileo Myth.”Google Scholar
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Lodi, Nauta , and, Pätzold, Detlev , eds. Imagination in the Later Middle Ages and Early Modern Times. Groningen Studies in Cultural Change 12. Leuven and Paris : Peeters Publishers and Booksellers , 2004. xvi + 213 pp. index. illus. bibl. € 40. ISBN: 90-429-1535-8. Includes: Lodi Nauta and Detlev Pätzold, “Introduction”; Jan R. Veenstra, “The Subtle Knot: Robert Kilwardby and Gianfrancesco Pico on the Imagination”; Olaf Pluta, “On the Matter of the Mind: Late-Medieval Views on Mind, Body, and Imagination”; M. W. F. Stone, “The Scope and Limits of Moral Deliberation: Recta Ratio, Natural Law, and Conscience in Francisco Suárez”; Peter Mack, “Early Modern Ideas of Imagination: the Rhetorical Tradition”; Suzanne Kooij, “Poetic Imagination and the Paradigm of Painting in Early Modern France”; Lodi Nauta, “Lorenzo Valla and the Limits of the Imagination”; Martin Gosman, “Imagining the Necessary: Italian Artists and the Road to Fame in Late-Medieval and Early Modern Times”; John North, “Macrocosm, Microcosm, and Analogy”; Detlev Pätzold, “Imagination in Descartes’ Meditations”; and Piet Steenbakkers, “Spinoza on the Imagination.”Google Scholar
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Sheryl E., Reiss , ed. The Pontificate of Clement VII: History, Politics, Culture. Catholic Christendom, 1300–1700. Aldershot and Burlington, VT : Ashgate Publishing Company , 2005. xxvi + 437 pp. + 58 b/w pls. index. append. illus. tbls. chron. $99.95. ISBN: 0-7546-0680-5. Includes: Kenneth Gouwens, “Clement and Calamity: The Case for ReEvaluation”; T. C. Price Zimmerman, “Guicciardini, Giovio, and the Character of Clement VII”; Barbara McClung Hallman, “The Disastrous ‘ Pontificate of Clement VII: Disastrous for Giulio de’ Medici?”; Natalie Tomas, “All in the Family: The Medici Women and Pope Clement VII”; Patricia J. Osmond, “The Conspiracy of 1522 against Cardinal Giulio de’ Medici: Machiavelli and gli‘ esempli delli antiqui’”; Cecil H. Clough, “Clement VII and Francesco Maria Della Rovere, Duke of Urbino”; Ivana Ait, “Clement VII and the Sack of Rome as Represented in the Ephemerides Historicaeof Cornelius de Fine”; Anna Esposito and Manuel Vaquero Piñeiro, “Rome During the Sack: Chronicles and Testimonies from an Occupied City”; Anne Reynolds, “The Papal Court in Exile: Clement VII in Orvieto, 1527–28”; Charles L. Stinger, “The Place of Clement VII and Clementine Rome in Renaissance History”; William E. Wallace, “Clement VII and Michelangelo: An Anatomy of Patronage”; Caroline Elam, “Michelangelo and the Clementine Architectural Style”; Richard Sherr, “Clement VII and the Golden Age of the Papal Choir”; Linda Wolk-Simon, “Competition, Collaboration, and Specialization in the Roman Art World, 1520–27”; Victor Anand Coelho, “Papal Tastes and Musical Genres: Francesco da Milano Il ‘ Divino’ (1497–1543) and the Clementine Aesthetic”; Julia Haig Gaisser, “Seeking Patronage under the Medici Popes: A Tale of Two Humanists”; George L. Gorse, “Augustan Mediterranean Iconography and Renaissance Hieroglyphics at the Court of Clement VII: Sebastiano del Piombo’s Portrait of Andrea Doria”; Sheryl E. Reiss, “Adrian VI, Clement VII, and Art ”; W. David Myers, “Humanism and Confession in Northern Europe in the Age of Clement VII”; and Alexander Nagel, “Experiments in Art and Reform in Italy in the Early Sixteenth Century.”Google Scholar
