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Published online by Cambridge University Press: 28 February 2022
Almost since the theories of Einstein and the quantum physicists came into being, a small but significant number of novelists, poets, and playwrights have turned to them for everything from casual metaphors to justification for the philosophies underlying their works. Until fairly recently, however, literary critics have tended to avoid the new physics, finding it uncongenial if not irrelevant. But over the last twenty-five years an increasing number of them, especially critical theorists, have turned to physics and even philosophy of science in the belief that these disciplines offer epistemological and methodological models applicable, to the problems of literary criticism.
The primary reason for this increased interest in philosophy of science is the rise of critical formalisms, particularly structuralism and its variants. Structuralism usually regards Russian formalism as its most significant precursor, but Northrop Frye's Anatomy of Criticism (1957) must also be seen as an important forerunner, since it provided formal criticism with a rationale.