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Jacques Moderne's ‘Parangon Des Chansons’

A Bibliography of Music and Poetry at Lyon 1538–1543

Published online by Cambridge University Press:  01 January 1974

Frank Dobbins
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Extract

The most significant corpus of secular polyphony published at Lyon was Moderne's Parangon des Chansons which appeared between 1538 & 1543. Du Verdier, writing in 1584, claims that the series comprised eighteen books but his figure may refer to the totality of Moderne's secular polyphony and therefore include the reprints of the first four books, the two books of the Difficile des Chansons or the two books of canzoni by Layolle and the Petrarch settings of Rampollini. At all events only eleven books of the Parangon are known and there is no other evidence that Moderne revived the series after 1544. The subject of their typographical characteristics is comprehensively treated in Pogue's monograph on Moderne, but the same cannot be said for the musical and literary characteristics; the present study provides analytical comments on, and a listing of the concordances of, the 288 pieces contained in the various editions of the first ten books which survive in public libraries.

Type
Research Article
Information
R.M.A. Research Chronicle , Volume 12 , 1974 , pp. 1 - 90
Copyright
Copyright © Royal Musical Association, 1974

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References

1 La Bibliothèque d'Antoine du Verdier, Lyon, 1585, p. 1081. Ed. R. de Juvigny, Les Bibliothèques Françaises, Paris, 1772, V, p. 376.Google Scholar

2 Pogue, S. F., Jacques Moderne: Lyons Music Printer of the Sixteenth Century, Geneva, 1969. Reviewed by the present author in J. A. M. S., XXIV/1, 1971, pp. 126–31.Google Scholar

3 Dobbins, F., ‘Doulce memoire - A Study of the Parody Chanson', P.R. M. A., XCVI, 1969, p. 90.Google Scholar

1 A Champollion-Figeac, Les poésies de François Premier, Paris, 1847.Google Scholar

2 Dobbins, F., art. cit., p. 85.Google Scholar

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1 Similar examples are given in H. M. Brown's monograph on the Parisian chanson - J. Haar (ed.), Chanson & Madrigal 1480–1530, Harvard, 1964, pp. 168–172.Google Scholar

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3 Notably those found in the Italian collections of Antico (RISM 15206 and 15361) and their German reprints of Petreius (15412) and Rhau (15428). Attaingnant's 42 Chansons a3 (15294) seems to represent an original repertoire, but later collections such as Attaignant's 31 Chansons à3 (Eitner 1535c), Gardane's ‘Janequin' (154113) and ‘Archadelt’ (154217) volumes, Susato's compositions of 1544 & 1552 and Gervaise's of 1550 generally use the cantus prius factus or reduction principle, suppressing the altus (contratenor).Google Scholar

4 e.g. Those of Gardane (153921), Gero 1541, Susato 1544: (c.f. RISM 15456–7, (c1555)24 and 157115).Google Scholar

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1 Ant/ = Andrea Antico (Rome 1510–17 Venice, 1520–36).Google Scholar

Ant/Abb. = Andrea Antico & Antonio dell'Abbate. (Venice, 1536).Google Scholar

Ant/Giunta = A. Antico and Luc Antonio Giunta (Venice, 1520).Google Scholar

Ant/Scotto = A. Antico (ed) and Ottaviano Scotto (Venice, 1535).Google Scholar

Att = Pierre Attaingnant (Paris, 1528–60).Google Scholar

Att/J = Pierre Attaingnant and Hubert Jullet (Paris, 1537–45).Google Scholar

Att. veuve = Marie Attaingnant (Pierre's widow & immediate successor (Paris, 1553–58).Google Scholar

du Ch = Nicolas du Chemin (Paris, 1549–76).Google Scholar

Fezandat = Michel Fezandat (Paris, 1552–8).Google Scholar

Gard = Antoine Gardane (Antonio Gardano) (Venice, 1538–69).Google Scholar

Ang. Gard = Angelo Gardano (Venice, 1576–1611).Google Scholar

Granjon = Robert Granjon (Lyons, 1559).Google Scholar

Kriesstein = Melchior Kriesstein (Augsburg, 1540–6).Google Scholar

M/N = Montanus (Johann von Berg) and Ulrich Neuber (Nuremburg, 1546–65).Google Scholar

Petreius = Johannes Petreius (Nuremburg, 1536–44).Google Scholar

Phal/B = Pierre Phalèse and Jean Bellère (Louvain and Antwerp, 1571–95).Google Scholar

R/B = Adrian Le Roy and Robert Ballard (Paris, 1551–98).Google Scholar

Rhau = Georg Rhaw (Wittenberg 1538–45)Google Scholar

Scotto = Girolamo Scotto (Venice, 1539–73).Google Scholar

Sus = Tielman Susato (Antwerp 1543–60)Google Scholar

Wael/Laet = Hubert Waelrant and Jean Laet (Antwerp, 1554–1567).Google Scholar