Kellie, Robertson , and, Uebel, Michael , eds. The Middle Ages at Work. The New Middle Ages. Hampshire and New York : Palgrave/St. Martins Press , 2004. ’ 267 pp. index. illus. $65. ISBN: 1-4039-6007-0. Includes: Michael Uebel and Kellie Robertson, “Introduction: Conceptualizing Labor in the Middle Ages”; Catherine Batt, “The Idioms of Women’s Work and Thomas Hoccleves Travails ”; Brian W. Gastle, “‘As If She Were Single’: Working Wives and the Late Medieval English Femme Sole”; Kate Crassons, “‘The Workman is Worth his Mede:’ Poverty, Labor, and Charity in the Sermonof William Taylor”; Mark Addison Amos, “The Naked and the Dead: The Carpenters’ Company and Lay Spirituality in Late Medieval England”; Anthony Musson, “Reconstructing English Labor Laws: A Medieval Perspective”; Kellie Robertson, “Branding and the Technologies of Labor Regulation”; Britton J. Harwood, “The Displacement of Labor in Winner and Waster”; Andrew Cole, “Scribal Hermeneutics and the Genres of Social Organization in Piers Plowman”; Ethan Knapp, “Poetic Work and Scribal Labor in Hoccleve and Langland”; and William Kuskin, “The Erasure of Labor: Hoccleve, Caxton, and the Information Age.”Google Scholar
Albert, Schirrmeister , and, Pozsgai, Mathias , eds. Zergliederungen: Anatomie und Wahrnehmung in der Frühen Neuzeit. Zeitsprünge : Forschungen zur Frühen Neuzeit 9. No. 1/2. Frankfurt am Main; Vittorio Klostermann , 2005. 363 pp. illus. €61. ISBN: 3-465-03383-3. Includes: Albert Schirrmeister and Mathias Pozsgai, “Perspektiven der Zergliederung. Einleitende Bemerkungen”; Sven Lembke, “Wie der menschliche Leichnam zu einem Buch der Natur ohne Druckfehler wird. Über den epistemologischen Wert anatomischer Sektionen im Zeitalter Vesalius”; Matteo Burioni, “Corpus quod est ipsa ruina docet.Sebastiano Serlios vitruvianisches Architekturtraktat in seinen Strukturäquivalenzen zum Anatomietrakat des Andreas Vesalius”; Cynthia Klestinec, “Juan Valverde de (H)Amusco and Print Culture: The Editorial Apparatus in Vernacular Anatomy Texts”; Claus Zittel, “Demonstrationes ad oculus. Typologisierungsvorschläge für Abbildungsfunktionen in wissenschaft-lichen Werken der frühen Neuzeit”; Alessandro Nova, “‘La dolce morte’. Die anatomischen Zeichnungen Leonardo da Vincis als Erkenntnismittel und refle-ktierte Kunstpraxis”; Markus Buschhaus, “Anatomische Operationen. Körperwissen zwischen Seziertisch und Bildfläsche”; Marlen Bidwell-Steiner, “Weiblische Anatomie zwischen Gebärmutter und ‘frommer’ Mutter: Meta-phorische Relationen von Gesellschaftskörper und Geschlechtskörper bei Juan Huarte de San Juan und Olivia Sabuco de Nantes y Barrera”; Segius Kodera, “Meretricious Arts: Cosmetic Surgery, the Astrological Significance of Birthmarks and their Manipulations in Giambattista della Portas Metoposcopia, Physionomiaand Magia naturalis”; Peter Mitchell, “Anatomy, Rationality and Scepticism: The Poetic Anatomies of John Davies of Hereford and Phineas Fletcher”; Ulrike Zeuch, “Anatomie als dieHerausforderung für die Schönheitsbestimmung des menschlichen Körpers in der Frühen Neuzeit”; Stefanie Stockhorst, “Unter-weisung und Ostentation auf dem anatomischen Theater der Frühen Neuzeit: Die öffentliche Leichensektion als Modellfall des theatrum mundi”; Anna Maerker, “Handwerker, Wissenschaftler und die Produktion anatomischer Modelle in Florenz, 1775–1790”; Nicole Karafyllis, “Der therapueutische Blick ins Körperinnere als Vivisektion. Methodische Grundlegungen der experimen-tellen Physiologie Claude Bernards im Kontext der Eroberung von Körperwelten”; and Daniela Bohde, “Pellis Memoriae Peccatorum. Die Moralisierung der Haut in Frontispizen und Anatomietheatern der Niederlande im 17. Jahrhundert — ein blinder Fleck in der Medizingeschichte nach 1945.”Google Scholar
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