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Published online by Cambridge University Press: 26 February 2016
Brisbane in the 1980s provides a case study of how a small, but intensely self-conscious experimental art-scene could be created by a very few people marginalised within a conservative culture. This was a uniquely Australian phenomenon, possible only in a country of densely-populated, capital cities, isolated from each other by great distances.
Urszula Szulakowska's book about Queensland experimental art during the 1970s and 1980s will be published by the Queensland Studies Centre later this year.Google Scholar